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AI art "Did it rain where you live?"
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Did it rain where you live?

#Orecchie da animale#Abbigliamento tradizionale giapponese#kimono#autunno#foglie autunnali#All'aperto#Geta#capelli lunghi#capelli castani#Ghigno#Haori#giacca#kitsune#coda di volpe#occhi arancioni#Pozzanghera#Ombrello di carta oleata#foglia#Ringhiera#1 ragazzo#orecchie da volpe#tenere#Figura intera#Edificio#capelli ricci#pavimentazione in pietra#peluria nelle orecchie animali#Cielo coperto#Ragazzo volpe
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1boy, solo, kitsune, fox ears, dark brown animal ears, white animal ear fluff, fox ears only, no human ears, very long hair, curly hair, dark brown hair, orange eyes, glowing eyes, slit pupils, freckles, light skin, red eyeshadow, lips, sharp fingernails, six tails, dark brown tails, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, rain, village, pavement, autumn, autumn leaves, dynamic pose, from below, dutch angle, foreshortening, outstretched arm, looking up, open mouth, grin, wet clothes, water droplets, puddle, reflection The camera sits low, near the wet pavement, tilted into a dutch angle, looking up. The boy dominates the frame in a lunging half-turn, caught mid-stride as if he spun toward the viewer: his right leg plants hard through the sole of his sandal on the paving stone, knee bent, taking all his weight, while his left leg trails behind, foot lifted so only the toe skims the ground. His torso twists so the brown haori billows out and away behind his shoulders, its hem snapping sideways from the turn, and the orange kimono pulls snug across his chest with the motion. His right arm is thrust high and out, hand wrapped around the bamboo shaft of the open Japanese umbrella; the umbrella tilts back over his head, its oiled-paper canopy arcing against the low grey sky, ribs and stretchers visibly splayed, a few water beads clinging to the slope and collecting to a single droplet at the rim. His left arm swings low and wide for balance, fingers half-curled with sharp tapered nails catching the faint light. On his head sit two dark brown fox ears, standing alert and swiveled toward the sound behind him, their inner surfaces filled with white animal ear fluff that stirs in the wind, and no other ears on the head -- the ears are the only ears. His very long curly dark brown hair, heavy and ringleted, is soaked by the rain; strands plait together at the temples and over his shoulders, and a wet curl falls across his brow. Six dark brown fox tails fan out behind him in a broad arc, their fur flattened and darkened by the water, the tips swinging to counterbalance his lunge. His face is turned up toward the umbrella rim and the sky beyond, glowing orange eyes with vertical slit pupils bright in the gloom, red eyeshadow smeared softly at the outer corners, defined lips part around a sharp grin, and freckles dot his cheeks and the bridge of his nose over light skin. The scene is a narrow village street in autumn: low wooden houses with tiled eaves and paper-fronted shopfronts line both sides, their signs and noren illegible in the wet distance. Rain falls in continuous slanting threads, breaking into white caps and rings on the pavement and bursting into tiny craters across the puddles that lie between the flagstones; the puddles mirror the orange canopy overhead darker and softer than the paper itself. Autumn leaves -- red maple and gold ginkgo -- drift down and plaster themselves flat against the wet ground around his planted foot, and a few stick to his shoulder and the fur of one tail. The light is a cool blue-grey overcast with no visible sun; it flattens the far side of the street into a smoky haze and leaves the underside of the umbrella in warm orange bounce, so the only warmth in the frame comes from the paper, the kimono and the two glowing eyes. Palette: wet grey-blue stone and rain, orange paper and kimono, deep brown fur and haori, scattered red and gold leaves. Atmosphere: electric, exultant, soaked through.
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Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella, sharp fingernails, holding umbrella, open umbrella, rain, village, pavement, dynamic pose,
Modalità
pro
Dimensione
1232 x 1632
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn — left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor

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