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AI artwork
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Daniel Garcia Rosillo

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1girl, solo, dark-skinned female, short dark hair, large breasts, tall slender build, thick fleshy thighs, coquettish smirk, half-closed eyes, looking at viewer, epic battle pose, wide stance, knees bent, holding two glowing light batons, dual wielding, light trail, night street, pink graffiti-covered walls, pink convertible car parked at the side, full body, from below, dutch angle, foreshortening, dramatic low angle, neon glow, wet asphalt reflections, motion blur on hair, high contrast A low, tilted camera looks up along the empty night street, the whole figure filling the frame edge to edge. A tall, slender woman with short dark hair and warm dark skin stands braced in a wide, athletic battle stance at the center of the asphalt: knees bent and pushed apart, hip cocked to her right, weight sunk low onto her back leg, torso turned slightly so the long line of her body reads from hip to shoulder. She is dressed in a dark fitted combat bodysuit that hugs her tall frame and full bust, the fabric stretching taut across her chest and hips, leaving her fleshy thighs bare below the high cut; her hair flicks out to one side as if caught mid-spin. Her right arm snaps a glowing light baton up across her face, the rod near-vertical, while her left arm drives the second baton out low and to the side; both hands grip the smooth rods tightly, knuckles taut, and each weapon throws a hot spill of light onto her forearm, her cheek and the underside of her chin. She grins at the viewer coquettishly, one brow lifted, one corner of her mouth pulled higher, eyes half-lidded and fixed straight on the lens, chin tipped down so she looks up through her lashes. Behind and beside her, the street walls are plastered pink and scrawled with tag upon tag of dripping graffiti, the color saturating the frame; a pink convertible is parked to the left side of the street, its long chrome flank catching and bending the glow of the two batons along the wet, puddled asphalt, where the reflections stretch and shatter beneath her boots. The batons are the only light source: their cool blue-white flare rakes across her, throws her long shadow back across the graffiti wall, and leaves the far end of the street in utter darkness. The palette is locked to pink, hot blue-white and black asphalt, with her skin the warm note in the middle; crisp clean lines and bright saturated cel shading throughout. Effortlessly stylish, electric.
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Immissione richiesta originale
Orchid de killer instint, esbelta con pechos grandes y piernas carnosas. Sonriendo coqueta. En una épica pose de batalla con sus dos bastones de luz. Está en una calle de noche con paredes rosas con grafitis y un carro convertible rosa estacionado a un lado.
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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dg
1girl, solo, tall slender build, large breasts, thick fleshy thighs, long legs, coquettish smile, lopsided smirk, looking at viewer, one eyebrow raised, mid-battle stance, wide stance, low lunge, torso twisted, dual wielding, two glowing batons, glowing green light batons, arms crossed overhead, dynamic pose, leaning forward, long hair swept sideways, ponytail whipping, night, city street, pink walls, graffiti-covered walls, pink convertible, parked car, from below, dutch angle, cowboy shot, foreshortening, motion blur on batons, neon glow, magenta and green palette, shallow depth of field, rim light, wet asphalt, From a low dutch angle in a narrow night street, the tall slender woman drops into a wide split-weighted lunge, front knee bent deep and rear leg stretched, one thick thigh braced and both fleshy thighs flexed with the effort; her torso twists to her right so her large chest and shoulders lean across the frame toward the camera. Both arms are thrust up and across, each hand gripping a light baton — the pair crossed in an X above and to the left of her head, the blades casting a green glow that slides along her cheek, her collarbone and the underside of her breasts. Her hair whips out to the far side of the frame, ponytail arcing and strands catching the neon, and her chin tips down toward the lens while her eyes stay fixed on the viewer under one raised brow, mouth curled in a coquettish lopsided smirk with a glint of teeth. She is planted on the wet street in black boots, and her shadow is thrown long and sharp to her right. Behind her the pink stucco wall runs the length of the alley, plastered with layered graffiti in magenta, acid green and white, the spray-can curves distorted by the wall's texture and by the perspective of the low camera. To her left, a pink convertible sits parked close to the curb, its long hood and chrome bumper catching the neon, a slice of its body silhouetted against the brightest part of the wall. The only light comes from the two green batons, the convertible's chrome reflections, and a dim streetlamp high and behind camera-left; beyond their reach the alley falls into deep blue-black, and the wet asphalt mirrors the green glow in long smeared streaks, each puddle reflection darker and softer than the light it carries. Palette stays strictly pink, green and black, with the graffiti supplying all remaining colour. Cinematic anime night, punchy and electric.
Daniel Garcia Rosillo
AI artwork
Avatar image of Андрей Ворон
1girl, solo, cyborg, gynoid, adult, busty, voluptuous, highly detailed face, mechanical panel lines, angry, furrowed brow, intense glare, parted lips, long hair, blue hair, black latex suit, skintight latex, glossy fabric, holding sword, holding laser katana, two-handed grip, energy blade, samurai stance, ready to fight, combat stance, from below, low angle, 1980s anime, 1987 cyberpunk aesthetic, retro sci-fi, dark industrial background, neon rim lighting, steam, wet floor, reflection From a low angle looking upward, an adult cyborg woman stands in a wide, combat-ready samurai stance on a rain-slicked industrial metal grate, coiled with lethal tension. Her highly detailed face features delicate micro-seam cybernetic panel lines tracing her cheekbones, with her brow sharply furrowed in intense anger and her glowing synthetic eyes locked onto an unseen adversary in a fierce, furious glare. Long, vibrant blue hair cascades down her back, whipped sideways by rising drafts of industrial exhaust. She wears a form-fitting, skin-tight black latex bodysuit that clings tightly over her generous bust and athletic, curvaceous silhouette, catching sharp specular glints of light along every taut seam. Both of her mechanical-jointed hands grip the hilt of a humming laser katana in a disciplined two-handed kenjutsu guard, the plasma blade radiating a blistering electric-cyan incandescence that cuts through the murky shadows. The laser sword serves as a primary light source, casting a searing cold rim light across her latex-clad chest and face, contrasting with the warm amber and magenta glow of distant neon signage in the 1987 retro-cyberpunk alley behind her. Ambient mist from nearby steam vents sizzles and parts around the thermal field of the laser blade, while distorted neon reflections shimmer on the wet grid floor beneath her planted combat boots. Lethal menace.
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