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AI artwork featuring #Code Geass: Lelouch of the Rebellion, #C.C. and #Glasses Characters Assemble
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C.C., Code Geass: Lelouch of the Rebellion

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Calling All Glasses Characters 👓#Glasses Characters Assemble
#Code Geass: Lelouch of the Rebellion#C.C.
k1

ki11yukii

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Commenti

character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, yellow eyes, beautiful face, (lewd smile, lustful gaze, half-closed eyes, heavy blush:1.5), glasses, (biting the temple of glasses:1.6), (holding glasses with mouth:1.4), (finger hooking her collar, pulling it down:1.4), (perfect hands, delicate fingers:1.3), (black gothic witch corset:1.4), (black pencil skirt, tight fit:1.3), (black pantyhose, zettai ryouiki:1.5), (garter belt:1.2), (sitting on a school desk, crossed legs:1.4), from below, cowboy shot, head tilt, (minimalist classroom background:1.3), (pumpkin decorations:1.2), (black cat sitting on the desk:1.3), looking at viewer, parted lips, one eyebrow raised Seen from a low camera placed just above desk height, angled up so the desk edge cuts across the bottom of the frame and her knees ride high and close, a mature woman with very long light green hair sits sideways on a school desk in an empty classroom, her weight settled on her right hip on the desk top, her long legs crossed right thigh over left with the left calf hanging free and the toe of her left shoe pointing down toward the floor. Her hair falls in a heavy pale-green sheet past her waist, one lock swung forward over her right shoulder by the tilt of her head. She leans her upper body slightly back and toward the lens, chin lowered so her golden eyes look up from under half-lowered lids, irises catching the flat light with a single hard highlight, a heavy blush laid across both cheeks and the bridge of her nose, the corner of her mouth curled into a knowing lewd smile. Between her lips she holds the temple of a pair of glasses, teeth pressed onto the arm near its hinge so the front of the glasses hangs down over her chin at a slant and the other temple rests against her lower lip; her left hand comes up in front of her throat, index finger hooked into the front edge of her collar, pulling the black gothic witch corset's neckline down and slightly to one side so the collar band stretches taut in a shallow V and the laced front and boned bodice below catch the light. Her fingers are long and slender, nails clean, the knuckle of the hooked finger pale where the fabric pulls. The corset is matte black with a laced front and a flared pointed hem; the black pencil skirt is tight over her hips and thighs and ends high enough that a band of bare thigh shows above the black pantyhose, whose sheer leg and dark reinforced top edge run down into the visible straps and clips of a black garter belt at the crest of her thigh. Behind her the classroom is stripped to essentials: a clean pale wall, a chalkboard edge far off to the left, two window rectangles of flat daylight, the desk's dark top and a plain chair; three small orange pumpkins sit stacked at the far right corner of the desk and one more on the windowsill, their ribs and cut-out grins picked out in the same pure flat colour as everything else. A small black cat sits upright on the desk to her left, tail curled around its paws, yellow eyes fixed on her hand at her collar, its ear swiveling toward the glasses. The light comes from the window wall behind and to her right, so the lit planes — her left cheek, the shoulder of the corset, the front of the skirt, the tops of the pumpkins — read as flat unmodulated blocks of local colour and the far side of her falls into one single unbroken tone of shadow with no gradient between the two; there is no other shading anywhere in the frame. Biting down on the temple presses a tiny dimple into her lower lip where the arm crosses it, and the glasses front sways a hair's breadth with her breath. Palette held to pale mint green, black, warm cream skin, schoolroom grey-white and pumpkin orange, nothing else. Smouldering and self-possessed.
Mostra parametri
Immissione richiesta originale
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (teacher, mature female, long light green hair, golden eyes, beautiful face),(lewd smile, lustful gaze, half-closed eyes, heavy blush:1.5),(1girl, solo:1.5), (sitting on a school desk, crossed legs:1.4), (biting the temple of glasses:1.6), (holding glasses with mouth:1.4), (finger hooking her collar, pulling it down:1.4),(black gothic witch corset:1.4), (black pencil skirt, tight fit:1.3), (black pantyhose, zettai ryouiki:1.5), (garter belt:1.2),(minimalist classroom background:1.3), (pumpkin decorations:1.2), (black cat sitting on the desk:1.3),(perfect hands, delicate fingers:1.3)
Modalità
flash
Dimensione
768 x 1280
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.51k

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AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
ki11 yukii
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
ki11 yukii
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
he
character: c.c., copyright: code_geass 1girl, solo, (1girl, solo:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, yellow eyes, beautiful face, (sidelong glance, looking at viewer from over the files, sly smile, heavy blush:1.5), sidelong glance, looking at viewer, looking over eyewear, sly smile, heavy blush, (sitting behind the desk, leaning forward slightly:1.4), sitting, leaning forward, desk, (holding a coffee cup and papers:1.3), holding cup, holding papers, file folder, (thin gold-rimmed glasses, glasses reflecting light:1.5), glasses, gold-rimmed glasses, specular highlight on lens, (white dress shirt:1.2), collared shirt, long sleeves, (one button accidentally undone, revealing black lace bra:1.5), open collar, black lace bra, (black pencil skirt:1.3), (black pantyhose:1.2), (bare foot under desk rubbing viewer's leg:1.5), barefoot, foot under table, leg lift, (one high heel on the floor:1.3), single high heel, (minimalist office desk background:1.4), office, window, (pumpkin decorations on desk:1.3), pumpkin, (black cat silhouette outside window:1.2), cat, silhouette, (perfect hands, delicate fingers:1.3), (pure flat color:1.6), (cel shading:1.4), (no shading, flat lighting:1.5), crisp clean lineart, bold black outlines, (masterpiece, best quality, highres:1.2) The view is a low, close three-quarter camera just above desk height and slightly to the viewer's left of the desk centre, so the woman behind the desk is seen past the near edge of the desktop and the stacked files; she sits in her office chair with her weight settled on her right hip, torso tipped forward over the desk at a slight angle, shoulders low, chin dipped, and she looks up through the gap between the raised file folder and the desk edge straight into the lens — a sidelong glance from under half-lowered lashes, one brow lifted a fraction, the corners of her mouth curled into a sly smile, a hot heavy blush sitting high across both cheeks and the bridge of her nose. Both hands are on the desktop and both are in clean view: the left hand's long delicate fingers curl around the handle of a white ceramic coffee cup, a thin thread of steam rising past her knuckles, the right hand's fingertips press flat on a thin stack of papers and hold the open file folder half-raised in front of her chest, its manila edge crossing her collarbone so the lower half of her face is framed by it. Her long light green hair falls in heavy straight strands past her shoulders, a few locks slipping over the folder's top edge and one strand tucked behind her right ear; her golden eyes catch the light behind the thin gold-rimmed lenses, and each lens carries one hard flat white reflection streak that hides the eye beneath it. She wears a white dress shirt, sleeves long, the collar open with exactly one button undone so the placket gaps in a narrow V at her sternum and the black lace of her bra shows through the opening in a fine web pattern; below the desk line a black pencil skirt hugs her hips, and black pantyhose sheathes her left leg down to the toes while her right foot is bare, slipped free of the shoe, and that bare foot is pressed and sliding along the viewer's leg beneath the desk, toes curled slightly with the pressure, the ankle turned out. The matching single high heel lies on its side on the floor beside her chair, its interior catching the flat light. The set is a minimalist office: a plain pale desk top running the full lower third, a single low monitor and one closed folder stand at the far right, a tall window behind her left shoulder with a plain blind, and three small orange pumpkins grouped at the desk's near right corner, their ribs drawn as clean flat shapes. On the outside of the window glass, beyond the frame, sits the crisp black silhouette of a cat, tail hooked in a curve, no interior detail at all. The light is flat and even from the window — one pale, cool wash laid on every surface at the same value, no cast shadow, no gradient, no falloff; colour is blocked in unmodulated fills: the mint-light green of her hair, the flat gold of her irises, the pure orange of the pumpkins, the pure white of the shirt against the black of the skirt, hose and bra, the pale grey-green of the walls and the warm tan of the desk. Lineart is crisp and clean with bold uniform black outlines around every shape, edges meeting in hard cel steps with a single darker tone per form and nothing between. The steam above the cup is the only thing that moves, drifting sideways from the window's draught. Quietly wicked, effortlessly composed.
HASSEN E
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
he
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (1girl, solo:1.5), mature female, beautiful face, long light green hair, very long hair, golden eyes, yellow eyes, lazy expression, deadpan, slight frown, half-closed eyes, (thin gold-rimmed glasses:1.5), (delicate metal glasses chain hanging down:1.6), (chain connecting to her ear:1.3), (middle finger pushing glasses up:1.4), (perfect hands:1.3), gothic witch outfit, large black witch hat, black gothic corset, black thighhighs, (holding a glowing jack-o'-lantern:1.4), (minimalist background:1.3), (pure flat color:1.6), (cel shading:1.4), (no shading, flat lighting:1.5), crisp clean lineart, bold black outlines, from below, cowboy shot, looking at viewer, head tilt Seen from a low camera angle, a single woman stands against a completely empty flat-colour ground of pale grey-violet, cropped at mid-thigh in a cowboy shot, the whole frame holding her and nothing else. She is tall and maturely built, her body turned a quarter away from the lens, weight sunk into her right hip so her left shoulder drops and her spine curves into a lazy contrapposto. Her hair is light green and very long, falling straight past her waist, a few strands lifting away from her cheek as though she has just turned her head. Under the enormous black witch hat — its brim wide enough to shade her brow — her golden eyes look down at the viewer over the rims of thin gold-rimmed glasses, half-lidded, unimpressed, her mouth set in a small downward line that does not quite reach a scowl. Her right hand is raised at her face, and it is the middle finger alone that presses the bridge of the glasses back up her nose; the other fingers curl loosely away from her cheek, and the pad of that finger meets the gold frame squarely, the frame tilted a half-degree by the pressure. From the outer hinge of the glasses a delicate metal chain hangs down in a shallow loop and clips to her earlobe, and the loop sways a little out of true, following the motion of her arm. Her left arm hangs low and forward, cradling a jack-o'-lantern against her hip; her forearm takes its weight from beneath, her fingers spread under the wet-looking orange shell, the carved grin facing out and up, and the lantern's inner glow lights nothing — it stays a flat, unshaded orange, bright against her black because it is painted bright, not lit. The gothic witch outfit is a black corset laced tight over her waist with long black sleeves rising to her elbows, and black thighhighs with a sliver of bare skin at the hem. The palette admits only light green, gold, black and the pumpkin's orange on a pale grey-violet ground, each shape filled flat, seams and lacing drawn in crisp black line and left unmodeled. Her head tilts slightly to one side, chin tucked, and she holds that flat downward stare without blinking. Effortlessly stylish, dryly amused.
HASSEN E
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble

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