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AI art "雨上がりのロマンチックなデート"
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雨上がりのロマンチックなデート

この一枚の絵、二人が透明な傘を一緒に差している温かな雰囲気がとても素敵です！雨上がりの虹や地面に映る影が、画面全体を幻想的な空気で満たしています。向き合って微笑み合う二人の姿を見ていると、こちらまで幸せな気持ちでいっぱいになります！もし皆さんもこんな美しい世界観がお好きなら、ぜひ「いいね」とフォローをお願いします。コメント欄で皆さんの感想も聞かせてくださいね～

#Cielo#All'aperto#Sorriso#cappotto#giacca#arcobaleno#Riflesso#pioggia#pantaloni#1 ragazza#1 ragazzo#tenere#Edificio#Ombrello condiviso
Avatar image of Viktonia−ヴィクトニア

Viktonia−ヴィクトニア

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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Mio.2
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Mio.2

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from behind, two people, 1boy, 1girl, boy and girl, sharing umbrella, dark navy umbrella, umbrella tilted toward girl, school uniform, white short-sleeved button-down shirt, navy blue trousers, white short-sleeved blouse, navy blue pleated skirt, white crew socks, wet clothes, soaked shoulder, rain, rain-soaked street, rainy dusk, dusk sky, grey-lavender sky, power lines, telephone lines, convenience store, small japanese convenience store, vertical store sign, warm interior light, light spilling onto street, large puddle, reflection, puddle reflection, wide shot, cinematic, viewed from behind, standing close, soft anime background art, muted palette, nostalgic, rain haze, detailed background, no text, The camera sits behind the two of them at a slight distance and a little to the left, wide and cinematic, so the whole storefront and the puddle stay in frame and their faces are never seen. They stand shoulder to shoulder on the cracked asphalt just outside the store's automatic doors, the boy on the left, the girl on the right, close enough that their sleeves brush. The dark navy umbrella is held in the boy's right hand, its shaft angled across toward the girl so the canopy dips low over her side and rides high on his; the girl's head tips slightly toward him under the low rim, her loose hair pushed forward and lifting in the damp breeze. His left shoulder and the outer half of his back are dark and plastered to the shirt, the wet fabric clinging with a sharp edge where the water has run down and stopped, while under the canopy his collar, right sleeve and the girl's blouse and pleated skirt stay dry. Rainwater beads and runs in threads off the umbrella's ribs, drops in a fine broken line onto the boy's exposed shoulder, and patters in shallow rings across the asphalt. Behind them stands the small convenience store, its glass front hazed with condensation and stacked with softly colored product shelves, the warm interior light spilling out of the doorway and the windows in a wide ochre fan that falls across their calves, the wet pavement and the near edge of the puddle; the store's vertical sign rises against the grey-lavender sky in tall stacked characters, glowing dimly, and its light bleeds along the wet ground in a long streak. Above and behind the store, telephone pole and power lines cut clean diagonal lines across the evening sky, which grades from indigo overhead down to a faint violet-orange band on the horizon; the sun is entirely gone. At their feet a large puddle holds an inverted, softly trembling image of the two figures, the tilted umbrella dome and the glowing store sign, darker and blurred at its edges, rippling where the rain hits. The world around the warm doorway stays in muted desaturated navy, slate, moss green and faded lavender, with the store's interior the one concentrated pocket of warm amber. Gray-violet rain haze softens the far street and the buildings beyond the sign. Quiet, tender.
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