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- Create ONE complete Japanese-style manga page in clean, professional black-and-white manga format. This is a continuing series, so maintain the same overall visual design, character appearances, panel structure, and comedic tone across every page. 1. PAGE LAYOUT — VERY IMPORTANT The entire page must contain TWO separate vertical comic strips arranged SIDE BY SIDE on one portrait-oriented page. LEFT COLUMN: Story Strip 1. RIGHT COLUMN: Story Strip 2. Each column has its OWN thin, horizontal rectangular title box at the very top. Place the title in the centre of each title box. Under each title box, stack approximately 4–5 rectangular or square-ish comic panels vertically. Both columns should have approximately equal widths and align neatly. Use thin, clean black borders around every panel and title box. Leave narrow, consistent white gutters between panels and columns. Each strip must tell its own complete, short, funny story. Do not merge the two stories into one continuous strip. Do not place one title above both columns. Do not arrange the two strips horizontally as rows across the whole page. Do not use a conventional full-width manga layout. The result should resemble two mini-comics printed side by side on a single manga page. 2. TITLE DESIGN Each strip has one thin rectangular title box, wider than it is tall. Use a simple generic sans-serif font resembling Arial. Use black text on a white background. Use normal or medium font weight. Keep the title centred and readable. Do not use decorative, cursive, handwritten, or oversized typography. Titles should be short and appropriate for each story. 3. ART STYLE AND COLOUR Strictly black-and-white and grayscale only. No colour whatsoever. Clean, confident Japanese manga lineart. Professional hand-inked manga appearance. Use black outlines, white highlights, light and dark gray screentones, halftone textures, and crosshatching where appropriate. Detailed but uncluttered school backgrounds. Expressive anime-style faces and readable body language. Use varied facial expressions, reaction shots, close-ups, and occasional dramatic manga effects. Use speed lines, sweat drops, anger symbols, sparkles, and chibi reactions only when appropriate. Keep the drawings polished, coherent, and visually consistent. Avoid blurry outlines, messy anatomy, excessive visual noise, glossy 3D rendering, photorealism, and generic AI-looking artwork. Prioritise natural, intentional compositions that resemble a professionally drawn Japanese school-comedy manga. 4. CHARACTER DESIGN — KEEP CONSISTENT NOZOMI IIDA Short, light-blue, wavy hair, rendered in light gray screentones. Brown eyes. Cute appearance. Slightly stubborn personality. Wears a Japanese school uniform with a vest over it. Her short, wavy hairstyle and vest must remain consistent in every panel. AKARI SHIBUKI Long, straight black hair. Pale skin and blue eyes. Tall, pretty, elegant, and well-mannered. Wears a school uniform with a blazer. Her long, dark hair and tall silhouette should make her immediately recognisable. OMORI NANODA Blonde-hazel hair rendered in appropriate gray screentones. Long, high ponytail with fringe. Average height. Nice, cutesy, silly, and unpredictable. Wears an unzipped black jacket over her school uniform. Often acts as the chaotic wildcard in the group. Keep her ponytail and open jacket consistent. SHIZUKA HARUKO Long white hair in low pigtails, with hair ribbons. Short, cute, girly appearance. Wears the normal school uniform. Sweet and cheerful personality. Keep her low pigtails and ribbons consistent. TEACHER Female adult teacher. Hair tied in a bun. Wears glasses and ordinary, non-uniform clothing. Her facial expressions should range from composed and professional to exhausted, confused, or comically furious. She is the girls' long-suffering teacher. 5. SPEECH BUBBLES AND LETTERING NORMAL DIALOGUE: Use a familiar manga-style sans-serif comic font. ALL DIALOGUE MUST BE WRITTEN IN CAPITAL LETTERS. Keep the lettering clean, legible, and evenly spaced. Use ordinary rounded speech balloons with clear tails pointing towards the correct speaker. SHOUTING: Use bold, heavy, uppercase lettering. Use larger speech balloons or jagged-edged balloons when appropriate. Make the shouting visually distinct from normal dialogue. THINKING: Use the same font as normal dialogue. Use thought bubbles or appropriate thought indicators. Keep thought text uppercase. OTHER TEXT: Use smaller, readable uppercase lettering for sound effects, scene labels, and brief background notes. Character name labels should appear in small rectangular boxes when useful. Make sure names and dialogue match the correct characters. IMPORTANT TEXT RULES: Spell every word correctly. Avoid random, nonsensical, duplicated, or garbled dialogue. Do not invent additional characters or dialogue that contradicts the supplied story. Keep speech bubbles inside their panels and prevent overlapping text. Use bold lettering only for shouting or deliberate emphasis. 6. STORYTELLING AND COMEDY Every strip must contain approximately 4–5 panels. Establish the situation quickly. Build the joke through dialogue, timing, facial expressions, and reactions. Give each character dialogue appropriate to her personality. Make the comedy playful, expressive, and occasionally absurd. Use a satisfying punchline or unexpected twist at the end of each strip. Avoid repeating the exact jokes or storylines from previous pages unless specifically requested. Preserve continuity in character appearances, school uniforms, relationships, and personalities. Do not add colour to distinguish characters; use grayscale values and consistent hairstyles instead. 7. STORY FOR THIS PAGE LEFT STRIP TITLE: [INSERT LEFT STORY TITLE] LEFT STRIP STORY: [INSERT THE COMPLETE LEFT STORY HERE. Describe what happens in each panel, the dialogue, the reactions, and the final punchline.] RIGHT STRIP TITLE: [INSERT RIGHT STORY TITLE] RIGHT STRIP STORY: [INSERT THE COMPLETE RIGHT STORY HERE. Describe what happens in each panel, the dialogue, the reactions, and the final punchline.] 8. FINAL COMPOSITION CHECKLIST Before rendering, ensure that: There is exactly ONE page. There are exactly TWO vertical story strips side by side. The LEFT strip has its own thin rectangular title box. The RIGHT strip has its own thin rectangular title box. Each strip contains approximately 4–5 rectangular-square panels stacked vertically. The page is entirely grayscale. All established character designs remain consistent. Normal dialogue is uppercase and readable. Shouting uses bold uppercase lettering. Both strips have their own distinct story and punchline. Panel borders, speech bubbles, and spacing are clean and consistent. The result looks like a coherent, professionally inked Japanese school-comedy manga page. Generate the finished manga page as a single complete illustration. Do not generate a cover, multiple pages, a character sheet, or a storyboard outside the specified two-column layout.
- Modalità
- lite
- Dimensione
- 848 x 1280
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