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- 中野三玖,删去耳机,头上戴着淡蓝色护士帽。淡蓝连体护士服一直到大腿上部并从侧面开叉,有领子,腰比较细,腰带是白色的布条勒在胸下部显得胸又大又坚挺,站在镜头前,人物皮肤有光泽。背景为纯白色。表情是自信地笑。双手悬空比耶。镜头到中野三玖的大腿处。
- Modalità
- pro
- Dimensione
- 1104 x 1824
- Metodo di campionamento
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di piùcharacter: nakano_nino
1girl, solo, nakano nino, pink hair, long hair, blunt bangs, butterfly hair ornament, twin side ribbons, white nurse cap, one-piece nurse uniform, white dress, short white bodycon skirt, side slit, slim waist, white cloth waistband, white plastic gloves, beige pantyhose, glossy skin, shiny skin, standing, facing viewer, facing forward, both hands up, raised hands, fingers half open, splayed fingers, floating hands, confident smile, slight blush, embarrassed, closed mouth smile, looking at viewer, straight-on, cowboy shot, pure white background, white seamless background, studio light, cel shading, clean lineart,
A single young woman stands square-on to the camera in a seamless pure-white studio void, framed from mid-thigh up so the full white background wraps evenly around her with no horizon line and no floor edge. Her hair falls long and pink past her shoulders, blunt bangs straight across her brow, and she keeps her original headwear — a butterfly-shaped ornament and small paired side ribbons — with a crisp white nurse cap set on top of her head, its folded brim sitting flat and level, the fabric bent gently where it follows the curve of her skull. She wears one white one-piece nurse uniform: the bodice buttons closed over a narrow waist cinched by a plain white cloth waistband tied and knotted at her front, and below it the dress becomes a short white bodycon skirt that hugs her hips and ends high on her thigh, a clean vertical slit cut up the side of the skirt so the panel parts slightly and shows a sliver of the beige pantyhose beneath. Both arms are lifted into the air, elbows bent out to either side, white plastic gloves creasing stiffly at the wrists and knuckles with a faint hard sheen; both hands hover in midair with all fingers half open and slightly splayed, nothing gripped, the palms turned loosely forward and inward, the fingertips not touching each other or her body. Her weight rests on her left leg with the right hip dropped a fraction so the waistband pulls diagonally and the skirt slit opens on the raised side. Her chin is level, eyes on the viewer, her lips closed in a small smile that pulls higher on one side while a soft blush sits high on both cheeks and her brows lift just enough to read as pleased but a little self-conscious. Light comes from a large soft source front-left: it lays a broad, even gloss along her forehead, cheekbones, the bridge of her nose, her bare shoulders and the front of her thighs, with a faint tighter specular catching the plastic of the gloves and the toe of the nurse cap, and soft lavender-grey shadow falling under her chin, inside the elbows, and in the folds of the waistband — no cast shadow reaches the background, which stays an unbroken sheet of white. Palette is white, warm bare skin, beige, and pink hair, nothing else admitted. Quietly playful, faintly flustered.
长生
みく
ケロさん
character: nakano_miku
1girl, solo, front view, straight-on, cowboy shot to legs, standing, miko outfit, white kosode, red hakama with one side slit, red cord knotted at diagonal chest collar, cord ends hanging loose, obi sash cinched high under bust, taut fabric over chest, narrow waist, bare thigh through slit, side hip visible through slit, both arms raised, hands in hair, adjusting hair, elbows up, long brown hair, hair between eyes, blue eyes, original headwear retained, bright open smile, blush, shy upturned gaze at viewer, glossy skin, sheen on shoulders and thighs, pure white background, seamless white void, soft even studio light, clean cel shading, warm skin tones against white and red, cheerful tender
A full-length straight-on front view, camera level at her knees and framing her from the top of her head down to her lower legs, so her raised elbows and the fall of the hakama fill the vertical frame. She stands square to the lens but with her weight settled on her right leg, left knee slightly bent and turned a few degrees outward so the slit side of the red hakama parts over her left thigh, the fabric edge riding on the outer thigh and exposing the side of her hip; her narrow waist reads clearly because the wide obi is bound high, tight and flat immediately under the bust, lifting the white kosode into a taut horizontal tension line above it and letting the cloth fall loose below. Both arms are lifted, elbows out to either side at shoulder height, fingers threaded into her long brown hair at the temples, sweeping the strands back from her face and holding the headwear in place as she does it; her hair falls straight past her shoulders and swings slightly forward over the raised forearms, with strands slipping between her fingers. The diagonal collar crosses from her right shoulder down to her left armpit, and at the crossing point a red cord is tied in a compact knot, its two ends hanging free down the white cloth, swinging a little away from the chest because her raised arms have lifted the collar. Her chin dips slightly, eyelids low, cheeks flushed, mouth open in a broad sunny smile that pulls her eyes into shy crescents as she looks straight into the lens. Skin everywhere is highly polished: a crisp soft highlight runs along each collarbone, along the tops of her raised forearms and down the exposed thigh, with a narrow reflected bounce filling the shadow side so the flesh reads as luminous rather than matte; the only shadows in the picture are soft contact shadows under her chin, beneath the obi and where the hair meets her shoulders. The background is a pure white field with no floor line, no horizon and no props, the figure floating on it, lit by an even diffuse frontal key that leaves no cast shadow on the white. Palette limited to white, deep red, warm skin and brown hair. Bright, tender.
user-2055381332073734889
character: nakano_nino
1girl, solo, nakano nino, pink hair, short hair with long side locks, blunt bangs, red-tinted hair, butterfly hair ornament, black ribbon, white nurse cap worn on top of the butterfly hair ornament, both ornaments visible and unfused, white one-piece nurse dress, white pencil skirt with tight hip-hugging fit, slim waist, white cloth waist band tied around the waist, white plastic gloves, both hands raised in the air, fingers spread, open hands, palms facing forward, hovering, touching nothing, standing, facing viewer, looking at viewer, confident smile, open mouth, sunny smile, blush, glossy skin, shiny skin, pure white background, white seamless backdrop, full body, cowboy shot, straight-on, high-key lighting, no text
Frontal view, straight on at chest height with the camera backed off to a cowboy shot so the whole nurse outfit reads top to bottom: the frame holds exactly one person, standing square to the lens against a seamless pure white backdrop that swallows floor and wall into a single unbroken field. On top of her head the white nurse cap sits pinned over the original butterfly hair ornament, the butterfly's wing shapes and its black ribbon still readable beneath and beside the cap's stiff white crown, neither piece hidden nor merged into the other. Her pink hair is short with long side locks falling past the jaw and blunt-cut bangs grazing the brow; a black ribbon ties off one lock. The white one-piece nurse dress buttons down the front and cuts in at a genuinely narrow waist, cinched by a white cloth waist band knotted flat at the front, its ends hanging loose and slightly twisted. Below the band the skirt drops into a tight, body-con pencil silhouette that hugs the hips and thighs and tapers to just above the knee. Both arms are lifted free in front of her shoulders, elbows soft, and both hands are open in mid-air with all fingers spread, white plastic gloves catching a hard sheen along the knuckle ridges; palms turned out toward the camera, fingertips touching nothing, a clean gap of white visible between every fingertip and her own body.
Her chin is up a touch, shoulders back, weight even on both feet, and the expression splits into something contradictory and alive: a wide open sunny grin with a corner of the mouth pulled in and a blush across the cheekbones — confident and shy at the same time — eyes lifted and meeting the lens directly. The light is a broad soft high-key source from the front-left, so her skin carries a smooth, glossy sheen along the forehead, the bridge of the nose, the collarbones and the tops of the bare forearms, with only the faintest shadow pooling under the chin and beneath the hanging waist-band ends; every other surface of the frame is white. A thin rim of reflected white light runs along the outer edge of each stretched glove finger where the backdrop throws it back. The skin gloss is the revealer — it renders the front light visible on a body standing in a featureless white room. Clean, bright, quietly flustered.
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