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AI art "一期一振 - ボーイング707による大西洋横断定期ジェット便の就航" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - ボーイング707による大西洋横断定期ジェット便の就航

#Touken Ranbu#Ichigo Hitofuri
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A square 1:1 composition on the viewing terrace of New York's Idlewild Airport in an imagined 1958 travel scene. A Pan American Boeing 707 jet waiting beside mobile boarding stairs dominates the right half of the view. Ichigo Hitofuri stands in the left foreground, turned toward the aircraft with unmistakable excitement about the journey ahead. The crop runs from the top of his head to the upper thighs; his figure occupies roughly two thirds of the image height. The camera is at his face height from his front-right, allowing his three-quarter face, the hand on the terrace rail, and the aircraft to be read together. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25). His eyebrows are distinctly raised. His lips part in an eager smile, with both corners lifted, as he looks toward the aircraft's silver nose across the apron. His chest turns toward the plane and his shoulders open, while his right hand remains grounded on the viewing rail. The restrained hold on his travel bag and his forward-facing stance give the sense of someone captivated by the prospect of crossing an ocean, without requiring a preceding or subsequent action. He wears a tailored blue-gray mid-century wool travel overcoat over a graphite single-breasted suit jacket, an ivory poplin shirt, and a narrow muted teal tie. The coat's notched lapels lie apart from the neck down to its lower visible hem at mid-thigh, leaving the suit jacket visible across the chest and waist. The jacket is fastened by two small horn buttons at the lower chest; its V-shaped opening reveals the narrow tie and buttoned shirt. The coat has a thin satin facing at the lapel fold, straight side pockets with narrow welts, and a single dark button at each fitted cuff. The hem falls on either side of his trousers without overlapping the open front. Subtle diagonal folds lead from the resting right elbow into the near coat panel. Matte wool, crisp poplin, narrow satin and the dark smooth leather of the case reflect the same light differently. His right forearm rests along a waist-high metal terrace rail, its wrist relaxed over the flat top. His left hand holds the short handle of a compact rectangular brown leather travel case beside his thigh; the case hangs vertically by its weight, with a stitched edge and a closed metal clasp. The terrace floor remains visible below the railing and the apron lies beyond it. His face, case and visible arm never overlap the aircraft's nose. Across the open tarmac stands a large four-engine Boeing 707-120, with a round silver nose, a row of small passenger windows, low swept wings and two cylindrical jet engines mounted under each wing. A blue horizontal stripe runs along the polished fuselage toward a blue globe emblem on the tail. One mobile stairway connects to the forward left passenger door. Both main landing gear and the nose wheel are planted on the apron. The aircraft appears enormous by comparison with the foreground rail but remains at an intelligible distance. Low terminal buildings occupy only a small band behind its tail; a generous pale sky surrounds the upper fuselage. Clear morning sunlight enters from the upper right beyond the plane, tracing narrow highlights over the curved aluminium skin and the travel case clasp. The pale concrete apron gives softer upward reflected light to his face and the open coat lining. A narrow shadow from the rail crosses the terrace floor, and broader aircraft shadows fall on the apron in the same direction. The face remains readable against the bright distance without changing the gold of his visible irises. single coherent lighting setup. masterpiece, best quality, detailed illustration
Mostra parametri
Modalità
pro
Dimensione
992 x 992
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit

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