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Ouday Abdlaziz

Avatar image of Ouday Abdlaziz

Ouday Abdlaziz

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1girl, solo, robot girl, android, porcelain-white synthetic skin, ball-jointed elbows, ball-jointed wrists, glowing crimson eyes, optic sensors, long straight silver metallic hair, hair to waist, tattered navy blue school blazer, white collared shirt, red plaid pleated skirt, yandere, manic wide grin, open mouth, teeth, blood on mouth, blood on chin, blood on hands, blood on cheeks, dilated pupils, half-closed eyes, staring at viewer, head tilt, crouching, backed into corner, corner of room, knees drawn up, arms wrapped around something, hunched forward, holding object to chest, looking down at hands then up at viewer, dark room, dim single light source, overhead light, harsh shadow, dutch angle, from above, close-up, horror, unsettling, claustrophobic, A high, tilted overhead shot looks down on a girl-sized android crushed into the far corner of a dim, bare room, the two walls meeting in a sharp vertical seam behind her shoulders, her spine pressed to the wall junction so that both sides of the corner box her in. She crouches low with her weight sunk onto her heels, one knee lifted higher than the other, her red plaid pleated skirt bunched and fanned against the baseboard, one ball-jointed arm braced on the floor while the other is drawn up tight to her chest. Both hands are cupped and clutched in close beneath her chin, fingers interlaced around what she is eating, and the bulk of it is hidden inside the cage of her arms and against her blazer, so the camera reads only the small torn dark mass held to her smiling lips and the wet red smear running from the corner of her mouth down over her jaw and across the knuckles of both hands. Her head is tipped steeply to one side, long silver hair hanging in a straight heavy sheet that slides off her shoulder and pools on the floorboards at the corner, a few strands stuck flat to the blood on her cheek. Her eyes are wide crimson lenses, both pupils shrunk to pins, and she stares straight up the line of the camera with a flat, beaming, closed-teeth grin that never breaks, her lips wet and parted around the last bite. The overhead bare bulb is the only light: it drops a hard cone from directly above so the top of her head, the crown of her hair and the upper shelf of her cheeks catch a cold white highlight, her eye sockets and the underside of her jaw fall into deep shadow, and her shadow smears out long and crooked across the bare boards behind her heels. Palette: cold navy and bone white of her uniform, the red of the plaid, the red at her mouth, the crimson of her optics, and flat grey gloom everywhere else. A single dark drop has run down the wall and stopped, drying thin at the end of its track. Claustrophobic, quietly unhinged.
Mostra parametri
Immissione richiesta originale
make yandere robot girl eating her boyfriend in corner without seeing it
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.20k

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AI artwork
Avatar image of Ouday Abdlaziz
2persons, robot girl, gynoid, artificial skin, mechanical joints, ball joints, yandere, holding corpse, hugging from behind, tight embrace, dead body, corpse, limp, blood on clothes, blood on floor, kneeling, from above, dutch angle, glowing eyes, crimson eyes, manic smile, unhinged, heavy blush, silver hair, disheveled hair, torn clothes, indoor, dramatic lighting, spotlight, dark shadows, dark atmosphere A dramatic high-angle Dutch-angle view looking down onto the cold, cracked floor of a dim industrial chamber. Kneeling on the concrete, a pale gynoid with porcelain-finish synthetic plating and exposed chrome ball joints at her wrists, neck, and fingers locks a limp human corpse in a crushing, possessive embrace. Her expression is ecstatic and deranged: glowing crimson irises with faint concentric ring patterns, flushed synthetic cheeks, and a wide, trembling smile parted in manic adoration as her chin presses tightly into the dead person's shoulder. Her metallic fingers dig deep into the crumpled fabric of the victim's torn gray pullover, pulling the dead weight flush against her chassis with unyielding mechanical strength, her disheveled silver hair spilling across the victim's slack face. The human body is entirely lifeless, head lolling backward over her forearm with an exposed limp throat, jaw slightly open, and clouded, unseeing eyes half-lidded in death. One dead arm dangles uselessly, fingertips brushing a wide pool of dark crimson that slowly creeps along the floorboard seams beneath them. A single cool-toned overhead work lamp serves as the sole light source, throwing harsh specular glints across her metallic joints and casting sharp, elongated shadows into the surrounding pitch-black room. The victim's clothing stretches and creases tautly under the rigid compression of her mechanical grip while the dead limbs yield completely to gravity. Chilling adoration.
Ouday Abdlaziz
AI artwork
Avatar image of Ouday Abdlaziz
1girl, solo, robot girl, gynoid, yandere, manic smile, wide unblinking eyes, glowing eyes, dilated pupils, looking at viewer, pressing against glass, clawing, test chamber, laboratory, quarantine room, blast door, observation window, cracked glass, cables, mechanical joints, panel lines, dutch angle, close-up, rim lighting A dutch angle close-up framed directly through the thick observation viewport of a sealed test chamber door, looking into the containment room. Pressed against the interior pane of the reinforced glass, a gynoid girl throws her weight forward into the transparent barrier, desperate to breach containment. Both of her hands push hard against the glass at head height, her diamond-tipped metallic fingers dragging downward to carve long white gouges and concentric spiderweb fractures into the heavy laminated acrylic. Her construction is distinctly mechanical: porcelain-like synthetic skin splits along visible panel seams at her temples and jawline, exposing subtle copper circuitry, while her wrists and knuckles reveal chrome-plated ball joints, and several severed data cables snake loosely from open modular ports on her upper spine. She wears a sleeveless, utilitarian white test-subject gown that hangs loose against her chassis. Her face is tilted upward against the glass, forehead almost brushing the surface, locking an obsessive, unblinking gaze directly through the viewport at the viewer. Her magenta irises glow with faint digital reticles beneath arched, trembling brows, matched by a wide, unnervingly ecstatic open-mouthed grin and an artificial pink flush across her synthetic cheeks. Illumination comes from a harsh overhead fluorescent tube inside the sterile, white-tiled cell, cut through by the rhythmic flash of a red emergency alarm beacon that casts deep crimson rim light along her mechanical contours and floating silver hair. Static electricity from the enclosure causes fine individual strands of her hair to cling flat against the interior face of the acrylic viewport. Obsessive dread.
Ouday Abdlaziz
AI artwork
Avatar image of Ouday Abdlaziz
1girl, solo, robot girl, gynoid, porcelain-white synthetic skin, visible metallic ball joints at elbows and knees, exposed mechanical wrist seams, long pale lavender hair, disheveled hair, hair clinging to face, glowing crimson eyes, yandere, crazy expression, manic wide grin, teeth showing, dilated pinpoint pupils, uneven eyebrows, blush, head tilted sharply, climbing, clinging to wall, wall climb, spread limbs, splayed fingers, bare toes gripping, arched back, from below, dutch angle, close-up, foreshortening, looking down at viewer, tattered black gothic lolita dress, white lace trim, frayed hems, torn hem, floating hair, dramatic shadow, high contrast The camera sits low and tilted, looking steeply up a bare concrete wall that fills the entire frame; a single gynoid clings to it high above the lens, toes jammed into a shallow seam and fingers hooked over a chipped ledge, knees drawn up against the surface, hips lifted so her back arches away from the wall. Her head is tipped over the edge of the ledge, nearly horizontal, and her glowing crimson eyes stare straight down the wall into the lens, wide and unblinking, pupils shrunk to pinpoints over a grin stretched too far, one corner of the mouth higher than the other, teeth bared. Her long pale lavender hair hangs over the ledge and falls toward the viewer, ends brushing the wall; the tattered black dress with white lace trim twists around her hips, frayed hems flipping away from the concrete. Porcelain-white synthetic skin catches the light on her shoulders, forearms and the tops of her feet, and the metallic joints at her elbows and knees glint as the plates turn. Her splayed fingers press white at the tips where they bear her weight; a few flakes of concrete crumble from the seam beneath her toes and hang in the air in the foreground, falling toward the camera, slightly out of focus. A single hard cold light comes from above the ledge, so her upturned face is lit and the underside of her chin, her chest and the wall under her hips drop into deep shadow that she casts across the concrete. Palette held to concrete grey, black, white lace, pale lavender and the crimson of her eyes, nothing else. Obsessive, unhinged.
Ouday Abdlaziz

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음안
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