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Ryo Shiratake

Avatar image of Ryo Shiratake

Ryo Shiratake

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2girls, no males, from above, dutch angle, close-up on hands and midriff, abandoned factory, female cyborg, robotic police armor, silver and slate-blue plated bodysuit, segmented chest plates, large breasts, slim waist, exposed waist cabling, faceless, opaque black visor, glowing red visor slit, thick lips, clenched jaw, gritted teeth, teeth bared, lying on back, supine on steel workbench, disassembly, being dismantled, open torso panel, bundle of severed cables, exposed shoulder joint, kneeling, leaning over, androgynous, japanese, beautiful youth, very young face, long bangs, hair over one eye, jacket, dark jacket sleeves rolled up, glossy black leather pants, latex sheen, holding wrench, precision screwdriver, surgical tool, gloved hand, parted lips, focused gaze, looking down at work, industrial ruin, catwalk, hanging chains, broken skylight, shaft of cold daylight, dust motes, goggles on forehead, bolt tray, oily rag, motionless legs, one hand braced on her hip plate, sweat bead, tense muscle, cold teal and rust palette, red visor glow, quiet dread The camera looks down from a high corner of the shattered hall, tilted a few degrees off vertical so the workbench runs diagonally across the frame from lower left to upper right. In the foreground the female cyborg lies flat on her back on a scarred steel workbench, her plated bodysuit split open down the center of her torso: the chest plates have been unscrewed and set aside on a bolt tray at the bench edge, exposing a shallow cavity of silver pistons, a dark core cylinder and a tidy fan of severed teal cables that spill over the lip of the opening and hang, dripping a thin thread of coolant onto the concrete. Her large breasts rise under the segmented armor still intact on each side of the open panel; the plates narrow hard to a slim waist, and at the waistline a slack bundle of exposed cabling lies across bare metal. Her head is tipped back against the bench, jaw clenched so hard the tendons stand in her neck, thick lips pulled back off her teeth in a bared gritted grimace, and the black visor is a featureless band across the upper half of her face with a single red slit burning along its edge, betraying nothing above the mouth. One weighted arm hangs off the bench edge, fingertips just brushing the floor, limp and heavy. Above her the enemy leans in from the right, one knee planted on the bench beside her hip, torso folded down over the open cavity. This is a very young, beautiful, androgynous Japanese person: pale skin, a narrow jaw, and long straight black bangs falling across the left eye so completely that only the right eye and a slice of cheek show; the visible eye is fixed downward on the socket. A loose dark jacket hangs off one shoulder, sleeves shoved up past the elbow, and glossy black leather pants reflect a hard curved highlight along the thigh where it presses the bench. Their right hand drives a small precision tool into a shoulder joint; the left hand braces flat against the cyborg's hip plate to hold her still, thumb pressed into the seam. Their lips are slightly parted in concentration, breath held. Light comes only from a broken skylight high overhead: one cold blue-white shaft cuts down through drifting dust and lands across the open torso and the enemy's forearms, leaving the bench legs, the hanging chains, and the far catwalk in deep shadow. The coolant thread catches the light and glints as it falls. Palette: cold teal, gunmetal grey, rust, with the red visor slit as the only warm note. The tilt of the frame makes the two bodies read as one machine being taken apart. Quiet dread.
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画像を生成：廃工場, 魅力的な女性ロボコップ（ バイザーで表情は不明、分厚い唇を持つ、細いウエスト、巨乳）女性ロボコップが敵キャラクター（片目が隠れる程長い前髪に若く、ジャケットを着て、光沢があるレザーパンツを履いている大変若く美しい中性的な日本人）に台に乗せられ（仰向けに）解体を受ける。食いしばっている女性ロボコップ。
Modalità
flash
Dimensione
768 x 1280
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.53k

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AI artwork
Avatar image of Ryo Shiratake
2girls, no males, from above, dutch angle, close-up on hands and midriff, abandoned factory, female cyborg, robotic police armor, silver and slate-blue plated bodysuit, segmented chest plates, large breasts, slim waist, exposed waist cabling, faceless, opaque black visor, glowing red visor slit, thick lips, clenched jaw, gritted teeth, teeth bared, lying on back, supine on steel workbench, disassembly, being dismantled, open torso panel, bundle of severed cables, exposed shoulder joint, kneeling, leaning over, androgynous, japanese, beautiful youth, very young face, long bangs, hair over one eye, jacket, dark jacket sleeves rolled up, glossy black leather pants, latex sheen, holding wrench, precision screwdriver, surgical tool, gloved hand, parted lips, focused gaze, looking down at work, industrial ruin, catwalk, hanging chains, broken skylight, shaft of cold daylight, dust motes, goggles on forehead, bolt tray, oily rag, motionless legs, one hand braced on her hip plate, sweat bead, tense muscle, cold teal and rust palette, red visor glow, quiet dread The camera looks down from a high corner of the shattered hall, tilted a few degrees off vertical so the workbench runs diagonally across the frame from lower left to upper right. In the foreground the female cyborg lies flat on her back on a scarred steel workbench, her plated bodysuit split open down the center of her torso: the chest plates have been unscrewed and set aside on a bolt tray at the bench edge, exposing a shallow cavity of silver pistons, a dark core cylinder and a tidy fan of severed teal cables that spill over the lip of the opening and hang, dripping a thin thread of coolant onto the concrete. Her large breasts rise under the segmented armor still intact on each side of the open panel; the plates narrow hard to a slim waist, and at the waistline a slack bundle of exposed cabling lies across bare metal. Her head is tipped back against the bench, jaw clenched so hard the tendons stand in her neck, thick lips pulled back off her teeth in a bared gritted grimace, and the black visor is a featureless band across the upper half of her face with a single red slit burning along its edge, betraying nothing above the mouth. One weighted arm hangs off the bench edge, fingertips just brushing the floor, limp and heavy. Above her the enemy leans in from the right, one knee planted on the bench beside her hip, torso folded down over the open cavity. This is a very young, beautiful, androgynous Japanese person: pale skin, a narrow jaw, and long straight black bangs falling across the left eye so completely that only the right eye and a slice of cheek show; the visible eye is fixed downward on the socket. A loose dark jacket hangs off one shoulder, sleeves shoved up past the elbow, and glossy black leather pants reflect a hard curved highlight along the thigh where it presses the bench. Their right hand drives a small precision tool into a shoulder joint; the left hand braces flat against the cyborg's hip plate to hold her still, thumb pressed into the seam. Their lips are slightly parted in concentration, breath held. Light comes only from a broken skylight high overhead: one cold blue-white shaft cuts down through drifting dust and lands across the open torso and the enemy's forearms, leaving the bench legs, the hanging chains, and the far catwalk in deep shadow. The coolant thread catches the light and glints as it falls. Palette: cold teal, gunmetal grey, rust, with the red visor slit as the only warm note. The tilt of the frame makes the two bodies read as one machine being taken apart. Quiet dread.
Ryo Shiratake
AI artwork
Avatar image of Ryo Shiratake
2girls, no males, from above, dutch angle, close-up on hands and midriff, abandoned factory, female cyborg, robotic police armor, silver and slate-blue plated bodysuit, segmented chest plates, large breasts, slim waist, exposed waist cabling, faceless, opaque black visor, glowing red visor slit, thick lips, clenched jaw, gritted teeth, teeth bared, lying on back, supine on steel workbench, disassembly, being dismantled, open torso panel, bundle of severed cables, exposed shoulder joint, kneeling, leaning over, androgynous, japanese, beautiful youth, very young face, long bangs, hair over one eye, jacket, dark jacket sleeves rolled up, glossy black leather pants, latex sheen, holding wrench, precision screwdriver, surgical tool, gloved hand, parted lips, focused gaze, looking down at work, industrial ruin, catwalk, hanging chains, broken skylight, shaft of cold daylight, dust motes, goggles on forehead, bolt tray, oily rag, motionless legs, one hand braced on her hip plate, sweat bead, tense muscle, cold teal and rust palette, red visor glow, quiet dread The camera looks down from a high corner of the shattered hall, tilted a few degrees off vertical so the workbench runs diagonally across the frame from lower left to upper right. In the foreground the female cyborg lies flat on her back on a scarred steel workbench, her plated bodysuit split open down the center of her torso: the chest plates have been unscrewed and set aside on a bolt tray at the bench edge, exposing a shallow cavity of silver pistons, a dark core cylinder and a tidy fan of severed teal cables that spill over the lip of the opening and hang, dripping a thin thread of coolant onto the concrete. Her large breasts rise under the segmented armor still intact on each side of the open panel; the plates narrow hard to a slim waist, and at the waistline a slack bundle of exposed cabling lies across bare metal. Her head is tipped back against the bench, jaw clenched so hard the tendons stand in her neck, thick lips pulled back off her teeth in a bared gritted grimace, and the black visor is a featureless band across the upper half of her face with a single red slit burning along its edge, betraying nothing above the mouth. One weighted arm hangs off the bench edge, fingertips just brushing the floor, limp and heavy. Above her the enemy leans in from the right, one knee planted on the bench beside her hip, torso folded down over the open cavity. This is a very young, beautiful, androgynous Japanese person: pale skin, a narrow jaw, and long straight black bangs falling across the left eye so completely that only the right eye and a slice of cheek show; the visible eye is fixed downward on the socket. A loose dark jacket hangs off one shoulder, sleeves shoved up past the elbow, and glossy black leather pants reflect a hard curved highlight along the thigh where it presses the bench. Their right hand drives a small precision tool into a shoulder joint; the left hand braces flat against the cyborg's hip plate to hold her still, thumb pressed into the seam. Their lips are slightly parted in concentration, breath held. Light comes only from a broken skylight high overhead: one cold blue-white shaft cuts down through drifting dust and lands across the open torso and the enemy's forearms, leaving the bench legs, the hanging chains, and the far catwalk in deep shadow. The coolant thread catches the light and glints as it falls. Palette: cold teal, gunmetal grey, rust, with the red visor slit as the only warm note. The tilt of the frame makes the two bodies read as one machine being taken apart. Quiet dread.
Ryo Shiratake
AI artwork
Avatar image of Ryo Shiratake
2girls, no males, from above, dutch angle, close-up on hands and midriff, abandoned factory, female cyborg, robotic police armor, silver and slate-blue plated bodysuit, segmented chest plates, large breasts, slim waist, exposed waist cabling, faceless, opaque black visor, glowing red visor slit, thick lips, clenched jaw, gritted teeth, teeth bared, lying on back, supine on steel workbench, disassembly, being dismantled, open torso panel, bundle of severed cables, exposed shoulder joint, kneeling, leaning over, androgynous, japanese, beautiful youth, very young face, long bangs, hair over one eye, jacket, dark jacket sleeves rolled up, glossy black leather pants, latex sheen, holding wrench, precision screwdriver, surgical tool, gloved hand, parted lips, focused gaze, looking down at work, industrial ruin, catwalk, hanging chains, broken skylight, shaft of cold daylight, dust motes, goggles on forehead, bolt tray, oily rag, motionless legs, one hand braced on her hip plate, sweat bead, tense muscle, cold teal and rust palette, red visor glow, quiet dread The camera looks down from a high corner of the shattered hall, tilted a few degrees off vertical so the workbench runs diagonally across the frame from lower left to upper right. In the foreground the female cyborg lies flat on her back on a scarred steel workbench, her plated bodysuit split open down the center of her torso: the chest plates have been unscrewed and set aside on a bolt tray at the bench edge, exposing a shallow cavity of silver pistons, a dark core cylinder and a tidy fan of severed teal cables that spill over the lip of the opening and hang, dripping a thin thread of coolant onto the concrete. Her large breasts rise under the segmented armor still intact on each side of the open panel; the plates narrow hard to a slim waist, and at the waistline a slack bundle of exposed cabling lies across bare metal. Her head is tipped back against the bench, jaw clenched so hard the tendons stand in her neck, thick lips pulled back off her teeth in a bared gritted grimace, and the black visor is a featureless band across the upper half of her face with a single red slit burning along its edge, betraying nothing above the mouth. One weighted arm hangs off the bench edge, fingertips just brushing the floor, limp and heavy. Above her the enemy leans in from the right, one knee planted on the bench beside her hip, torso folded down over the open cavity. This is a very young, beautiful, androgynous Japanese person: pale skin, a narrow jaw, and long straight black bangs falling across the left eye so completely that only the right eye and a slice of cheek show; the visible eye is fixed downward on the socket. A loose dark jacket hangs off one shoulder, sleeves shoved up past the elbow, and glossy black leather pants reflect a hard curved highlight along the thigh where it presses the bench. Their right hand drives a small precision tool into a shoulder joint; the left hand braces flat against the cyborg's hip plate to hold her still, thumb pressed into the seam. Their lips are slightly parted in concentration, breath held. Light comes only from a broken skylight high overhead: one cold blue-white shaft cuts down through drifting dust and lands across the open torso and the enemy's forearms, leaving the bench legs, the hanging chains, and the far catwalk in deep shadow. The coolant thread catches the light and glints as it falls. Palette: cold teal, gunmetal grey, rust, with the red visor slit as the only warm note. The tilt of the frame makes the two bodies read as one machine being taken apart. Quiet dread.
Ryo Shiratake

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