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AI artwork featuring #Tsukishiro Yanagi
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Tsukishiro Yanagi

#Tsukishiro Yanagi
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character: tsukishiro_yanagi 1girl, 1boy, 2 subjects, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, hair rings, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, sheer black thigh highs, sexy dress, night sky design on dress, deep blue evening gown with star and nebula print, white hair, medium length hair, blue eyes, toned body, black tuxedo, black bow tie, white dress shirt, dancing together, ballroom dance hold, partner dance, waltz, hand on waist, holding hands, raised joined hands, leaning in, looking at each other, half-closed eyes, light smile, open mouth, from side, cowboy shot, dutch angle, party, ballroom, chandelier, night, warm interior light, bokeh, depth of field, elegant, intimate. A low three-quarter side view, camera set slightly below eye level and canted a few degrees, framing the two of them from mid-thigh to above the head; the tall arched windows of a night ballroom fill the background and fall softly out of focus behind them. The woman's left hand rests closed in the man's right palm, their joined hands lifted to her eye level; his left hand sits flat against the small of her back, fingers spread across the silk, his thumb hooked under the fabric's edge. Her right arm lies along his upper arm, her fingertips on his shoulder seam. She dances forward onto the ball of her right foot, left heel lifted, hips swung out from the contact of his hand on her back, and the hem of her gown swings out around her calves in a wide arc. Her long pink hair is layered in Tsukishiro Yanagi's cut: a fringe falling in two soft curves with a strand between her brows, a long side lock framing her right cheek, the rest of it falling in a long tapered drape past her shoulders with a pair of dark ring ornaments gathering a small twist at the side of her head; the movement lifts the ends and one lock swings across her collarbone. The sleeveless gown is cut close over a full bust, drawn in tight at the waist and flared over wide hips and wide thighs, sheer black thigh-highs catching the light at the slit as she steps. The whole navy bodice and skirt carry a night-sky design: scattered white stars, a dense silver band of dust across the hip, and a darker nebula print bleeding up toward her shoulder, every element bending with the curve of the fabric and the folds. Rimless eyeglasses sit clear on the bridge of her nose, catching two thin sparks of chandelier light, and her violet eyes are lifted to him over the rims with half-lowered lids and a faint closed-mouth smile that opens a millimeter on her next breath. The man faces her three-quarters away, one shoulder toward the camera, his medium-length white hair swept back off his forehead and one lock falling loose beside his jaw; his blue eyes look down into her face, his brow pulled down slightly in concentration on the step, a small easy smile at one corner of his mouth. His tuxedo is black and sharply tailored, jacket straining at nothing, the shoulder line and the tapered waist of the cut showing a toned frame, a white shirt cuff visible at his right wrist and a black bow tie sitting slightly uneven at his throat. Their faces are close, the gap between them the width of a hand. The only strong light source is a chandelier high behind and to the left of the camera; it rims the man's white hair and the silver thread of the gown's star band, lays a warm bronze highlight down the woman's cheek and bare shoulder, and leaves the far side of both faces in soft shadow; the polished floor beneath them carries a smeared, dim, downward reflection of the gown's stars. The palette stays narrow: deep navy and silver-white on the dress, black and white on the tuxedo, soft rose in her hair, all against warm amber darkness. Behind them, other guests are only blurred silhouettes between the tall windows, their champagne glasses reduced to glints. Intimate, elegantly staged.
Mostra parametri
Immissione richiesta originale
1girl, mature adult, pink hair, long length, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breast, curvy body, wide hips, wide thighs, sexy dress, night sky design, thigh highs, dancing with, 1boy, mature adult, white hair, medium length, blue eyes, toned body, tuxedo, at the party together
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

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AI artwork
tb
character: tsukishiro_yanagi 1girl, 1boy, 2 subjects, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, hair rings, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, sheer black thigh highs, sexy dress, night sky design on dress, deep blue evening gown with star and nebula print, white hair, medium length hair, blue eyes, toned body, black tuxedo, black bow tie, white dress shirt, dancing together, ballroom dance hold, partner dance, waltz, hand on waist, holding hands, raised joined hands, leaning in, looking at each other, half-closed eyes, light smile, open mouth, from side, cowboy shot, dutch angle, party, ballroom, chandelier, night, warm interior light, bokeh, depth of field, elegant, intimate. A low three-quarter side view, camera set slightly below eye level and canted a few degrees, framing the two of them from mid-thigh to above the head; the tall arched windows of a night ballroom fill the background and fall softly out of focus behind them. The woman's left hand rests closed in the man's right palm, their joined hands lifted to her eye level; his left hand sits flat against the small of her back, fingers spread across the silk, his thumb hooked under the fabric's edge. Her right arm lies along his upper arm, her fingertips on his shoulder seam. She dances forward onto the ball of her right foot, left heel lifted, hips swung out from the contact of his hand on her back, and the hem of her gown swings out around her calves in a wide arc. Her long pink hair is layered in Tsukishiro Yanagi's cut: a fringe falling in two soft curves with a strand between her brows, a long side lock framing her right cheek, the rest of it falling in a long tapered drape past her shoulders with a pair of dark ring ornaments gathering a small twist at the side of her head; the movement lifts the ends and one lock swings across her collarbone. The sleeveless gown is cut close over a full bust, drawn in tight at the waist and flared over wide hips and wide thighs, sheer black thigh-highs catching the light at the slit as she steps. The whole navy bodice and skirt carry a night-sky design: scattered white stars, a dense silver band of dust across the hip, and a darker nebula print bleeding up toward her shoulder, every element bending with the curve of the fabric and the folds. Rimless eyeglasses sit clear on the bridge of her nose, catching two thin sparks of chandelier light, and her violet eyes are lifted to him over the rims with half-lowered lids and a faint closed-mouth smile that opens a millimeter on her next breath. The man faces her three-quarters away, one shoulder toward the camera, his medium-length white hair swept back off his forehead and one lock falling loose beside his jaw; his blue eyes look down into her face, his brow pulled down slightly in concentration on the step, a small easy smile at one corner of his mouth. His tuxedo is black and sharply tailored, jacket straining at nothing, the shoulder line and the tapered waist of the cut showing a toned frame, a white shirt cuff visible at his right wrist and a black bow tie sitting slightly uneven at his throat. Their faces are close, the gap between them the width of a hand. The only strong light source is a chandelier high behind and to the left of the camera; it rims the man's white hair and the silver thread of the gown's star band, lays a warm bronze highlight down the woman's cheek and bare shoulder, and leaves the far side of both faces in soft shadow; the polished floor beneath them carries a smeared, dim, downward reflection of the gown's stars. The palette stays narrow: deep navy and silver-white on the dress, black and white on the tuxedo, soft rose in her hair, all against warm amber darkness. Behind them, other guests are only blurred silhouettes between the tall windows, their champagne glasses reduced to glints. Intimate, elegantly staged.
Trevor Belmont
AI artwork
tb
character: tsukishiro_yanagi 1girl, 1boy, 2 subjects, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, hair rings, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, sheer black thigh highs, sexy dress, night sky design on dress, deep blue evening gown with star and nebula print, white hair, medium length hair, blue eyes, toned body, black tuxedo, black bow tie, white dress shirt, dancing together, ballroom dance hold, partner dance, waltz, hand on waist, holding hands, raised joined hands, leaning in, looking at each other, half-closed eyes, light smile, open mouth, from side, cowboy shot, dutch angle, party, ballroom, chandelier, night, warm interior light, bokeh, depth of field, elegant, intimate. A low three-quarter side view, camera set slightly below eye level and canted a few degrees, framing the two of them from mid-thigh to above the head; the tall arched windows of a night ballroom fill the background and fall softly out of focus behind them. The woman's left hand rests closed in the man's right palm, their joined hands lifted to her eye level; his left hand sits flat against the small of her back, fingers spread across the silk, his thumb hooked under the fabric's edge. Her right arm lies along his upper arm, her fingertips on his shoulder seam. She dances forward onto the ball of her right foot, left heel lifted, hips swung out from the contact of his hand on her back, and the hem of her gown swings out around her calves in a wide arc. Her long pink hair is layered in Tsukishiro Yanagi's cut: a fringe falling in two soft curves with a strand between her brows, a long side lock framing her right cheek, the rest of it falling in a long tapered drape past her shoulders with a pair of dark ring ornaments gathering a small twist at the side of her head; the movement lifts the ends and one lock swings across her collarbone. The sleeveless gown is cut close over a full bust, drawn in tight at the waist and flared over wide hips and wide thighs, sheer black thigh-highs catching the light at the slit as she steps. The whole navy bodice and skirt carry a night-sky design: scattered white stars, a dense silver band of dust across the hip, and a darker nebula print bleeding up toward her shoulder, every element bending with the curve of the fabric and the folds. Rimless eyeglasses sit clear on the bridge of her nose, catching two thin sparks of chandelier light, and her violet eyes are lifted to him over the rims with half-lowered lids and a faint closed-mouth smile that opens a millimeter on her next breath. The man faces her three-quarters away, one shoulder toward the camera, his medium-length white hair swept back off his forehead and one lock falling loose beside his jaw; his blue eyes look down into her face, his brow pulled down slightly in concentration on the step, a small easy smile at one corner of his mouth. His tuxedo is black and sharply tailored, jacket straining at nothing, the shoulder line and the tapered waist of the cut showing a toned frame, a white shirt cuff visible at his right wrist and a black bow tie sitting slightly uneven at his throat. Their faces are close, the gap between them the width of a hand. The only strong light source is a chandelier high behind and to the left of the camera; it rims the man's white hair and the silver thread of the gown's star band, lays a warm bronze highlight down the woman's cheek and bare shoulder, and leaves the far side of both faces in soft shadow; the polished floor beneath them carries a smeared, dim, downward reflection of the gown's stars. The palette stays narrow: deep navy and silver-white on the dress, black and white on the tuxedo, soft rose in her hair, all against warm amber darkness. Behind them, other guests are only blurred silhouettes between the tall windows, their champagne glasses reduced to glints. Intimate, elegantly staged.
Trevor Belmont
AI artwork
tb
character: tsukishiro_yanagi 1girl, 1boy, 2 subjects, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, hair rings, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, sheer black thigh highs, sexy dress, night sky design on dress, deep blue evening gown with star and nebula print, white hair, medium length hair, blue eyes, toned body, black tuxedo, black bow tie, white dress shirt, dancing together, ballroom dance hold, partner dance, waltz, hand on waist, holding hands, raised joined hands, leaning in, looking at each other, half-closed eyes, light smile, open mouth, from side, cowboy shot, dutch angle, party, ballroom, chandelier, night, warm interior light, bokeh, depth of field, elegant, intimate. A low three-quarter side view, camera set slightly below eye level and canted a few degrees, framing the two of them from mid-thigh to above the head; the tall arched windows of a night ballroom fill the background and fall softly out of focus behind them. The woman's left hand rests closed in the man's right palm, their joined hands lifted to her eye level; his left hand sits flat against the small of her back, fingers spread across the silk, his thumb hooked under the fabric's edge. Her right arm lies along his upper arm, her fingertips on his shoulder seam. She dances forward onto the ball of her right foot, left heel lifted, hips swung out from the contact of his hand on her back, and the hem of her gown swings out around her calves in a wide arc. Her long pink hair is layered in Tsukishiro Yanagi's cut: a fringe falling in two soft curves with a strand between her brows, a long side lock framing her right cheek, the rest of it falling in a long tapered drape past her shoulders with a pair of dark ring ornaments gathering a small twist at the side of her head; the movement lifts the ends and one lock swings across her collarbone. The sleeveless gown is cut close over a full bust, drawn in tight at the waist and flared over wide hips and wide thighs, sheer black thigh-highs catching the light at the slit as she steps. The whole navy bodice and skirt carry a night-sky design: scattered white stars, a dense silver band of dust across the hip, and a darker nebula print bleeding up toward her shoulder, every element bending with the curve of the fabric and the folds. Rimless eyeglasses sit clear on the bridge of her nose, catching two thin sparks of chandelier light, and her violet eyes are lifted to him over the rims with half-lowered lids and a faint closed-mouth smile that opens a millimeter on her next breath. The man faces her three-quarters away, one shoulder toward the camera, his medium-length white hair swept back off his forehead and one lock falling loose beside his jaw; his blue eyes look down into her face, his brow pulled down slightly in concentration on the step, a small easy smile at one corner of his mouth. His tuxedo is black and sharply tailored, jacket straining at nothing, the shoulder line and the tapered waist of the cut showing a toned frame, a white shirt cuff visible at his right wrist and a black bow tie sitting slightly uneven at his throat. Their faces are close, the gap between them the width of a hand. The only strong light source is a chandelier high behind and to the left of the camera; it rims the man's white hair and the silver thread of the gown's star band, lays a warm bronze highlight down the woman's cheek and bare shoulder, and leaves the far side of both faces in soft shadow; the polished floor beneath them carries a smeared, dim, downward reflection of the gown's stars. The palette stays narrow: deep navy and silver-white on the dress, black and white on the tuxedo, soft rose in her hair, all against warm amber darkness. Behind them, other guests are only blurred silhouettes between the tall windows, their champagne glasses reduced to glints. Intimate, elegantly staged.
Trevor Belmont

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