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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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大陽

大陽

大陽

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character: pekoyama_peko, tsumiki_mikan, nanami_chiaki 3 girls, multiple girls, pekoyama peko, tsumiki mikan, nanami chiaki, silver braided hair, twin braids, long hair, red eyes, glasses, long dark purple hair, party dress, gorgeous party dresses, holding wine glass, wine glass, laughing hysterically, open mouth laughing, tears of laughter, smug, amused expression, pointing at viewer, looking up, looking up at stage, from above, pov, point of view, foreshortening, luxurious banquet hall, chandelier, warm golden light, high contrast, dutch angle, wide shot From above and steeply foreshortened, the camera hangs high in the air over a stage and stares straight down past its own feet at three girls who have turned their faces up toward it. The stage floor occupies the lower two thirds of the frame: a polished marble slab veined in cream and grey, its surface mirror-bright, so that each girl stands doubled in a soft, darkened reflection that spreads beneath her heels. The three are clustered close together at the front edge of the platform, shoulders overlapping, all leaning back slightly with their chins lifted and their eyes rolled up toward the lens -- the point of view is the one being laughed at. On the left, a girl with silver-white hair gathered into a single long braid that falls forward over her shoulder, thin-rimmed glasses catching two small hard highlights from the chandelier, red eyes narrowed with delight; her free arm is thrust straight up toward the viewer, index finger extended, and the foreshortening makes that hand the largest thing in the picture, a big soft-edged shape with a gloss of chandelier light on the knuckle. In the middle, a girl with long dark purple hair spilling loose past her waist, red eyes brimming, one hand pressed flat to her cheek while tears run down and gather in a shining bead at her jaw; her other hand lifts a wine glass by the stem so the red wine tilts against the far side of the bowl. On the right, a girl with long dark purple hair bound back, glasses, red eyes wide and wet, head tipped back in a full open-mouthed laugh, one arm pointing at the viewer, the other holding her glass high so the wine sloshes a thin crescent up its wall. All three mouths are wide open, all three throats visible, all three faces creased with laughing; the hysteria is loud enough that it reads in the stretched tendons of their necks. Their party dresses are gorgeous and theatrical -- deep wine velvet, black satin, and smoky lavender silk with heavy beaded bodices, each cut close at the waist and flaring in a stiff bell that catches the light along its folds; the shoulders are bare, and the hems spread on the marble. Each holds her wine glass upright by the stem, glass rims and bowls refracting the chandelier into small bright arcs. No other figures stand on the stage; the space behind them falls away into the empty hall. The banquet hall opens out far below and behind: a long white-clothed table with silver candelabra, rows of chairs pushed back, and a massive crystal chandelier hanging in the upper background, its tiers of prisms flaring into star-shaped glints. The chandelier is the only light source, pouring warm gold down from above so the tops of the three heads, the shoulders, the raised glasses and the jutting pointing fingers are rimmed in hot light while their faces and the undersides of their chins sit in cool shadow; long soft shadows fall away from the stage and the reflections in the marble darken and blur toward their edges. Red, black, silver and warm gold only. The mood is cruel, giddy, triumphant.
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masterpiece, best quality, anime style, multiple girls, peko pekoyama, mikan tsumiki, chiaki nanami, silver braided hair, glasses, red eyes, long dark purple hair, wearing gorgeous party dresses, holding wine glasses, laughing hysterically, pointing at viewer, tears of laughter, open mouth laughing, smug, amused expression, looking up at stage, luxurious banquet hall, chandelier, from above, POV of being laughed at on stage
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pro
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﹝Prompt﹞
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1888 x 1056
Metodo di campionamento
Euler
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lowres, worst quality, low quality, bad anatomy, explicit ,bad hands, text, error, missing fingers, extra digit, fewer ,digits, cropped, worst quality, , normal quality, jpeg artifacts, signature, watermark, username, blurry, bad feet, multiple views,POV, first-person view,lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, female breasts, large breasts
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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大陽
character: pekoyama_peko, tsumiki_mikan, nanami_chiaki 3 girls, multiple girls, pekoyama peko, tsumiki mikan, nanami chiaki, silver braided hair, twin braids, long hair, red eyes, glasses, long dark purple hair, party dress, gorgeous party dresses, holding wine glass, wine glass, laughing hysterically, open mouth laughing, tears of laughter, smug, amused expression, pointing at viewer, looking up, looking up at stage, from above, pov, point of view, foreshortening, luxurious banquet hall, chandelier, warm golden light, high contrast, dutch angle, wide shot From above and steeply foreshortened, the camera hangs high in the air over a stage and stares straight down past its own feet at three girls who have turned their faces up toward it. The stage floor occupies the lower two thirds of the frame: a polished marble slab veined in cream and grey, its surface mirror-bright, so that each girl stands doubled in a soft, darkened reflection that spreads beneath her heels. The three are clustered close together at the front edge of the platform, shoulders overlapping, all leaning back slightly with their chins lifted and their eyes rolled up toward the lens -- the point of view is the one being laughed at. On the left, a girl with silver-white hair gathered into a single long braid that falls forward over her shoulder, thin-rimmed glasses catching two small hard highlights from the chandelier, red eyes narrowed with delight; her free arm is thrust straight up toward the viewer, index finger extended, and the foreshortening makes that hand the largest thing in the picture, a big soft-edged shape with a gloss of chandelier light on the knuckle. In the middle, a girl with long dark purple hair spilling loose past her waist, red eyes brimming, one hand pressed flat to her cheek while tears run down and gather in a shining bead at her jaw; her other hand lifts a wine glass by the stem so the red wine tilts against the far side of the bowl. On the right, a girl with long dark purple hair bound back, glasses, red eyes wide and wet, head tipped back in a full open-mouthed laugh, one arm pointing at the viewer, the other holding her glass high so the wine sloshes a thin crescent up its wall. All three mouths are wide open, all three throats visible, all three faces creased with laughing; the hysteria is loud enough that it reads in the stretched tendons of their necks. Their party dresses are gorgeous and theatrical -- deep wine velvet, black satin, and smoky lavender silk with heavy beaded bodices, each cut close at the waist and flaring in a stiff bell that catches the light along its folds; the shoulders are bare, and the hems spread on the marble. Each holds her wine glass upright by the stem, glass rims and bowls refracting the chandelier into small bright arcs. No other figures stand on the stage; the space behind them falls away into the empty hall. The banquet hall opens out far below and behind: a long white-clothed table with silver candelabra, rows of chairs pushed back, and a massive crystal chandelier hanging in the upper background, its tiers of prisms flaring into star-shaped glints. The chandelier is the only light source, pouring warm gold down from above so the tops of the three heads, the shoulders, the raised glasses and the jutting pointing fingers are rimmed in hot light while their faces and the undersides of their chins sit in cool shadow; long soft shadows fall away from the stage and the reflections in the marble darken and blur toward their edges. Red, black, silver and warm gold only. The mood is cruel, giddy, triumphant.
大陽
#Danganronpa#Danganronpa 2: Goodbye Despair#Peko Pekoyama
AI artwork
大陽
character: pekoyama_peko, tsumiki_mikan, nanami_chiaki 3 girls, multiple girls, pekoyama peko, tsumiki mikan, nanami chiaki, silver braided hair, twin braids, long hair, red eyes, glasses, long dark purple hair, party dress, gorgeous party dresses, holding wine glass, wine glass, laughing hysterically, open mouth laughing, tears of laughter, smug, amused expression, pointing at viewer, looking up, looking up at stage, from above, pov, point of view, foreshortening, luxurious banquet hall, chandelier, warm golden light, high contrast, dutch angle, wide shot From above and steeply foreshortened, the camera hangs high in the air over a stage and stares straight down past its own feet at three girls who have turned their faces up toward it. The stage floor occupies the lower two thirds of the frame: a polished marble slab veined in cream and grey, its surface mirror-bright, so that each girl stands doubled in a soft, darkened reflection that spreads beneath her heels. The three are clustered close together at the front edge of the platform, shoulders overlapping, all leaning back slightly with their chins lifted and their eyes rolled up toward the lens -- the point of view is the one being laughed at. On the left, a girl with silver-white hair gathered into a single long braid that falls forward over her shoulder, thin-rimmed glasses catching two small hard highlights from the chandelier, red eyes narrowed with delight; her free arm is thrust straight up toward the viewer, index finger extended, and the foreshortening makes that hand the largest thing in the picture, a big soft-edged shape with a gloss of chandelier light on the knuckle. In the middle, a girl with long dark purple hair spilling loose past her waist, red eyes brimming, one hand pressed flat to her cheek while tears run down and gather in a shining bead at her jaw; her other hand lifts a wine glass by the stem so the red wine tilts against the far side of the bowl. On the right, a girl with long dark purple hair bound back, glasses, red eyes wide and wet, head tipped back in a full open-mouthed laugh, one arm pointing at the viewer, the other holding her glass high so the wine sloshes a thin crescent up its wall. All three mouths are wide open, all three throats visible, all three faces creased with laughing; the hysteria is loud enough that it reads in the stretched tendons of their necks. Their party dresses are gorgeous and theatrical -- deep wine velvet, black satin, and smoky lavender silk with heavy beaded bodices, each cut close at the waist and flaring in a stiff bell that catches the light along its folds; the shoulders are bare, and the hems spread on the marble. Each holds her wine glass upright by the stem, glass rims and bowls refracting the chandelier into small bright arcs. No other figures stand on the stage; the space behind them falls away into the empty hall. The banquet hall opens out far below and behind: a long white-clothed table with silver candelabra, rows of chairs pushed back, and a massive crystal chandelier hanging in the upper background, its tiers of prisms flaring into star-shaped glints. The chandelier is the only light source, pouring warm gold down from above so the tops of the three heads, the shoulders, the raised glasses and the jutting pointing fingers are rimmed in hot light while their faces and the undersides of their chins sit in cool shadow; long soft shadows fall away from the stage and the reflections in the marble darken and blur toward their edges. Red, black, silver and warm gold only. The mood is cruel, giddy, triumphant.
大陽
AI artwork
大陽
character: pekoyama_peko, tsumiki_mikan, nanami_chiaki 3 girls, multiple girls, pekoyama peko, tsumiki mikan, nanami chiaki, silver braided hair, twin braids, long hair, red eyes, glasses, long dark purple hair, party dress, gorgeous party dresses, holding wine glass, wine glass, laughing hysterically, open mouth laughing, tears of laughter, smug, amused expression, pointing at viewer, looking up, looking up at stage, from above, pov, point of view, foreshortening, luxurious banquet hall, chandelier, warm golden light, high contrast, dutch angle, wide shot From above and steeply foreshortened, the camera hangs high in the air over a stage and stares straight down past its own feet at three girls who have turned their faces up toward it. The stage floor occupies the lower two thirds of the frame: a polished marble slab veined in cream and grey, its surface mirror-bright, so that each girl stands doubled in a soft, darkened reflection that spreads beneath her heels. The three are clustered close together at the front edge of the platform, shoulders overlapping, all leaning back slightly with their chins lifted and their eyes rolled up toward the lens -- the point of view is the one being laughed at. On the left, a girl with silver-white hair gathered into a single long braid that falls forward over her shoulder, thin-rimmed glasses catching two small hard highlights from the chandelier, red eyes narrowed with delight; her free arm is thrust straight up toward the viewer, index finger extended, and the foreshortening makes that hand the largest thing in the picture, a big soft-edged shape with a gloss of chandelier light on the knuckle. In the middle, a girl with long dark purple hair spilling loose past her waist, red eyes brimming, one hand pressed flat to her cheek while tears run down and gather in a shining bead at her jaw; her other hand lifts a wine glass by the stem so the red wine tilts against the far side of the bowl. On the right, a girl with long dark purple hair bound back, glasses, red eyes wide and wet, head tipped back in a full open-mouthed laugh, one arm pointing at the viewer, the other holding her glass high so the wine sloshes a thin crescent up its wall. All three mouths are wide open, all three throats visible, all three faces creased with laughing; the hysteria is loud enough that it reads in the stretched tendons of their necks. Their party dresses are gorgeous and theatrical -- deep wine velvet, black satin, and smoky lavender silk with heavy beaded bodices, each cut close at the waist and flaring in a stiff bell that catches the light along its folds; the shoulders are bare, and the hems spread on the marble. Each holds her wine glass upright by the stem, glass rims and bowls refracting the chandelier into small bright arcs. No other figures stand on the stage; the space behind them falls away into the empty hall. The banquet hall opens out far below and behind: a long white-clothed table with silver candelabra, rows of chairs pushed back, and a massive crystal chandelier hanging in the upper background, its tiers of prisms flaring into star-shaped glints. The chandelier is the only light source, pouring warm gold down from above so the tops of the three heads, the shoulders, the raised glasses and the jutting pointing fingers are rimmed in hot light while their faces and the undersides of their chins sit in cool shadow; long soft shadows fall away from the stage and the reflections in the marble darken and blur toward their edges. Red, black, silver and warm gold only. The mood is cruel, giddy, triumphant.
大陽
#Danganronpa#Danganronpa 2: Goodbye Despair#Peko Pekoyama

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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