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AI art "let's go for a seaside drive"
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let's go for a seaside drive

#Blue Archive#Mika Misono#Seia Yurizono#Kirifuji Nagisa#Seia (Costume da bagno)
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character: nagisa_(swimsuit)_(blue_archive), mika_(swimsuit)_(blue_archive), seia_(swimsuit)_(blue_archive), copyright: blue_archive 3girls, swimsuit, seia \(swimsuit\), nagisa \(swimsuit\), mika \(swimsuit\), blonde hair, long hair, side ponytail, hair over one eye, pink eyes, fox ears, tail, white one-piece swimsuit, yellow jacket, highleg, visor cap, sunglasses, long hair, ponytail, brown hair, yellow eyes, white wings, black one-piece swimsuit, pink hair, very long hair, yellow eyes, white wings, white bikini, frilled bikini, halterneck, white open-top car, convertible, left-hand drive, right side steering wheel position, seia in driver's seat, nagisa in passenger seat, mika standing in back seat, driving, looking ahead, one hand on the steering wheel, yellow halo, side view, from side, cowboy shot, plein air, Los Angeles coast, pacific coast highway, palm trees, ocean horizon, american diner, roadside, neon sign, thin pillars of light in the sky, ripples in the sky, pop art background, ligne claire, clear vivid colors, flat color, hard cel edges, bold black outlines, side view, profile, fully side-on, from side, sitting in driver's seat, both hands on steering wheel, sitting in passenger seat, hand on door top, standing in back seat, one foot on seat cushion, holding onto windshield frame, wind-blown hair, sunny afternoon, clear sky, blue sky, cumulus clouds, coastal highway, ocean, glinting white car body, sunglasses, grin, looking at the road, looking ahead, profile, wind, sea breeze, motion. The image is a fully side-on view of a white left-hand-drive open-top car travelling along a coastal road at one o'clock in the afternoon, the three occupants all shown in profile from the same left flank of the vehicle. The car is the middle ground, painted glossy white with its top folded down, and its left side faces the viewer: the front half holds the driver's seat, the rear half the open back bench. Seia occupies the driver's seat, a blonde long-haired figure with a side ponytail and the hair hanging over one eye, one fox ear catching the light, her long tail curling down over the seat back behind her hip, a yellow jacket open over a white highleg one-piece swimsuit, a visor cap squarely on her head and tinted sunglasses over her pink eyes. Her hands close on the steering wheel rim, right hand high at ten and left hand low at four, her elbows softly bent, her chin level as she looks along the road ahead through the sunglasses; her back shoulder rests against the seat back and her foot heels on the floor. In the passenger seat beside her Nagisa sits with a long brown ponytail hanging over her shoulder onto her chest, white feathered wings folded neatly behind her shoulders, a black one-piece swimsuit hugging her waist, sunglasses perched on her nose; her right palm lies flat on the door top, her left hand rests on her own thigh, and she is turned slightly in her seat with her profile to the camera, a small closed-lip smile at the corner of her mouth, her gaze slanting out past the windshield frame toward the ocean. Behind them Mika stands upright in the back seat, pink very long hair streaming backward in the wind, white frilled bikini snug across her chest and hips, her large white feathered wings spread low and half-open behind her so their tips cross the sky; one knee is bent with a foot braced on the cushion, her right hand grips the windshield frame in front of her and her left arm is flung out sideways for balance, her mouth open in a wide delighted grin and her yellow eyes aimed ahead over the top of Seia's visor cap. The camera is level with the car's door line, a cowboy-shot crop that keeps the whole hood and a slice of the surf-side road, so the three heads stack diagonally upward from left to right. All three bodies share the same wind: hair and ribbon ends pulled toward the rear, Nagisa's ponytail lifted off her shoulder, Mika's long hair whipping almost horizontal, and the woven fabric of their swimsuits pressing flat to their windward sides. Sunlight comes from high behind the viewer's left shoulder, hard and warm, striking the car's flank so the white paint flares with a hot specular streak, cutting small dark shadows under each chin and beneath the car, and laying the passengers' shadows across the leather seat backs where the windshield frame casts a crisp diagonal line over Nagisa's thigh. The background is flat and poster-clean: a pop-art composition of a pale blue Pacific horizon, wide palm silhouettes reduced to simple shapes, a low white-and-red American diner with a bold roof sign and neon tubing on the near roadside, all drawn in a crisp ligne-claire manner with bold unmodulated black outlines, flat colour areas and no gradients or texture. Above, the sky carries the world's signature marks: three thin pale pillars of light rising straight up from behind the diner, and a set of concentric elliptical ripples opening out across the high blue like still water disturbed, drawn as clean hairline rings. The palette is bright and unambiguous: firm saturated cerulean sky, hard white car, coral and cream diner, deep teal sea, and the three hair colours as the only warm accents. A single white gull glides parallel to the car in the middle distance, its wings silvered by the same sun, its shadow falling as a small dark smudge on the guardrail between diner and sea. Sunny, breezy.
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Immissione richiesta originale
ブルーアーカイブの水着セイア、水着ナギサ、水着ミカ。 左ハンドルの白いオープンカーでロサンゼルスの海岸沿いを走る。 ロードサイドにはアメリカンダイナー。 運転席はセイア、助手席にナギサ、後部座席で立っているミカ。 ブルーアーカイブの世界の空っぽく細い光の柱と波紋が空に在る。 背景のみポップアートなイラスト。 明瞭な色彩のリーニュクレール様式で。
Modalità
pro
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: furina_(genshin_impact), hu_tao_(genshin_impact), copyright: genshin_impact 2girls, furina_(genshin_impact), hu_tao_(genshin_impact), convertible, car interior, sitting behind steering wheel, driving, hands on steering wheel, short tank top, swimsuit bottoms, hu tao in swimsuit, passenger seat, front seat, long hair, twintails, brown hair, red eyes, blue hair, streaked hair, heterochromia, ahoge, blue eyes, looking at another, looking ahead, grin, open mouth, ^ ^, one eye closed, sunlight, summer, seaside road, from side, cowboy shot, motion blur, wind, hair blowing, bare shoulders, bare arms, collarbone, seatbelt undone, Seen from the side through the open doorless flank of the convertible, the camera low at the level of the door sill and slightly behind the front axle: Furina occupies the far seat, both hands wrapped around the top arc of a black-rimmed steering wheel, thumbs hooked over the rim, her blue-and-white streaked hair and its ahoge whipped backward and up over her shoulder by the wind, a strand crossing her cheek; she leans very slightly into the turn, weight on her right hip against the seat bolster, chin lifted, one eye squeezed shut against the airstream and the other bright and fixed on the road ahead through the low windscreen, her mouth open in a delighted half-laugh. The short tank top is pale cream, cropped above the navel, the hem fluttering and clinging to her ribs where the wind presses it; her swimsuit bottoms are deep navy with a fine white side-stripe, riding high on her hip, the bare skin of one thigh pressed along the seat cushion. In the near seat, closer to camera and partly overlapping Furina's forearm, Hu Tao sits sideways-turned toward her, knees drawn up and one bare foot hooked over the edge of the seat, a wide-brimmed sun hat pushed back on her head so both twintails stream out horizontally behind her, very long brown hair lashing across the headrest; her swimsuit is a dark plum one-piece with a high collar, and she has twisted her torso around to look at Furina with a lopsided grin and one arched brow, her left hand braced flat on the dashboard top and her right lifted to hold the hat brim down. Their eyelines cross: Furina's sharp glance flicks sideways to Hu Tao for a heartbeat while her hands stay on the wheel, and Hu Tao's red eyes are fixed on Furina's face in return. Behind and beyond the car, a coastal road: bleached guardrail, dry grass, the sea as a hard bright band of turquoise, a single white cloud, everything else in the distance simplified to clean shapes. The sun sits high and behind the camera on the right, so it strikes the tops of their shoulders, the rim of the wheel, and the chrome edge of the windscreen in warm white, while the footwells and the space under the dashboard fall into deep shadow; the car's shadow lies short and hard beneath it on the asphalt, and Hu Tao's hat throws a crescent of shade over one eye. The palette is three notes only -- hot turquoise sea and sky, cream and navy on Furina, plum and brown on Hu Tao, with bleached white asphalt -- and the wind is made visible in every thrown strand of hair and the fluttering tank-top hem. Summer, weightless, gleeful.
Андрей
#Genshin Impact#Hu Tao#Furina

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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