Oct 23, 2026

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AI art "鈴原の棲む街" featuring #da dietro, #Stivali, #Oscurità, #luna rossa, #Horror, #collant neri, #gonna a pieghe, #spalle scoperte, #Ali di demone and #Nijisanji

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鈴原の棲む街

Tubaki.3作画を挟むことで改善するのでは？と思ったらホラー感の方が強調されてしまったこうして後ろ姿の強化が始まったのである。

#da dietro #Stivali #Oscurità #luna rossa #Horror #collant neri #gonna a pieghe #spalle scoperte #Ali di demone #Nijisanji

Pubblicato il Oct 26, 2026

Jin babwe

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character: suzuhara_lulu 1girl, solo, from behind, from below, upper body, facing away, back of head visible, ruins, abandoned building, midnight, red moonlight, large black demon wings, black demon wings connected at shoulder blades, medium hair, brown hair, black beret, hat ribbon, X-shaped hair accessory, hair bow, black bow tie, pink off shoulder cardigan, white sleeveless shirt, bare shoulders, center ruffle, vertical striped skirt, charcoal gray vertical striped pantyhose, ankle boots, (busty:1.5), (slender:1.8), (slender long legs:2.0), slender face, (round eye shape:1.4), tsurime, ((the aspect ratio of the eye is 1:1)), ((the eyeliner on the upper eyelid is very thick)), back turned, standing amid rubble, red rim light, The camera sits low and close behind her, tilted steeply up, so the frame is filled by the back of her upper body: her shoulders, the ladylike slope of her spine, the back of her head with the black beret, and the two large black demon wings rising from her shoulder blades. Because the shot is from behind and she faces away, her face stays turned from the lens; her gaze is locked on the dark corridor ahead of her, into the hollow interior of the ruined building, where the red moonlight falls in a thin shaft. She stands with her weight on her right foot, the left slightly forward and angled, one hand near her hip, the other at her side. The wings emerge from her shoulder blades as living appendages, the black membrane taut between thick fingers of bone, their surfaces catching the faint red glow along every ridge while the folds fall into near-black shadow. She wears her black beret tilted back so the hat ribbon shows, her medium brown hair gathered under it and held by the X-shaped hair accessory at the nape; the black bow tie sits just below the collar, visible from behind only as a dark knot at her throat. Her pink off shoulder cardigan has slipped to leave both bare shoulders exposed, the white sleeveless shirt and its center ruffle showing beneath, and the vertical striped skirt is visible from the waist down where the view allows, over charcoal gray vertical striped pantyhose and ankle boots planted on the broken concrete floor. The ruins around her are a gutted mid-rise: broken floor plates, exposed rebar, collapsed ceiling beams, holes where windows were, and dust that drifts in the red light. The single light source is the red moon, its light entering through the shattered wall in a narrow band that paints the edge of her wings, the rim of her beret, and one shoulder in deep crimson, while everything outside that band falls to cold near-black. The band of red light is the only bright thing in the frame, and it makes the air itself visible in a faint haze. The palette is confined to crushed black, charcoal gray, the dusty red of the moon, and the muted pink of her cardigan. Slightly ominous, and quiet.

鈴原の棲む街

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