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AI art "新山聡美(芋煮会)"
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新山聡美(芋煮会)

Contest Entry
2nd "Favorite Work" Contest
#Donna matura#All'aperto#Cibo#Sorriso#verdura#Frangia divisa#fede nuziale#fiume#tenere#zuppa#ciotola#Sound! Euphonium#Satomi Niiyama#pentola
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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, high quality depiction of a single woman enjoying an imoni gathering on a riverbed in Miyagi Prefecture on a sunny October autumn day. A scene of a riverbed imoni gathering, a seasonal autumn tradition, with a large metal pot placed on a riverbed spread with stones and gravel of various sizes, where warm imoni is simmering. Natural stones are piled around, and the grassy areas along the river are a mix of green and yellowish-brown. In the distance, a shallow river and the grassy bank of the opposite shore are visible, with bright autumn sunlight illuminating the entire riverbed. Create a natural and warm scene that conveys the joy of outdoor cooking and tasting freshly made imoni under a calm autumn sky. The woman is a married person in her early 30s, a neat and elegant woman with long hair. Leave the character design of the face and hair to the character LoRA, and follow the specifications below for clothing, accessories, posture, and expression. This woman should be the only main subject of the image; do not include any other people. The woman is sitting low on a large, flat stone on the riverbed, relaxing in a stable posture with her legs naturally bent. Her body is angled slightly toward the camera, with her upper body leaning slightly forward. The woman is in the middle of enjoying imoni, serving freshly made imoni into a white bowl and holding that bowl out toward the camera with one hand. The bowl is held slightly closer to the foreground of the screen so that the imoni inside the bowl is clearly visible. The arm holding the bowl is naturally extended, with the wrist and fingers supporting the bottom and side of the bowl without strain. The woman shows a bright and natural smile toward the camera, with an expression as if happily conveying how delicious the imoni is. Her mouth is not open too wide, and her eyes are soft and relaxed in a friendly smile. This should not be an exaggerated pose for a photo, but a capture of a natural moment enjoying an imoni gathering. The woman's clothing is a neat, elegant, and easy-to-move-in autumn casual style suitable for an imoni gathering on a riverbed in October. On her upper body, she is wearing a soft beige or light greige long-sleeved knit. The knit is a material with a subdued weave, has a moderate looseness, and shows natural wrinkles while she is crouching to cook. The bottoms are dark indigo blue denim pants, showing realistic creases corresponding to her crouching posture. On her feet are subdued brown or dark beige outdoor shoes or short boots that are easy to walk in on the riverbed stones. If necessary, a simple apron is tied around her waist to add practicality during cooking. Accessories should be modest, such as small earrings, and she should not wear large decorations that would interfere with cooking. The overall look is coordinated in natural autumn colors, not too flashy, giving the impression of a clean, adult woman. In one of the woman's hands, let her hold a long-handled metal ladle for serving imoni. The ladle is held in the hand opposite the one offering the white bowl, and it is naturally dipped into the large pot located at the bottom left of the screen. The hand gripping the handle of the ladle is near the pot, and the positional relationship between the handle and the pot is clear. The tip of the ladle is touching the broth or ingredients in the pot, or is in a position just after serving. Clearly separate the roles of the two hands: one offering the bowl to the camera and the other holding the ladle by the pot. Emphasize natural human anatomy and movement so that the arms do not cross unnaturally and no extra hands appear. In the bottom left of the screen, a large metal imoni pot is partially visible. The pot is placed on the riverbed, round and deep, with natural metallic reflections on its side. The pot is filled with plenty of miso-flavored imoni. Large pieces of taro, pork, radish, carrot, burdock, konjac, mushrooms, and long green onions are visible in the broth, with the shapes and colors of each ingredient naturally distinguishable. The broth is a warm miso color, and the simmered ingredients have a soft gloss. White steam rises slowly from the pot, conveying the warmth of being freshly made. Place the pot in the bottom left, not showing the whole thing and letting part of it be cut off by the edge of the photo, creating a natural close-up centered on the woman and the bowl. The bowl the woman is offering is a clean white ceramic deep plate or a small bowl. Inside the bowl, Miyagi-style miso-flavored imoni is served, with ingredients such as taro, pork, vegetables, and mushrooms clearly visible. Because the bowl is close to the camera, it appears large in the foreground, and the white rim and colors of the ingredients are clearly distinguishable. The bowl is held slightly forward from the woman's chest, but in a position that does not hide her face. Ensure the broth does not spill from the bowl and the bowl does not tilt unnaturally, showing that the woman is holding it carefully. Steam rises modestly, softly translucent in the autumn sunlight. On the riverbed ground, round stones, flat rocks, and fine gravel are naturally spread. The stones have various colors such as gray, beige, and light brown, with natural irregularities and shadows on their surfaces. The woman sits on the stone without strain, ensuring her body does not sink into the stone and her feet do not sink unnaturally into the ground. Nearby, tools such as stones supporting the pot or firewood are slightly visible, indicating that imoni is being made outdoors. In the background, there are riverbed grasslands and a shallow river; the grass along the river remains green but is mixed with yellowish-brown and pale yellow typical of October. The distant ground and vegetation appear moderately soft, making the woman and the food stand out as the main subjects. Do not depict other people or large groups in the background; make it a scene where the woman is enjoying imoni alone. The camera shoots from slightly above and in front of the woman, at a close distance. The composition naturally fits the woman's face, upper body, the offered bowl, the ladle in the other hand, and the large pot in the bottom left into a single photo. The woman is placed prominently in the center of the screen, making her face and smile the most prominent. The bowl offered in the foreground appears slightly larger due to perspective, making the imoni ingredients clearly visible. The pot is placed in the lower-left foreground, showing the ladle entering the pot. The woman sits low on the riverbed stone, with her body and legs naturally fitting within the screen. Do not crop the woman's face or the top of her head, and ensure the bowl does not extend outside the screen. Leave plenty of the riverbed stones and grasslands in the background to fully convey the atmosphere of an outdoor imoni gathering. The light is bright and refreshing natural daylight in October. Soft sunlight hits the woman's face, making the eyes and mouth clearly visible. Her long hair has a natural gloss, and there are fine creases in the fabric of her clothing. The white bowl is not blown out, and the roundness and surface texture of the ceramic are visible. The metallic surface of the pot reflects the surrounding stones and the light of the sky, and the broth and ingredients have natural, appetizing colors. The steam floats softly against the bright ground in the background. Maintain an appropriate difference between bright and shadowed areas, creating a photographic expression where the details of the face, hands, bowl, pot, and ingredients are not lost. The overall image should have the atmosphere of a photo taken at an actual autumn riverbed. The composition should make it clear at a glance: the woman's natural smile, the bowl of imoni offered with one hand, the ladle held in the other, the large pot in the bottom left, the stony riverbed, and the autumn grasslands. The woman's fingers, arms, and low sitting posture are natural, and the way she holds the bowl and handles the ladle is convincing. Carefully express the steaming miso-flavored imoni, the bright autumn sunlight, and the texture of the riverbed stones to create a high-quality, immersive image that conveys the joy and warmth of the imoni gathering, a seasonal autumn tradition in Miyagi. Do not add titles, logos, watermarks, or signatures to the image.
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10月の晴れた秋の日、宮城県の河川敷で芋煮会を楽しんでいる一人の女性を高品質に描く。秋の風物詩である河原の芋煮会の一場面で、大小さまざまな石や砂利が広がる河原に大きな金属製の鍋が置かれ、温かな芋煮が煮込まれている。周囲には自然の石が積み重なり、川沿いの草地には緑色や黄褐色の草が混在している。遠景には浅い川や対岸の草地が見え、明るい秋の日差しが河原全体を照らしている。穏やかな秋晴れの下で、屋外料理を作り、出来たての芋煮を味わう楽しさが伝わる、自然で温かな情景にする。 女性は30代前半の既婚者で、清楚で上品なロングヘアの女性。顔立ちや髪などのキャラクター造形はキャラクターLoRAに任せ、服装、アクセサリ、姿勢、表情は以下の指定に従う。画像の主役はこの女性一人だけとし、ほかの人物は登場させない。女性は河原の平らな大きめの石の上に腰を低くして座り、足を自然に曲げた安定した姿勢でくつろいでいる。身体はカメラの方向へ少し斜めに向け、上半身をわずかに前へ傾けている。女性は芋煮を楽しんでいる最中で、出来たての芋煮を白い器によそい、その器を片手でカメラの方へ差し出している。器は画面の手前に少し近づけて持ち、器の中の芋煮がよく見えるようにする。器を持つ腕は自然に伸ばし、手首や指は無理なく器の底と側面を支えている。女性はカメラに向かって明るく自然な笑顔を見せ、芋煮のおいしさを嬉しそうに伝えているような表情にする。口を大きく開けすぎず、目元も柔らかく和らいだ親しみやすい笑顔。撮影用の大げさなポーズではなく、芋煮会を楽しんでいる自然な瞬間を捉える。 女性の服装は、10月の河川敷で芋煮会をするのにふさわしい、動きやすく清楚で上品な秋のカジュアルスタイル。上半身には柔らかなベージュまたはライトグレージュの長袖ニットを着ている。ニットは落ち着いた編み目のある素材で、適度なゆとりがあり、しゃがんで調理するときにも自然なシワが生まれている。ボトムスは濃いインディゴブルーのデニムパンツで、しゃがんだ姿勢に合わせた現実的な折り目が見える。足元は河原の石の上でも歩きやすい、落ち着いたブラウンやダークベージュのアウトドアシューズまたはショートブーツ。必要に応じて、シンプルなエプロンを腰に着け、調理中らしい実用性を加える。アクセサリは小さなイヤリング程度の控えめなものにし、調理の邪魔になる大きな装飾品は身につけない。全体は自然な秋色でまとめ、派手すぎず、清潔感のある大人の女性らしい印象にする。 女性の片手には、芋煮を取り分けるための長い柄の金属製のお玉を持たせる。お玉はもう片方の手で差し出している白い器とは別の手に持ち、画面左下にある大鍋の中へ自然に差し入れている。お玉の柄を握る手は鍋の近くにあり、柄と鍋の位置関係がはっきり分かる。お玉の先端は鍋の汁や具材に触れているか、よそい終えた直後の位置にある。二つの手の役割を明確に分け、一方は器をカメラへ差し出し、もう一方はお玉を持って鍋のそばにある構図にする。腕が不自然に交差したり、手が余分に増えたりしないよう、自然な人体構造と動作を重視する。 画面の左下には、大きな金属製の芋煮鍋が部分的に見えている。鍋は河原に置かれ、深さのある丸い形で、側面には自然な金属の反射がある。鍋の中には味噌仕立ての芋煮がたっぷり入っている。大きく切った里芋、豚肉、大根、にんじん、ごぼう、こんにゃく、きのこ、長ねぎなどが汁の中に見え、食材それぞれの形や色が自然に分かる。汁は温かな味噌色で、煮込まれた具材には柔らかな艶がある。鍋からは白い湯気がゆっくり立ち上り、出来たての温かさが伝わる。鍋は画面の左下に配置し、全体を見せすぎず、一部が写真の端で切れる構図にすることで、女性と器を中心とした自然な近景を作る。 女性が差し出している器は、清潔感のある白い陶器の深皿または小ぶりな丼。器の中には宮城風の味噌仕立ての芋煮が盛られ、里芋、豚肉、野菜、きのこなどの具材がはっきり見える。器はカメラに近いため、手前に大きく見え、白い縁と具材の色が明確に判別できる。器は女性の胸元から少し前に出されているが、女性の顔を隠さない位置にする。汁が器からこぼれたり、器が不自然に傾いたりせず、女性が丁寧に持っているようにする。湯気は控えめに立ち上り、秋の日差しを受けて柔らかく透けている。 河原の地面には丸い石、平たい岩、細かな砂利が自然に広がっている。石は灰色、ベージュ、薄茶色などさまざまな色を持ち、表面には自然な凹凸や陰影がある。女性は石の上に無理なく腰を下ろし、身体が石にめり込んだり、足が地面に不自然に沈んだりしない。近くには鍋を支える石や薪など、屋外で芋煮を作っていることが分かる道具が少し見える。背景には河川敷の草地と浅い川があり、川沿いの草は緑を残しつつ、10月らしい黄褐色や淡い黄色が混じっている。遠くの地面や植生は適度に柔らかく見え、女性と料理が画面の主役として浮かび上がる。背景に別の人物や大人数の集団は描かず、女性一人で芋煮を楽しんでいる情景にする。 カメラは女性の正面やや上から、近めの距離で撮影する。女性の顔、上半身、差し出された器、もう一方の手に持つお玉、画面左下の大鍋が一枚の写真に自然に収まる構図。女性は画面中央に大きく配置し、顔と笑顔が最も目立つようにする。手前に差し出された器は遠近感によって少し大きく見え、芋煮の具材がはっきり分かる。鍋は左下の前景に置き、お玉が鍋に入っている様子が分かるようにする。女性は河原の石の上に腰を低くして座り、身体や脚が自然に画面内に収まる。女性の顔や頭頂部を切り取らず、器も画面の外にはみ出さないようにする。背景には河原の石と草地を広く残し、屋外での芋煮会の雰囲気が十分に伝わるようにする。 光は明るく爽やかな10月の日中の自然光。女性の顔には柔らかい日差しが当たり、目元や口元がはっきり見える。長い髪には自然な艶があり、服装の布地には細かな折り目がある。白い器は白飛びせず、陶器の丸みと表面の質感が分かる。鍋の金属面には周囲の石や空の光が反射し、煮汁や食材は自然で食欲をそそる色合いになる。湯気は背景の明るい地面に対して柔らかく浮かび上がる。明るい部分と影の部分の差を適切に保ち、顔、手、器、鍋、具材の細部が失われない写真表現にする。 全体は、実際の秋の河川敷で撮影したような雰囲気の映像。女性の自然な笑顔、片手でこちらに差し出した芋煮の器、もう片方の手で持ったお玉、画面左下の大鍋、石の多い河原と秋の草地が、ひと目で分かる構図にする。女性の手指や腕、腰を低くした座り姿勢は自然で、器の持ち方とお玉の扱いにも説得力がある。湯気の立つ味噌仕立ての芋煮、明るい秋の日差し、河原の石の質感を丁寧に表現し、宮城の秋の風物詩である芋煮会の楽しさと温かさが伝わる、高品質で臨場感のある映像にする。画像内にタイトル、ロゴ、透かし、署名を追加しない。
Modalità
ultra
Tag qualità
﹝Prompt﹞
Dimensione
2480 x 1488
Negativo
前髪が額の中央に垂れる, lowres, worst quality, low quality, bad anatomy, explicit

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