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橫山育人

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橫山育人

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character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster five girls, mummy bandages, full body wrap, kneeling, seiza, halloween street, full body, wide shot, from below, dutch angle, from side, group composition, staggered arrangement, long hair, twintails, double bun, red eyes, brown eyes, ahoge, hair between eyes, orange hair, blonde hair, short hair, purple eyes, black hair, blue eyes, hair ornament, looking at another, head tilt, :d, one eye closed, raised eyebrow, pout, puffy cheeks, bandage slipping, loose bandage end, cobblestone street, jack-o'-lanterns, carved pumpkins, string lights, paper bats, bare autumn trees, night, warm lantern light, cast shadows, teal and amber palette The camera sits low near the pavement and tilted a few degrees off level, looking up the length of a narrow cobbled Halloween street, so the five kneeling figures rise in foreshortened perspective and the carved pumpkins on either side loom at eye height. They are arranged in a loose staggered crescent facing the lens: at the left edge of the frame a black-haired girl with a short blue-black bob and a small bow at the side of her head kneels upright in seiza, knees together on the stones, hands folded one over the other in her lap, head tipped slightly toward the girl beside her, lips pressed in a small uncertain line; a loose bandage end trails from her shoulder down onto the cobbles. Beside her, forward of the others, a girl with long brown hair in two high buns with hanging twintails kneels with her weight rocked onto one hip, knees angled to the side in a less formal kneel, one hand planted flat on the street to steady herself and the other raised in a cheerful peace sign, a wide open-mouthed grin and one eye squeezed shut. At the center a girl with long red hair and a single ahoge springing up leans far forward out of her kneel, hips still low but torso thrust toward the camera with both palms braced on the pavement in front of her knees, chin up, tongue peeking from the corner of a grin, the loose tail of her bandage swinging forward. To her right a blonde girl with a short ash-blonde bob is absorbed in her own body, twisting her torso to peer back over her shoulder at a bandage that has started to unwind from her forearm, one hand catching the trailing strip, mouth a small annoyed pout with brows drawn. At the right edge a long orange-haired girl kneels in a tall seiza with her knees slightly apart, spine upright, chin lowered so she looks out from under her bangs with a sideways glance and a lopsided smirk, one eyebrow arched, a bandage loop slipped down off her shoulder onto her upper arm. Every one of them is wrapped head to toe in dirty off-white cloth bandages, overlapping spiral turns down the limbs, layer bands flattening the torsos, strips wound up the neck under the jaw, a spiral wrapped over the brow and down across one cheek of each girl leaving the eyes, the mouth and a narrow strip of facial skin exposed, and small edges of their hair --- the black bob, the brown buns, the long red strands, the short blonde locks, the orange mane --- pushing out at the crown and where the bandage ends. The bandages are grubby, with grey rubbed patches on the knees, elbows and hip where they press the stones, and their individual bandage ends hang and curl at the ankles, wrists and shoulders. The street is a narrow cobbled lane of dark blue-grey stones running back through the frame between half-timbered facades in shadow. Warm amber light comes from iron lanterns hung on the walls and from the rows of carved pumpkins lining the footpath and stacked on doorsteps, their faces cut in crooked triangles and sickles, each glowing a deep orange on the inside; the lanterns are the only light source and beyond their pools the lane falls away into absolute dark between the buildings. Because the light sits low and to the sides, each girl throws a long hard shadow up the cobbles behind her, and the girls' own faces are lit from below by the pumpkin glow, picking out the coiled ridges of the bandages on their jaws and the moist shine of their eyes. Above, strings of small bulbs cross the lane, and flat black paper bats and ragged cloth ghosts hang from the wires, still; bare autumn branches lean over the rooftops, and scattered dry leaves have collected in the seams between the stones and one leaf is stuck against a girl's bandaged knee. The palette holds to a teal-leaden night in the walls, the slate stones and the shadows, against amber and pumpkin orange in every light source, warm cream in the bandage cloth. Low, tilted, and lit from beneath, the picture reads playful and faintly spooky.
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偶像大師閃耀色彩的杜野凜世 園田智代子 小宮果穗 西城樹里 有栖川夏葉 全身綁滿綁帶 扮演木乃伊跪在 萬聖節風格的大街上
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flash
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768 x 1280
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster 5 girls, five subjects, full body, full-body bandage wrappings, mummy costume, bandages covering arms and legs, bandages wound across torso and hips, mummy, kneeling, all five kneeling on the ground, halloween, halloween street, night, jack-o'-lantern, carved pumpkin lanterns, string lights, cobblestone pavement, fallen leaves, fog, from below, wide shot, low angle, group shot, kneeling, long hair, red hair, blonde hair, black hair, orange hair, ahoge, hair between eyes, twintails, double bun, red eyes, purple eyes, brown eyes, bare feet, bandaged hands, bandaged head, loosened bandage ends trailing, looking at viewer, light smile, open mouth, one eye closed, head tilt, tilted heads, cinematic lighting, warm orange lantern light, cool blue night shadows Low-angle wide shot from just above the cobblestones, the camera tilted up so the five kneeling figures rise against the night sky and the Halloween street recedes behind them in a corridor of fog. In the foreground a row of carved pumpkin lanterns sits along the curb, their jagged mouths glowing from candles inside, the warm light thrown upward onto the girls' faces and the undersides of their chins; behind them the street runs away in wet cobblestone, strung with sagging lines of small orange and purple bulbs, shopfronts dark, a paper bat garland stirring, drifts of fallen leaves gathered against the kerb. Each of the five kneels on both knees, shins flat on the stones, weight settled back on the heels, torsos upright and slightly turned so the group reads as a staggered arc rather than a line. Every one of them is wrapped from head to foot in off-white gauze bandages: layers wound in overlapping diagonal bands around the skull, leaving only the eyes and a strip of mouth and nose exposed, down the throat and the shoulders, in tight crossing turns around the chest and waist and hips, spiralling down each thigh and calf and around the ankles, with the feet and the hands wrapped so the individual fingers are bound together as blunt padded mitts. Loose ends trail from a shoulder here and a wrist there and stir in the night air. No other garment is visible anywhere on any of them. On the far left, a girl with long straight black hair spilling out from under the head wrapping in a dark sheet over her bandaged shoulders, a small bow knotted at the side of the gauze, red eyes above the wrap; she kneels with her hip dropped to one side, one bound hand raised and splayed in a stiff theatrical mummy gesture, chin lifted, mouth a thin amused line, gazing level at the viewer. Beside her a girl with short blonde hair poking in tufts through the bandages, purple eyes bright, one eye squeezed shut in a wink, her head tipped toward the girl on her left, one mittened hand lifted to her own cheek and the other braced flat on the cobblestones for balance. In the centre, a girl with brown hair in two low buns half unwrapped at the crown and a pair of twintails hanging free down her back, brown eyes wide and delighted, both bound hands clasped together at her chest, leaning slightly forward so her shoulders round toward the lens. To her right a girl with long vivid red hair escaping in a thick tail from the back of her head wrap, a single ahoge springing up through a gap in the gauze, red eyes narrowed with a lopsided smirk, one knee lifted a few centimetres off the ground as if she is about to rise, one arm hooked loosely over the other's bound shoulder. On the far right, a girl with long orange hair swept out through the wrapping and falling to her waist, brown eyes half-lidded and calm, kneeling upright with her bound hands folded in her lap, tilted a few degrees toward the centre, watching the others rather than the camera. The pumpkin lanterns are the primary light source: candle glow striking each face from below and in front, warming the bandage texture so the weave and the overlapping edges cast fine shadows, while the street's string lights give a second, weaker amber rim along their shoulders and the backs of their heads, and the fog behind them goes blue-grey and cold. The bandages darken into shadow where they wrap under the chins and inside the crooks of the elbows. Wet cobblestones mirror the lantern light in broken orange streaks that stretch long beneath the knees, and one trailing bandage end lies curled on the stones, soaked dark at its tip. Palette held to off-white gauze, pumpkin orange, deep violet night and cold blue fog. Playfully eerie, warmly theatrical.
橫山育人
#The Idolmaster#The Idolmaster Shiny Colors#Natsuha Arisugawa
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character: takayama_sayoko, kousaka_umi, satake_minako, yokoyama_nao, fukuda_noriko, copyright: idolmaster 5girls, full body, kneeling, wide shot, low angle, mummy, mummy costume, wrapped in bandages, bandage, cloth strips, frayed fabric, halloween, night, street, cobblestone, jack-o'-lantern, glowing pumpkins, lanterns, autumn leaves, damp ground, black hair, long hair, red eyes, short hair, blonde hair, brown eyes, brown hair, twin braids, blue eyes, ahoge, side ponytail, purple eyes, ponytail, playful, outdoors A low-angle, full-body wide shot captures five girls kneeling together in a staggered semicircle across the center of a cobblestone street decked out for Halloween night. Each girl is dressed as a mummy, her entire body snugly wrapped from shoulders to toes in layers of aged, cream-white linen bandages that overlap around their torsos, arms, and legs, with ragged frayed hems trailing against the ground. On the far left, a girl with short ruffled blonde hair and expressive brown eyes kneels with her weight shifted forward, one knee raised slightly while her wrapped palm braces against the wet stones. Beside her, a girl with long straight black hair draping down her bandaged shoulders sits in an upright, poised seiza posture, her striking red eyes gazing calmly ahead with both wrapped hands resting flat on her thighs. In the center, a girl with long brown hair arranged into twin braids falling across her chest leans playfully toward the camera, her bright blue eyes wide with enthusiasm as she raises both bandage-wrapped forearms in a mock-monster claw gesture. To her right, a girl with wavy brown hair featuring a prominent ahoge and a side ponytail sits tilted to one side, her purple eyes gleaming with a mischievous open-mouthed grin as she stretches one bandaged arm forward toward the viewer. On the far right, a girl with long brown hair tied in a high ponytail kneels back comfortably on her heels, smiling warmly with blue eyes while clasping her wrapped fingers loosely across her lap. Carved jack-o'-lanterns line the storefront curbs, their flickering candle flames casting warm amber rims along the ridges of the woven bandages and creating elongated shadows stretching back into the street. A cool twilight-purple wash from the night sky and distant string lights illuminates the wet pavement, where damp cobblestones reflect the lantern glow and darken the tips of the frayed bandage strips trailing across them. Playfully spooky and festive.
橫山育人
#The Idolmaster#The Idolmaster Million Live!#Noriko Fukuda
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character: tsukioka_kogane, tanaka_mamimi, mitsumine_yuika, shirase_sakuya, yukoku_kiriko, copyright: idolmaster 5girls, full body, kneeling, seiza, mummy costume, body fully wrapped in bandages, bandages over torso, arms wrapped in bandages, legs wrapped in bandages, bandage strips hanging loose, halloween, halloween street, night, jack-o'-lantern, carved pumpkin lanterns, string lights, cobblestone street, hanging paper bats, long hair, brown hair, brown eyes, purple hair, purple eyes, diagonal bangs, twintails, black hair, blue eyes, parted bangs, glasses, very long hair, yellow eyes, hair between eyes, ponytail, grey hair, wide-eyed, looking at another, head tilt, from above, full body, dutch angle The camera looks down from a raised stoop at a slight dutch tilt, so the five kneeling figures fan across the frame in a loose arc on the cobblestones, all seen whole from crown to knees, none cropped. Each girl is wound head to knee in off-white gauze bandages, layered in overlapping diagonal turns that cross the chest, bind the upper arms to the ribs and spiral down the thighs, with the wrap stopping at the ankles so bare feet and the ends of their hair stay free; loose strips trail from a shoulder and a wrist of each and hang dead in the still air. Individual heads remain readable above the wrapping: at the left, a girl with long brown hair spilling from the top wrap and a small bow caught in it, her chin tipped up and her brown eyes wide with stage fright; beside her a girl with purple twintails and blunt diagonal bangs, purple eyes narrowed and one brow arched in a smug sideways glance; at the centre a girl with black twintails and parted bangs whose glasses sit slightly askew on her nose, both lenses catching the pumpkin light; to her right a girl with very long black hair in a high ponytail, yellow eyes gone round, mouth open in a delighted gasp; and at the far right a girl with grey twintails and purple eyes, head tilted, her gaze sliding quietly toward the ponytailed girl beside her. All five kneel with knees together on the stones, hips back on their heels, torsos held stiff and upright in the rigid mummy posture, elbows pinned to their sides, forearms lifted and crossed flat over the chest with palms pressed in, and each one's weight settles differently -- two rocked onto the left heel, one onto the right, one listing slightly forward, one bolt upright. Their shoulders touch and overlap where the arc is tightest, the centre girl's crossed forearm passing in front of the ponytailed girl's upper arm. The street is a narrow halloween lane: carved jack-o'-lanterns with candle flames guttering inside sit along both kerbs and on the stoop steps, their carved eyes throwing small orange pools onto the wet cobbles and up the undersides of the bandages; strings of small warm bulbs zigzag overhead between the facades, and flat black paper bats hang from the wires. Shopfronts on both sides are shuttered and dark, their windows reflecting only the pumpkins, and the far end of the lane dissolves into unlit black. The bulbs and pumpkins are the only light: warm orange from below and to the left, cool near-darkness above, a thin rim of orange along each shoulder and the top of each wrapped head, and each girl casts a short doubled shadow backward onto the stones. Where the bandage turns cross, the weave shows -- a soft fibrous texture with one loose end fraying on the centre girl's shoulder. The palette stays to pumpkin orange, off-white gauze, and the blue-black of the night street. Playfully eerie.
橫山育人
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character: suou_momoko, sajo_yukimi, nakatani_iku, yusa_kozue, copyright: idolmaster 1girl, 4girls, nakatani_iku, suou_momoko, yusa_kozue, sajo_yukimi, mummy, mummy costume, bandages, full body wrap, pregnant belly, kneeling, from above, halloween, halloween street, pumpkins, lanterns, night, orange and purple lighting, looking at viewer A high-angle view looks down upon four girls kneeling in a row on a cobblestone street decorated for Halloween. Every girl's body is entirely encased in overlapping strips of off-white linen bandages, from their necks down to their toes, leaving only their faces exposed. The wraps are tight, accentuating the prominent, rounded swell of a pregnant belly on each of them. The first girl has short black hair and brown eyes; the second has short brown hair with a small ahoge and blue eyes; the third has blonde hair tied in low twintails with green eyes; and the fourth has long blue hair, cat ears, and red eyes. They all kneel with their weight shifted back, their bandage-wrapped knees pressing into the stone. Their expressions are a mix of dazed and serene, each looking up toward the camera with wide, shimmering eyes. The street is bathed in a moody palette of deep purples and glowing oranges. Carved pumpkins and flickering jack-o'-lanterns line the road, casting long, erratic shadows that stretch across the pavement. A soft, hazy moonlight filters through the autumn mist, catching the coarse texture of the linen wraps. The scene is an eerie yet surreal Halloween tableau. Quietly surreal.
橫山育人
#The Idolmaster#The Idolmaster Cinderella Girls#Mayu Sakuma

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#Kagamine Rin#Vocaloid#Lofi Dream
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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4#L'attacco dei giganti#Mikasa Ackerman
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