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extreme close-up, zoomed in, low angle, lower half only, from behind, pure rear view, 1girl, solo, very voluptuous woman, extremely voluptuous figure, extremely wide hips, huge ass, warm brown skin, long dark brown hair, hair flowing past hips, pink head scarf, brown nails, hand on own hip, long brown robes, golden-brown embroidery, intricate design patterns, walking away, mid-stride, hips swaying, robes clinging to ass, fabric stretched taut, robes riding up, robes trailing on floor, torn shoji screens, ripped paper, traditional Japanese mansion hallway, tatami floor, warm amber lighting, paper lanterns, golden shadows, character design, high contrast, bold halftone dots, thick outlines, punchy neon accents, pop-graphic composition, Shot from a low angle behind her, the frame cropped tight at the waist: everything above the waistband leaves the picture, except two things grazing the top edge โ€” the long dark brown hair spilling down past her hips in a heavy dark tail that sways right while her hips swing left, and a corner of the pink head scarf barely visible at the upper edge of the frame. She walks away from the camera mid-stride down a traditional Japanese mansion hallway, at the violent peak of the step: the right foot planted flat on the tatami and bearing all her weight, the left leg swinging through with the knee lifted, the left heel just clearing the mat. Her extremely wide hips cant hard over the planted right side and roll, one hip higher than the other, the whole lower silhouette a broad heavy curve against the hall's straight lines. The long brown robes pull taut across the backside with the stride, the fabric stretching flat over each cheek so the golden-brown embroidered curves and medallions warp around the bulge, the hem riding up a hand's width off the floor from the force of the motion and the rest of the train dragging behind her, sliding flat along the tatami, catching in a long diagonal behind her heels. At the upper right edge of the frame one hand rests on her hip, fingers spread and dimpled into the fabric, the brown-painted nails small and glossy against the brown wool-soft silk, the wrist and forearm leaving frame at the corner. The hallway runs ahead of her: torn shoji screens on both sides, paper split and hanging in ragged strips, splintered wooden lattice bending outward in her wake, one screen panel knocked loose and leaning into the corridor; tatami mats underfoot with paper scraps and a fallen paper lantern strewn down her path. Warm amber light comes from the paper lanterns hanging along the left wall behind the camera and ahead, raking low across the floor so golden panels of light alternate with the shadows of the lattice and lay over the swaying backside and the trailing robe train; the shadows on the tatami fall long toward the far end of the hall and soften with distance. The palette is held to the browns of her skin and robes, the warm gold of the embroidery and the lantern light, the pale ripped paper of the shoji and the straw gold of the tatami, with a single pink accent at the scarf at the top edge. Every wrinkle and fold of the stretched brown silk, the grain of the tatami, the ragged fibrous edge of the torn paper and the dimpled pressure of her fingers on her hip are drawn with crisp, dense detail; bold halftone dots print the lantern glow, thick contour lines cut the silhouette, and punchy neon amber bleeds at the lantern highlights against the deep brown shadow. Cinematic, violent momentum.
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Immissione richiesta originale
(masterpiece best quality 1.2), ultra-detailed, character design, extreme close-up zoomed in up close, low angle, lower half only from the waist down, very voluptuous woman, extremely voluptuous figure, extremely wide hips, solo, 1female, inside a traditional Japanese mansion hallway โ€” torn shoji screens on either side tatami floor underfoot, extremely unique appearance, intricate design patterns, warm brown skin, long dark brown hair flowing past her extremely wide hips visible from behind, pink head scarf barely visible at the top edge of the frame, long fancy brown robes with golden-brown embroidery, walking away down the mansion hallway mid-stride, pure rear view, her ass prominent and swaying with each violent stride, the long brown robes clinging to her ass with every step the fabric stretching taut across her cheeks as she walks the robes riding up slightly from the aggressive motion, extremely wide hips swaying with her rampage stride, her brown robes trailing behind her on the torn tatami floor, brown nails visible on one hand resting on her hip at the upper edge of the frame, the destroyed mansion hallway stretching ahead of her โ€” shoji screens ripped in her wake, warm amber lighting from paper lanterns casting golden shadows across her swaying ass and the trailing brown robes, highly detailed, the robes hugging every curve of her ass with each step, cinematic composition, 8K
Modalitร 
ultra
Stile
Neon Poster
Tag qualitร 
๏นPrompt๏นž
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Stile: Neon Poster
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.30k

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1girl, solo, extremely voluptuous woman, warm brown skin, extremely massive breasts, deep heavy cleavage, extremely wide hips, extremely voluptuous thighs, long dark brown hair, hair whipping, sharp golden-brown eyes, full lips, brown lipgloss, brown nails, pink head scarf, long fancy brown robes, golden-brown embroidery, robes flying up, intricate design patterns, extremely unique appearance, kicking, kicking apart shoji door, leg extended forward, wooden frame shattering, shoji door exploding outward, splinters, other leg planted firmly, hand up, dismissive gesture, clenched fist, annoyed, disgusted expression, serious mean royal expression, extreme close-up, low angle, from below, foreshortening, traditional Japanese mansion interior, warm amber lighting, dynamic shadows, cinematic composition, impact burst, Shot from a low angle looking steeply up, the extreme close-up crowds the frame with one woman mid-kick: her planted left leg is set back and firmly on the tatami, weight driven through it, while her right leg is thrust straight forward at the lens, the sole of her foot punching through the paper-and-lattice of a shoji door that shatters outward around her extended calf โ€” the wooden frame splitting into pale splinters and torn paper that hang in the air, an impact burst flaring where the strike lands. The foreshortened leg dominates the lower foreground, and above it her extremely massive breasts strain against the flying brown robes, the fabric dragging upward with the kick so the deep heavy cleavage catches the warm amber light along its upper edge; the hem rides up past her extremely wide hips and extremely voluptuous thighs, which are lit from the front and warmest at the highest curves. Her right hand is lifted near her cheek, palm angled outward, fingers loose and brown-nailed in an idle dismissive flick; her left arm is stiff at her side, fist clenched so the tendons stand out at the wrist. Her face is close and severe โ€” sharp golden-brown eyes narrowed and staring down past the viewer at the wreckage of the door, brows drawn, full brown-glossed lips pressed into a flat contemptuous line, her chin lifted in a mean, royal disdain. Long dark brown hair whips sideways and forward across the frame with the momentum of the kick; the pink head scarf is pulled taut and streaming behind her head. Behind her the mansion recedes in warm amber darkness: dark wooden beams, a hanging lantern as the single warm light source from the upper right, deep shadow pooling under the eaves and inside the broken door cavity, hard dynamic shadows thrown across her body, her robes, and the tatami. Palette of warm browns, gold, and cinder amber, with the pink scarf and the white shattered paper as the only sharp accents. Every embroidery thread, splinter edge and glossed lip rendered crisp; the torn paper curls catch the light on their upward faces while their undersides stay dark. Intricate, commanding, mean.
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#All About Twintails
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A close-up shot from an extremely low angle, looking up at a towering, solo female martial arts master positioned centrally within a traditional Japanese mansion. This woman has a bulky, (very voluptuous:1.2) frame with (massive breasts:1.2) and wide hips, possessing a godly and royal presence. She has brown skin, sharp brown eyes with an annoyed and disgusted expression, full lips coated in brown lipgloss, and long dark brown hair partially covered by a pink head scarf. She is dressed in (mythical Japanese fight outfit:1.8) consisting of long, fancy brown robes with intricate design patterns. Her hands, featuring brown nails, are positioned authoritatively at her sides. The setting is the interior of a Japanese mansion with dark wooden pillars and tatami flooring. The visual style is a high-contrast anime illustration with strong graphic linework, sharp ink-like strokes, and a limited palette that emphasizes light-dark tension and bold silhouettes.
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#Red Protocol
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solo, 1girl, dark magic scholar, ((The Entropy Witch:2.0)), black magic caster, chaotic magic user, dark brown skin, glowing amber decay-lines on arms and chest, long wild black hair, amber-glowing hair tips, sharp amber eyes, hourglass-shaped pupils, ((extremely voluptuous woman)), ((extremely massive breasts)), ((deep heavy cleavage)), ((extremely wide hips)), tattered black-and-amber robes, robes hanging open at chest, decaying unraveling robe edges dissolving into amber dust, robes clinging to wide hips, intricate design patterns, dark amber-and-black aura, chaotic amber energy decaying from hands, floating amber entropy-meter, floating glowing amber halo of crumbling light-rings, wooden chair crumbling to splinters, book dissolving to dust, stone pillar cracking, black and amber and dark-brown color scheme, extreme close-up, low angle, from below, tilted sharply upward, full body framing, foreshortening, casting magic, arms down, open hands, looking down at viewer, parted lips, from below, (masterpiece, best quality 1.2), ultra-detailed, The camera sits almost at floor level and tips sharply upward, so the woman towers over the lens: her boots plant wide apart in the bottom foreground, foreshortened enormous, and her body recedes up and away from them in a steep convergence to the small tipped-back face at the top of the frame. Taken from this low angle, her full body still reads from boot to halo, but everything nearest the lens โ€” the hips, the heavy fall of her chest, the robes drawn tight around the widest span of her waist โ€” swells to fill the width of the picture while the room shrinks behind her. Her long wild black hair lifts and tangles outward as if the decay-charge in the air were pushing from below, and its amber-glowing tips trail sparks upward; her chin is tipped down and her sharp amber eyes angle down the line of her body straight into the lens, and in those pupils the little crumbling hourglasses seem to be shedding their sand. Her mouth is parted mid-incantation, one eyebrow arched higher than the other. Both arms hang low and slightly away from her hips, palms open and fingers splayed, and from each palm chaotic amber energy sloughs away in crooked ribbons, breaking apart into dust before it reaches the floor. The tattered black-and-amber robes hang open across her extremely massive breasts, leaving a deep heavy cleavage bare, the charred amber threads at the neckline actively unravelling and lifting off in motes that drift up into the aura; lower down the same torn cloth clings tight across her extremely wide hips so that the fabric's weave shows every curve it wraps, intricate dark amber patterns surfacing in it only to dissolve where the decay has eaten through. Glowing amber decay-lines crawl up her dark brown forearms and across her collarbone and the tops of her breasts, thin as hairline cracks in porcelain, brightest where the magic leaves her hands. Around her head a floating halo of crumbling light-rings hangs in several broken concentric loops, shedding amber grit that falls like slow ash and drifts sideways in the aura rather than straight down. The same ragged aura โ€” dark amber at its core, black at the fringes โ€” rolls off her shoulders and eats into the edges of the frame. Behind and beside her the room is coming apart in the lowest third of the image where the low lens sees the floor best: a wooden chair on the left has lost its back and is dropping apart into a spray of splinters caught mid-fall, a book on the right has already gone to a sinking cloud of pale dust with only its cover corner still solid, and a stone pillar at frame right splits along a jagged diagonal with crumbs of masonry tumbling down toward the camera. Hovering just off her right shoulder, the amber entropy-meter floats as a stack of thinning light-bars, its count visibly draining. The light is entirely her own: amber from the decay-lines, palms, hair tips and halo strikes the undersides of her jaw, breasts, forearms and the inner faces of the robes, throwing the low camera's hard upward shadows onto everything above; the room beyond the amber reaches is absolute black, and the only other illumination is the cold glitter of dust catching the aura on its way down. Palette is strictly black, dark amber and deep brown, with the amber forced to its hottest at her hands and hair tips. Bold thick outlines, halftone dot shadow in the blacks, graffiti-sharp amber sparks and punchy neon-hot highlights give the piece its chaotic pop-graphic edge. Hazy, ominous decay.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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