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character: neo_asari, neo_asari(idol_master) top-down view, overhead shot, from above, looking down, 1girl, solo, lying on back, on bed, hotel bedroom, purple eyes, flushed face, blush, embarrassed expression, exhausted, limp arms, arms splayed out to sides, palms up, hands resting on sheets, open palms, sweat on skin, wet skin, messy bedding, rumpled sheets, disarrayed pillows, bra, dim lighting, warm ambient light, humid atmosphere, intimate fatigue A strict overhead shot from the ceiling, looking straight down: the bed fills the frame as a rectangle beneath the lens, and she lies on her back at its center, spread diagonally across the mattress so her head sits toward the upper left of the frame and her bare feet drift toward the lower right; the camera sees the whole length of her at once, foreshortened only at the crown of her head. Her brown hair fans out loose and damp against the pillow. Her face is tipped slightly toward one shoulder, cheek pressed into the sheet; both purple eyes are open and turned up toward the lens, heavy-lidded, meeting the viewer's gaze with a wide, mortified, caught-out look—brows drawn up in the middle, mouth slightly open and pressed flat at one corner, a deep flush spread across both cheeks, the tips of her ears and down her throat. She wears only a plain bra. Her arms lie limp and splayed out to either side of her, away from her body, elbows slightly bent and slack, and both hands rest palms-up on the sheets with fingers loosely curled open and nothing gripped—no tension in the wrists. Her ribcage rises and falls shallowly, the only motion in the frame. Around her the bedding is thoroughly wrecked: the sheets are pulled into diagonal ridges and hollows, one pillow flung half off the mattress near her hip, the duvet bunched into a twisted heap against the right edge, the fitted sheet working loose at one corner. Warm, humid air in the room; a fine sheen of sweat lies over her collarbones, her shoulders, her forearms and the hollow of her throat, catching the light in small highlights, and the damp fabric of the bra clings flat to her skin. The pillowcase is creased where her head has pressed into it, and one long strand of hair is stuck to her flushed cheek. The only light comes from a single dim, low-warm hotel lamp off-frame to one side; it rakes across the sheets at a shallow angle and lays a long soft shadow of her limp right arm and of the bunched duvet toward the opposite side of the bed, the room beyond the mattress falling away into deep, warm brown shadow. The palette is held to warm amber, honeyed cream sheets, the deep brown of her hair and the shadows, and the muted rose of her flush and the bra—nothing else admitted. Intimate, quiet exhaustion.
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character: Neo Asari(idol master),An overhead top-down shot from the ceiling looking directly down at lying on her back on a hotel bed, purple eyes,has a flushed, blushing face and an embarrassed expression,. Her arms are limp and splayed out to her sides, hands resting palms-up on the sheets in total exhaustion. She is surrounded by messy,The setting is a dimly lit hotel bedroom with a warm, humid atmosphere. The lighting is soft and ambient, emphasizing the moisture on her skin and the disarray of the bedding, creating a mood of intimate fatigue, bra
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of uru
character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking directly down, bird's-eye view, 1girl, solo, lying on back, on bed, hotel bed, full body visible, arms splayed out, arms limp, hands palms-up, resting on sheets, exhausted, total exhaustion, flushed face, blushing, embarrassed expression, purple eyes, sweat on skin, moist skin, brown hair, long hair, ahoge, braid, wearing bra, underwear only, bare shoulders, bare arms, bare midriff, navel, bare legs, messy bedding, rumpled sheets, disheveled pillows, dimly lit bedroom, warm humid atmosphere, soft ambient lighting, intimate fatigue, warm color palette, cinematic lighting, high detail The camera hangs from the ceiling directly above the bed, looking straight down, so the mattress fills the frame edge to edge and the girl is seen in full length from above, her whole body laid out across the sheets. She lies on her back, spine along the bed's long axis but tilted a little off-center toward the lower right, head heavy on a crumpled pillow at the upper left of the frame, one hip lifted slightly off the mattress so her body reads as a slack, uncoiled line rather than a posed one. Her arms lie limp and splayed out to both sides, flung clear of her torso, elbows slightly bent and turned outward, and both hands rest palms-up on the sheets, fingers loosely curled and open to the ceiling. Her legs trail down-frame, one knee fallen outward, the other leg straight, heels sunk into the rumpled duvet. Her face is turned a few degrees toward her shoulder, chin tucked, cheeks and the bridge of her nose deeply flushed with a hot pink blush that spreads to her ears, brows drawn up in the middle, eyes wide and glassy with a wet shine, lips parted on a small breath — a thoroughly embarrassed expression held under the camera's impartial stare. Purple irises catch a thin ring of light; her long brown hair fans out across the pillow and sheets around her head in loose tangles, the small braid trailing off to one side, the ahoge sprung up and bent. She wears only a plain bra, the straps slipping a little off her bare shoulders, her collarbones, midriff and navel exposed to the air; no jewelry, both ears bare and unobstructed, nothing at her throat. A fine sheen of sweat covers her skin — forehead, collarbones, sternum, the hollow of her throat — beading into small droplets that catch the light and darkening the fabric of the bra where it touches; a few strands of hair stick damply to her cheek and neck. The bedding is a wreck: sheets pulled loose and twisted into long diagonal creases, the duvet half-kicked off the mattress edge, pillows crushed and one flung near the corner, the fabric folds casting soft micro-shadows under the raking overhead light. The room is a dim hotel bedroom seen only in what the ceiling light permits: a warm, low ambient glow from a shaded lamp off-frame, falling across her body from above and slightly to one side, so the highlights sit on her flushed cheeks, her shoulders and the sweat on her chest while the deep shadow pools in the creases of the sheets and in the hollows beside her neck and under her arms. Beyond the lit mattress the floor and far walls sink into brown darkness; the only other brightness is the faint warm sheen of the headboard edge. The palette is held to warm amber lamplight, the pale cream of the sheets, the deep brown of her hair and the pink heat of her blush, with the humid air reading as a slight softness in the light. The atmosphere is a single held breath of intimate fatigue.
uru
1
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character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking down, 1girl, solo, lying on back, lying on bed, hotel bed, bed sheet, messy bedding, disheveled sheets, arms at sides, arms splayed, limp arms, palms up, open hands, exhausted, tired, blush, flushed face, embarrassed, averted eyes, purple eyes, brown hair, long hair, braid, ahoge, black bra, lingerie, bare shoulders, bare arms, collarbone, sweaty skin, moist skin, sweat, dim lighting, warm light, ambient light, intimate, mature female, large breasts, from ceiling, room interior, dim room The camera hangs straight overhead at the ceiling, aimed directly down, so the whole bed fills the frame as a rectangle of rumpled white sheeting and the girl lies along its diagonal. She is on her back, her long brown hair fanned out and tangled across the pillow and the sheet, the thin braid trailing to one side against the linen, the short ahoge sprung loose; her face is turned slightly toward her own left shoulder, chin tipped away, so the top-down view gives her flushed cheeks full play — colour high across both cheekbones and the bridge of her nose, mouth slightly open on a shallow breath, brows drawn up in the middle, eyelids low and glancing off to the side rather than up at the ceiling, the whole expression embarrassed and spent. Her black bra sits against her chest, the straps pushed slightly out of line by the way she has collapsed, the cups shifting as her ribcage rises and falls. Both arms lie flung out to either side, well away from her body, elbows slightly bent and wrists slack, the backs of her hands against the sheets and every finger uncurled, palms facing straight up to the lens — nothing gripped, nothing closed. Her legs stretch down the bed with one knee fallen outward and one foot turned in. The bedding is a wreck: the duvet kicked into a ridge along the foot of the bed, the flat sheet pulled loose from the near corner and creased in diagonals under her hips, one pillow shoved half off the far edge, the mattress visibly dipping where her shoulder and hip press it down. In one cupped fold of the sheet beside her hand a small pool of moisture darkens the cotton, and a fine sheen of sweat sits on her throat, her shoulders and the tops of her breasts, catching the light along the bone edges rather than glowing. The only light source is a single warm bedside lamp off-frame to the upper left, so the lamp side of her body is gilded and the opposite side falls into soft brown shadow that deepens into the corners of the room; the shadows of her splayed arms stretch short and soft across the sheets away from the lamp. The palette is held to warm amber light, cream-white linen, deep brown shadow and the flat black of the bra, with the pink flush and faint violet of her irises the only cool accents. Intimate, heavy with fatigue.
uru
AI artwork
Avatar image of uru
character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking directly down, bird's-eye view, 1girl, solo, lying on back, on bed, hotel bed, full body visible, arms splayed out, arms limp, hands palms-up, resting on sheets, exhausted, total exhaustion, flushed face, blushing, embarrassed expression, purple eyes, sweat on skin, moist skin, brown hair, long hair, ahoge, braid, wearing bra, underwear only, bare shoulders, bare arms, bare midriff, navel, bare legs, messy bedding, rumpled sheets, disheveled pillows, dimly lit bedroom, warm humid atmosphere, soft ambient lighting, intimate fatigue, warm color palette, cinematic lighting, high detail The camera hangs from the ceiling directly above the bed, looking straight down, so the mattress fills the frame edge to edge and the girl is seen in full length from above, her whole body laid out across the sheets. She lies on her back, spine along the bed's long axis but tilted a little off-center toward the lower right, head heavy on a crumpled pillow at the upper left of the frame, one hip lifted slightly off the mattress so her body reads as a slack, uncoiled line rather than a posed one. Her arms lie limp and splayed out to both sides, flung clear of her torso, elbows slightly bent and turned outward, and both hands rest palms-up on the sheets, fingers loosely curled and open to the ceiling. Her legs trail down-frame, one knee fallen outward, the other leg straight, heels sunk into the rumpled duvet. Her face is turned a few degrees toward her shoulder, chin tucked, cheeks and the bridge of her nose deeply flushed with a hot pink blush that spreads to her ears, brows drawn up in the middle, eyes wide and glassy with a wet shine, lips parted on a small breath — a thoroughly embarrassed expression held under the camera's impartial stare. Purple irises catch a thin ring of light; her long brown hair fans out across the pillow and sheets around her head in loose tangles, the small braid trailing off to one side, the ahoge sprung up and bent. She wears only a plain bra, the straps slipping a little off her bare shoulders, her collarbones, midriff and navel exposed to the air; no jewelry, both ears bare and unobstructed, nothing at her throat. A fine sheen of sweat covers her skin — forehead, collarbones, sternum, the hollow of her throat — beading into small droplets that catch the light and darkening the fabric of the bra where it touches; a few strands of hair stick damply to her cheek and neck. The bedding is a wreck: sheets pulled loose and twisted into long diagonal creases, the duvet half-kicked off the mattress edge, pillows crushed and one flung near the corner, the fabric folds casting soft micro-shadows under the raking overhead light. The room is a dim hotel bedroom seen only in what the ceiling light permits: a warm, low ambient glow from a shaded lamp off-frame, falling across her body from above and slightly to one side, so the highlights sit on her flushed cheeks, her shoulders and the sweat on her chest while the deep shadow pools in the creases of the sheets and in the hollows beside her neck and under her arms. Beyond the lit mattress the floor and far walls sink into brown darkness; the only other brightness is the faint warm sheen of the headboard edge. The palette is held to warm amber lamplight, the pale cream of the sheets, the deep brown of her hair and the pink heat of her blush, with the humid air reading as a slight softness in the light. The atmosphere is a single held breath of intimate fatigue.
uru
AI artwork
Avatar image of uru
character: neo_asari. An overhead top-down shot from the ceiling looking directly down at neo_asari as she lies on her back on a hotel bed. She has a flushed, blushing face and an embarrassed expression, with purple eyes wide with fatigue. Her arms are limp and splayed out to her sides, with her hands resting palms-up on the white sheets in total exhaustion. She is wearing only a bra, her skin appearing slightly moist. The bed is surrounded by messy, disarrayed bedding. The setting is a dimly lit hotel bedroom with a warm, humid atmosphere. The lighting is soft and ambient, emphasizing the moisture on her skin and the rumpled fabric of the sheets, creating a mood of intimate fatigue.
uru

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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