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AI artwork featuring #Dragon Ball, #Dragon Ball Z, #Vegeta, #Dragon Ball Super and #Dramatic Before and After
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Vegeta, Dragon Ball

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That Character Gets a Whole New Look! A Dramatic Before and After!!#Dramatic Before and After
#Dragon Ball#Dragon Ball Z#Vegeta#Dragon Ball Super
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おだぶつ

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character: vegeta, copyright: dragon_ball split-screen, two panels, comic, multiple views, 1boy, male focus, vegeta \(dragon ball\), spiked black hair, widow's peak, tall spiked hair, green eyes, serious, glasses, black-framed glasses, reading newspaper, holding newspaper, sitting, seiza, japanese clothes, casual, battle armor, white armor, saiyan armor, blue bodysuit, white gloves, raging, angry, furious, screaming, open mouth, clenched teeth, shouting, clenched fists, aura, powering up, from above, from side, close-up, looking at object, looking at viewer, morning, dining room, japanese breakfast, rice, miso soup, grilled fish, natto, tamagoyaki, chopsticks, ceramic bowls, wooden table, shoji screens, tatami, soft morning sunlight, warm colors, two-tone contrast Two-panel split-screen image divided by a single clean horizontal border running across the full width, both panels stacked vertically and separated by a thin white gutter; the top panel is the larger, quieter half, the bottom panel is the louder one, and both contain the same single man at the same age, the same high spiked hair standing up in a tall flame-like crest with the sharp widow's peak over a broad brow, the same short, compact, heavy-muscled build. TOP PANEL: a calm morning dining room seen from above and slightly to one side, the camera looking down across the low wooden table at a soft angle so the tabletop fills the lower two-thirds of the panel and the man sits at the far edge in seiza, one knee bearing his weight, hip settled onto the calf. He is dressed plainly in a dark high-collared tunic, a dark short kimono jacket over a plain underlayer, sleeves pushed to the elbows; his hair is the same tall black crest. Black-framed rectangular glasses sit squarely on the bridge of his nose, the lenses catching two small cool reflections of the window, and the arms hug his temples. Both hands hold a folded broadsheet newspaper open in front of his chest, thumbs pressing the fold flat, elbows braced against the table edge, the paper's far edge curled faintly toward him so his head tilts back a few degrees as his eyes track down the column. His eyes, lowered behind the lenses, look only at the newsprint; his mouth is a flat, unimpressed line, one brow lowered a fraction. On the table in front of him the Japanese breakfast is laid out in full: a lacquered bowl of white rice with a chopstick rest beside it, a small bowl of miso soup with tofu and scallion afloat, a rectangular plate holding a grilled fish with scored salt-crusted skin, a shallow dish of natto with a beaten egg yolk just broken on its surface, a rolled tamagoyakl sliced into rounds, a dish of pickles, a cup of green tea with a thin wisp of steam rising; a pair of chopsticks rests across the rice bowl's rim. The room is a traditional dining space: tatami mats in the lower frame, a shoji screen at the left with pale paper glowing, a low wooden table with visible grain, a hanging lamp above the table's center. Soft low morning sunlight comes in from an off-frame window at the left through the shoji, landing in a broad diagonal on the tatami, on the tabletop's left edge and across the newspaper's outer page, and the right side of his face and the right half of the table sit in cool clean shadow. The steam from the tea and soup drifts toward the light, curving where the warm air moves, and the grain of the lacquerware shows faint legible highlights on the upward-facing rims only. BOTTOM PANEL: the same man, same face and same tall spiked crest, now in full battle armor — a white chest plate with segmented shoulder guards over a dark blue bodysuit, white gloves with the wrist bands, no glasses anywhere on his face — framed from the side and slightly below, close-up, his body turned three-quarters away from the viewer with his head snapped back toward the lens. His jaw is wide open in a full-throated scream, teeth clenched and bared, brows crushed down, eyes wide and blazing, veins standing at his temple and neck, his fists curled white-knuckled at his sides. A ragged white-hot aura bores up around him, his hair and armor edges dissolving into it, the light of the aura the only light source in this panel, blasting upward so his chin and collarbones and the undersides of his jaw take the glare while his chest plate throws sharp upward-facing rims and the panel behind him is drained to a flat hostile red-black. Speed lines radiate outward behind his shoulders and crushed debris and stone chips are just lifting off the floor at the bottom edge. The two panels share the same man and the same hair; the quiet half's black glasses and folded paper and the loud half's bare face, white armor and white aura make the split read as one calm morning snapped against one feral roar. Palette: warm cream, ochre, tatami green-gold and clean white in the top panel; white armor, deep blue, blazing white and red-black in the bottom. Rendering: crisp anime linework with flat cel shading and halftone dot texture in the top panel's shadows, hard comic panel borders, restrained screentone. Wryly domestic on top, all-out fury below.
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朝のダイニングルーム。テーブル上には和朝食が並んでいる。ベジータ_(ドラゴンボール)。眼鏡を掛けている、新聞を読む。 画面割りで、戦闘服で猛り狂うベジータ。
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball 2boys, vegeta, spiked hair, black hair, widow's peak, green eyes, blue eyes, eyeglasses, black-framed glasses, reading newspaper, holding newspaper, calm expression, closed mouth, light smile, sitting, battle armor, white gloves, spiked hair, angry, rage, screaming, open mouth, gritted teeth, clenched fists, diagonal split screen, split panel, dutch angle, indoors, dining room, morning, japanese breakfast, rice bowl, miso soup, grilled fish, natto, green tea, low table, window light, warm sunlight, cel shading A single frame cut corner to corner by a hard diagonal division running from the upper left edge down to the lower right, the two halves meeting along a clean white seam. In the upper-right half, seen from a low three-quarter angle at table height: a short, broad-shouldered man with flame-spiked black hair rising to a sharp widow's peak, seated cross-legged on a cushion at a low wooden dining table in a bright morning dining room. He wears black-framed glasses resting on the bridge of his nose, and a loose dark loungewear top with the collar open at the throat; both hands grip the spread newspaper at its lower corners, thumbs creasing the paper, the pages sagging slightly between his fists and the far edge curling toward him. His eyes, lowered behind the lenses, track the columns; his mouth is closed in a faint, settled smile, one brow relaxed, shoulders dropped, weight sunk into the cushion. The lenses catch a soft rectangular sheen of window light. On the table before him: a lacquered bowl of white rice, a bowl of miso soup with tofu and scallion, a plate of grilled fish, a small dish of natto, pickles, a nori sheet, and a cup of green tea still steaming, the steam drifting thin and up toward the window. Morning sun comes low through a shoji-framed window off-frame right, striking the near side of the teapot and the rim of the rice bowl, laying long soft shadows across the tabletop grain; the far corners of the room fall into gentle warmth rather than darkness. Below the diagonal seam, in the lower-left half, a low-angle shot tilted slightly off level, the same man transformed: black spiked hair, green eyes narrowed to slits, teeth bared in a wide roaring snarl, cords standing in his neck, veins raised at his temple. He wears the full battle suit -- dark blue body glove and the white chest armor with its layered shoulder plates -- and white gloves clenched into fists at his sides, one arm drawn back, the other thrust forward, torso twisted with the momentum of the shout. The ground beneath him is a cracked, dust-blown wasteland, rubble lifting and dust particles blasting outward from the pressure of his ki, a faint white aura flaring behind his shoulders; hard rim light from a low angry sun rakes the armor's edges while his face stays in sharp shadow, palette dropping to scorched orange and cold blue. Palette discipline: the upper half in warm cream, pale wood, lacquer red, tea green and soft gold daylight; the lower half in cold steel blue, bone white, dust ochre and ember orange. The diagonal seam clean and bright, no bleed between the halves except the shared black of his hair. Crisp cel-shaded anime rendering with flat shaded planes and hard shadow edges. Quiet domestic warmth against raw fury.
おだぶつ
#Dragon Ball#Dragon Ball Z#Vegeta
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Avatar image of おだぶつ
character: vegeta, copyright: dragon_ball 1boy, solo, vegeta, spiked hair, black spiked hair, widow's peak, tall forehead, flame-shaped black hair standing straight up, glasses, black-framed rectangular glasses, reading a newspaper, holding newspaper with both hands at chest height, eyes lowered to the page, sitting at a table, leaning slightly forward, morning dining room, japanese breakfast on table, grilled salmon, miso soup in lacquered bowl, a bowl of white rice, rolled tamagoyaki, nori sheets, pickled daikon, green tea in a yunomi cup, chopsticks on a chopstick rest, half-closed eyes, calm absorbed expression, light smile, sitting, indoors, from side, profile, cowboy shot, morning sunlight, shoji screen, warm palette, cozy atmosphere The camera sits at table height in near-profile, the figure placed left of center and turned three-quarters toward the right of the frame, so the long low table runs away from the viewer to the right and his near shoulder and upper arm are the closest mass in the image. He sits on a floor cushion at the table's short side, knees folded under the low table's edge, torso tipped a little forward, weight resting on the hip furthest from the camera; the closer forearm lies along the table's near edge as a brace, and both hands grip the open newspaper -- left thumb and index pinching the top-left corner, right hand cupping the lower fold, thumbs pressing the paper so the sheets bow slightly outward between them. His eyes are lowered to the upper half of the page, brows drawn in a mild, level line, mouth set in a faint closed-lip smile of quiet satisfaction; the spectacles' black rectangular frames sit high on the bridge of his nose, their lenses catching a small pale rectangle of window light, and the near temple arm disappears into the thick black crest of his spiked hair just above the ear. The newspaper folds back toward him as a soft V, its far edge tilted up, the printed columns small and unreadable grey texture with one blurred headline block near the fold; nothing else in the room carries legible lettering. The breakfast spreads across the table in front of him, each dish a little closer or farther and staggered rather than lined up: the lacquered bowl of miso soup to his far side with a wisp of steam bending away from the window; the white rice bowl nearer the camera, its surface glossy with a few grains stuck to the rim; the lacquered dish of grilled salmon lengthwise to his right with the skin side up and the flesh flaking at one edge; tamagoyaki cut into thick golden rolls on a small plate; nori on a little dish; a dish of daikon pickles; the green tea cup at his further elbow, the tea's surface showing a tiny bright disc of window reflection that is dimmer and narrower than the opening that casts it. His chopsticks rest parallel on the small ceramic rest, untouched. The room is a Japanese dining room at morning: a shoji screen on the right with pale daylight glowing through the paper, dark wooden posts dividing it into panels, the pale tatami floor catching a soft rectangle of that light, and a low sideboard behind him in the background where a kettle and a folded cloth sit out of focus. The light comes from the shoji at the right in one broad, cool-to-warm white wash, striking the right side of his face and the near side of the newspaper, the glass rims and the top of the tea, while shadow pools beneath the table, inside the folds of his clothing and along the left of his cheek, soft-edged because the paper screen diffuses it; long low shadows of the dishes stretch across the table top toward the camera. Palette: warm wood brown, the paler straw of the tatami, the white of rice and newspaper, the deep black of his hair and frames, the red-brown of lacquer, with the gold of the tamagoyaki and the green of the tea and pickles as the only real color accents. Held quiet, warm, unhurried.
おだぶつ
#Dragon Ball#Dragon Ball Z#Vegeta

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