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C.C., Code Geass: Lelouch of the Rebellion
Contest Entry
Calling All Glasses Characters 👓#Glasses Characters Assemble
Mostra parametri
- Immissione richiesta originale
- (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (teacher, mature female, long light green hair, golden eyes, beautiful face),(looking back over shoulder, biting lower lip, seductive gaze, heavy blush:1.5),(1girl, solo:1.5), (standing on tiptoes, reaching up high:1.6), (putting bat decoration on blackboard:1.3),(round glasses:1.4),(white dress shirt, (shirt riding up, exposing lower back and midriff:1.5)), (black pencil skirt, (skirt pulled tight, showing hip curves:1.4)), (black pantyhose, torn pantyhose at the back of thigh:1.4),(minimalist classroom background, large blackboard:1.4), (chalk dust:1.1),(perfect hands, delicate fingers:1.3)
- Modalità
- flash
- Dimensione
- 768 x 1280
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
k1
character: c.c., copyright: code_geass
1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2),
The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
ki11 yukii
k1
character: c.c., copyright: code_geass
1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2),
The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
ki11 yukii
k1
character: c.c., copyright: code_geass
1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2),
The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
ki11 yukii
he
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (glasses slightly falling off nose:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, angry but helpless:1.5), (forced to bend over the podium:1.6), (face close to the wooden desk:1.4), (holding a teaching pointer tightly:1.4), (trembling:1.2), (tight black turtleneck sweater:1.5), long sleeves, (black pencil skirt, skirt pulled up slightly:1.4), (black pantyhose:1.5), (torn pantyhose on thighs, ladder rips:1.4), (black gothic cloak on shoulders:1.3), (minimalist blackboard background:1.4), (perfect hands, delicate fingers:1.3), leaning forward, tears, from side, cowboy shot,
A three-quarter side view from slightly below and to her left, the camera low enough that the podium edge cuts across the lower third and the blackboard fills the whole upper frame behind her. A single adult woman with very long light green hair is bent forward over a wooden lectern podium, her torso folded down so that her cheek hovers a hand's width above the pale wood of the desktop, her face turned toward the lens with her chin twisted up off the wood. Her hair spills over the near edge of the desk and hangs in a flat curtain past her shoulder, a few strands lying across the wood grain. Half-rim rectangular glasses sit low on the bridge of her nose, one temple arm slipped down past her ear, the frame tilted so the lenses catch the flat light; behind them her golden eyes are wet and wide, lower lids brimming, one tear already broken loose and tracking a thin line through the heavy blush that floods both cheeks and the tips of her ears. Her teeth press hard into her lower lip, denting it, and her brows are drawn down and together -- furious, and with nowhere to put it. Her right hand is clenched white-knuckled around a slender wooden teaching pointer, the shaft angled up across the blackboard, her delicate fingers wrapped tight with the knuckles strained and the tip of the pointer faintly quivering; her left forearm takes her weight on the desk edge, palm flat, elbow locked, and a fine tremor runs through that arm and through the tendons of her neck. She wears a tight black turtleneck sweater stretched taut across her back and shoulders with the collar high at her throat, long sleeves down to her wrists; a black pencil skirt pulled up slightly rides high over her hips and shows the backs of her thighs, where black pantyhose runs with ladder rips and long diagonal tears across both thighs, the sheer fabric split into pale ladders along the stretched weave. A black gothic cloak is thrown over her shoulders, unfastened, its heavy folds hanging straight down her back and slipping off the near shoulder so it bunches at her upper arm. Behind her the blackboard is bare and minimal, its dark green-black plane empty except for a faint chalk haze at the edges, its wooden frame running horizontally at the top of the frame. Everything is rendered in completely flat unmodulated colour with hard cel-shaded blocks of tone, no gradients, no cast shadows, no soft light anywhere; the palette is black, near-black, the dark green-black of the board, the warm pale brown of the desk, and the cold light green of her hair, with the red of her blush and the shine of tears as the only saturated accents. Humiliated, furious.
HASSEN E
Scopri altro
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Potrebbe piacerti
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(mai)
detective anya and bond (˶>⩊<˶)
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⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
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Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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生魚2(Raw Fish 2)
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🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
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![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
2
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
32
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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