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AI art "【オリジナル】イケメンを描いてみた6" featuring #gambe incrociate, #Vicolo and #sanpaku
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【オリジナル】イケメンを描いてみた6

急にイケメンを描きたくなって。 一般的なイケメンでは無いかもだけど俺は大好き

#gambe incrociate#Vicolo#sanpaku
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mst

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1boy, solo, male, messy black hair, black hair, sharp upturned eyes, sanpaku-gan, visible whites of eyes, black jacket, open jacket, white shirt, black trousers, black boots, sitting, legs crossed, left hand on knee, right hand at neck, faint smirk, suspicious expression, looking at viewer, full body, from front, dark back alley, wooden crate, night, cinematic lighting, graphic linework, bold silhouette A full-body, front-on view: a lone man sits on a slatted wooden crate set down in a narrow dark back alley, facing the camera squarely. The crate is weathered pine, its top plank split at one corner, and it takes his full weight — one booted foot hangs free while the other boot's sole presses flat against the crate's front edge. His legs are crossed at the knee, left ankle over right, black trousers folding into a hard diagonal crease. His messy black hair falls in loose, uneven locks across his forehead, one strand hooked behind an ear and a cowlick lifting at the crown. His eyes are the anchor of the face: long, sharply upturned outer corners, the whites clearly visible above and below the dark irises, lids lowered just enough to give the stare a cool, appraising edge. A faint smirk pulls one corner of his mouth up without opening his lips; his chin tips slightly down, so he looks at the viewer from under his brow. His left hand rests palm-down and relaxed across the crossed knee, fingers loosely curled over the fabric. His right arm is bent up, the hand touching the side of his neck, fingertips just under the jawline, thumb along the tendon — a small, self-conscious gesture that reads as a tell. The jacket hangs open over the white shirt, lapels falling back to show the shirt's placket and collar, and the black boots are laced and scuffed at the toe. Behind him the alley recedes: wet brick walls closing to a narrow slot, a dented metal door on the left, a rusted drainpipe on the right, a single bulb in a wire cage above and behind his shoulder throwing warm top-left light down onto his hair, the top of the crate and the bridge of his nose, while his chest and the underside of his jaw fall into cool shadow. A shallow puddle between his boots catches a soft, broken reflection of the bulb. The ground is dark, gritty concrete, and the far end of the alley dissolves into black. The palette stays locked to black, white and bruised brick brown, cut only by the amber bulb and the faint blue spill on the wet stone. Cinematic, quietly dangerous.
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Immissione richiesta originale
Male. Messy black hair. Sharp, upturned eyes with visible whites (sanpaku-gan). A black jacket worn open, a white shirt, black trousers, and black boots. A dark back alley. A wooden crate. He is sitting on the crate with his legs crossed; his left hand rests on his knee, while his right hand touches his neck. He wears a suspicious, faint smirk as he looks toward the viewer. A full-body shot from a front-facing perspective. Masterpiece. 4K.
Modalità
ultra
Stile
Retro Fusion
Tag qualità
﹝Prompt﹞
Dimensione
1888 x 1056
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Stile: Retro Fusion
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.67k

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まろ
character: amamiya_ren, copyright: persona_5 1boy, solo, amamiya_ren, black hair, short hair, hair between eyes, messy hair, red eyes, glasses, black jacket, long sleeves, red gloves, black pants, shirt, from side, cowboy shot, dutch angle tilted tilt lower, leaning back against brick wall, hands in pockets, head tilted back, looking up, half-closed eyes, light smile, smug, alley, night, rain, wet, rain drops, streaked lenses, puddle, neon reflection, cinematic lighting The shot is a tilted cowboy shot from the side, the frame canted so the vertical lines of the alley lean hard to the right, and a lone young man leans the upper half of his back against the wet brick wall at the left of the frame. His weight rests on his right heel with the left leg crossed loosely in front of it, that left toe barely touching the soaked asphalt; both hands are pushed deep into the pockets of his black jacket, the long sleeves bunched at the wrists and the red gloves pulled taut across his knuckles where they vanish into the fabric. His short black hair is damp and clumped, strands falling between his eyes and sticking to his temple, and his head is tipped back against the brick so that his chin lifts and his red eyes look up and off past the top edge of the frame into the falling rain; the half-closed lids and one corner of his mouth pulled up give him a lazy, self-satisfied calm, entirely unbothered by the weather. His glasses sit low on his nose, and the rain has coated the lenses in fine streaks that catch the light and smear the view behind them into slivers of colour. The alley is narrow, brick on both sides, with the far end falling away into cold blue darkness. The single light source is a shop sign glowing overhead off-frame to the upper right, a hot magenta-white wash that strikes the top of his shoulders, the high ridge of his cheekbone, the outer rim of his glasses and the wet bricks behind his head, and throws his lower body and the ground beneath him into shadow; the light also smears a long broken reflection of itself across the puddle at the bottom of the frame, its colour stretched and warped by the moving water. Rain hits the puddle in overlapping rings, each one bright on its lit side and dark on its far side, and dust and grit ride in the runoff where it runs along the seams of the paving. The palette is held to wet black, cold rain-blue, the hot magenta of the sign and the single hard red of the gloves, nothing else admitted. Wide vertical framing, the alley's converging walls leading up and away, his figure occupying the centre-left third and a column of falling rain and open dark street filling the right. Quiet, effortless cool.
まろ
#Persona#Persona 5#Ren Amamiya

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