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Seno, coda di cavallo
Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Mostra parametri
- Immissione richiesta originale
- Style - realistic comic book artstyle with high contrast vibrant rich color palette, volumetric cross-hatched shading, thick outline, stylized, high quality, medium detalization, simplified hair, thick cross-hatching, A woman with ginger hair, messy bangs, singular high side ponytail with fluffy end, bright narrowed yellow eyes, round face, Slim-thick naturalistic body shape, wide hips, wide shoulders, Black long boots, black long gloves, black featureless nylon bodysuit, black belt. holding pistol
- Modalità
- flash
- Dimensione
- 1104 x 1824
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più
ms
1girl, solo, ginger hair, messy bangs, high side ponytail, fluffy ponytail end, bright yellow eyes, narrowed eyes, round face, slim-thick, wide hips, wide shoulders, black bodysuit, featureless bodysuit, nylon bodysuit, black belt, black long gloves, black long boots, holding pistol, wielding pistol, both hands on gun, from below, cowboy shot, dutch angle, three-quarter view, looking down at viewer, parted lips, thick outline, cross-hatched shading, high contrast, vibrant palette, comic book artstyle, simplified face, simplified hair, medium detail
The camera sits low and slightly tilted, looking up from hip height at a three-quarter angle, so the woman's wide shoulders fill the upper frame and her wide hips anchor the lower third. She stands with her weight sunk into the left leg, right hip pushed out and right knee loose, torso rotated a quarter turn so her right shoulder is nearest the lens. Both black-gloved hands close on the pistol: her right hand high on the grip with the trigger finger laid straight along the frame, her left hand cupped under it supporting the butt, wrists locked, the barrel angled up and across toward the upper-left of frame rather than at the camera, foreshortened so the muzzle is closest and largest. Her chin is dipped, round face tilted down, and her bright narrowed yellow eyes look straight down the low camera line at the viewer with her lower lids drawn tight and one brow flattened. Messy ginger bangs break across her forehead in separate thick clumps, and the single high side ponytail springs from the upper-right of her skull away from the lens, its fluffy end flicked back and slightly lifted by her turn, separate strands lifting free at the tips.
The black nylon bodysuit reads as one continuous featureless surface from throat to instep, with no seams, no closures, no panel lines and no ornament, its fabric sheen describing the body underneath — the wide shelf of the shoulders, the inward taper at the waist, the flare of the hips and the long line of the thigh. The black belt cuts horizontally across the waist as a single flat band with a plain rectangular buckle. Black long gloves run past the elbow and end in unbroken matte cuffs; black long boots rise to the knee with a firm shaft and a solid heel planted on the ground, the left boot square to the floor and the right rolled onto the outer edge. Her skin — face, neck, the strip of wrist between glove and sleeve — is the one warm break in the black.
She stands in a bare concrete underpass at night. Behind her a sodium lamp hangs overhead and slightly behind the right shoulder, so its light rakes down across her right cheek, the top plane of the right shoulder and the crown of the ponytail while the left side of her face and body falls into deep shadow; a long hard cast shadow drops from her boots across the concrete toward the lower right. Her own silhouette throws the light back — the nylon catches a sharp specular streak down the right side of the ribs and hip, and the matte black gloves and boots stay dull, so the gloss and the matte read as two different blacks. The lamp is the only light source, and beyond its pool the underpass goes to absolute black, with just the faintest wet reflection of the lamp on the concrete at her feet.
The palette is ruthlessly narrow and high-contrast: ink black in the suit, gloves, boots and belt; a hot saturated ginger in the hair; a vivid yellow in the eyes; pale warm skin; and a narrow sodium amber rim on everything the lamp touches — nothing else admitted. Contour lines are thick and confident, and the volume comes from dense cross-hatching laid in flat black strokes across the shadow side of the suit, the underside of the jaw, the hollows of the gloves and the long shadow on the floor, the hatch lines tightening into solid black at the deepest edges. Detail stays medium: the face plain and simplified, the hair blocked into a few large shapes, the hands on the pistol and the gun itself the only places that hold fine attention. Cool, coiled, ready to fire.
MuSS Infamous
ms
1girl, solo, adult woman, ginger hair, messy bangs, single high side ponytail, fluffy ponytail end, round face, narrowed eyes, yellow eyes, flat color eyes, thick eyebrows, slim-thick body, wide hips, wide shoulders, long legs, black bodysuit, featureless bodysuit, shiny nylon bodysuit, black belt, black long gloves, elbow gloves, black boots, thigh boots, holding pistol, two-handed grip, aiming, from below, cowboy shot, dutch angle, three-quarter view, looking to the side, focused expression, closed mouth, parted lips, clenched jaw, thick outlines, cross-hatching, high contrast, vibrant colors, comic book artstyle,
A low, tilted three-quarter view from below and slightly to her left, cowboy shot cropped at mid-thigh, the tilted horizon of the rooftop running down toward the right corner of the frame. The woman with ginger hair stands braced with her weight back on her right leg, left foot forward and turned out, hips pushed back and shoulders squared forward -- the wide-set shoulders and wide hips of her slim-thick build reading as one continuous strong silhouette inside the skin-tight black nylon bodysuit, which catches a hard hot rim of light along the top of the left shoulder, both hips and the outer thigh. The suit is utterly featureless -- no seam, no zipper, no logo -- a single unbroken black surface broken only by the plain black belt cinched at her waist, its buckle-less strap sitting flat. Her round face is turned toward the left edge of frame, chin lifted, jaw set; her narrowed yellow eyes are flat, bright, unshaded discs of pure saturated yellow under a heavy lowered brow, fixed down the pistol's sight line and off-frame to the left, not at the viewer. Messy bangs break across her forehead in jagged ginger shards, and the single high side ponytail springs from above her right ear, its fluffy end kicking sideways and lifting in the updraft.
Her right arm is extended and locked, elbow slightly soft, the long black glove creasing hard at the inside of the elbow; her left hand comes across and cups under the right, both gloved hands closed around the pistol's grip with the left thumb riding along the frame and the trigger finger laid straight along the outside of the guard. The pistol -- matte dark steel, blocky slide, a faint scrape of highlight down the top of the barrel -- points left and slightly down, its muzzle just inside the frame edge. Her boots are planted wide, black and long to the knee, the near boot's toe scuffed and the far boot heel grinding a small fan of grit and dust off the concrete as it takes her weight.
The rooftop is bare poured concrete with a low parapet wall cutting the left third of the frame; beyond it, a distant city block of window grids and a single leaning streetlamp sit out of focus, their lettering reduced to illegible grey marks. The light is a hard low sun entering from frame right and slightly behind her: it wraps the right side of her body in a hot rim, throws a long shadow of her shoulders and ponytail across the concrete to the left, and drops the entire front of her torso and the underside of her chin into deep, cool shadow that the thick cross-hatching fills with layered black strokes -- heaviest under the jaw, under the belt, down the inner seam of the far leg and beneath the pistol's barrel, thinning to a light hatch across the lit shoulder and the top of her thigh. Palette: saturated ginger orange, flat canary yellow, the black of the suit and gear, a warm bone-white concrete ground and a hot amber sky, nothing else admitted.
The fluffy ponytail end and the loose bangs lag a half-beat behind her turn, still swinging to her right while her face has already settled left. Tense, coiled, quietly dangerous.
MuSS Infamous
dn
year_2025
1girl, solo, mature female, curvy, huge breasts, black hair, streaked hair, silver hair streaks, long sidelocks, hair updo, hair tubes, grey eyes, catchlights, smile, closed mouth, tactical clothes, tactical bodysuit, holding gun, dual holding, two guns, one gun in each hand, ((three-quarter view)), from front, straight-on, facing viewer, medium close-up, simple background, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), looking at viewer, dark grey gradient backdrop
She is framed in a medium close-up from straight on, her body angled ((three-quarter view)) so her right shoulder sits nearer the lens and her left shoulder recedes, while her face turns back to meet the viewer's eyes directly. Both arms are raised into frame from below: her right hand and her left hand each grip a matte-black semi-automatic pistol, wrists straight, muzzles angled up and outward away from her body, index fingers laid along the trigger guards outside the trigger; the pistols cross the lower third of the frame, one nearer the lens and slightly larger, the other behind it and softened by a shallow depth falloff. Her updo is built high at the crown, black with fine silver streaks catching the light along the crown ridge, and two slim metallic hair tubes pin the mass at either side; the long sidelocks fall past her jaw on both sides, the near one swinging forward across her collar, the far one tucked behind the receding shoulder. Her grey eyes are wide open with two hard white catchlights in each iris, the near eye fully lit, the far eye shadowed but still catching a pinpoint reflection; her smile is closed-lipped and confident, one corner pulled a little higher, a slight lift at the outer brow. The tactical bodysuit is a dark charcoal one-piece with a high collar, reinforced seams and a matte stretch panel across the chest, taut over a full bust and a narrow waist that flares into wide hips cut off by the frame edge; a light shoulder strap and a small buckle sit at the near collarbone. A single cool key light rakes in from the upper left front, laying a crisp highlight down the near cheek, the near shoulder and the tops of both pistols, dropping the far side of her face and the far arm into deep shadow; cel-shaded blocks of shadow with one hard terminator and no soft gradient, high contrast between the pale skin lights and the near-black suit. The background is a plain seamless dark grey sweep with only the faintest vertical falloff, nothing else in frame; her cast shadow does not read, and the guns' matte finish holds one thin specular line each. Palette held to charcoal, black, cool silver, warm skin and the pale grey of the eyes. Effortlessly confident.
dragon negro
dn
year_2025
1girl, solo, mature female, curvy, huge breasts, black hair, silver hair, streaked hair, long sidelocks, hair updo, hair tubes, grey eyes, catchlights, smile, closed mouth, tactical clothes, tactical bodysuit, holding gun, dual holding, two guns, (three-quarter view:1.2), from front, straight-on, medium close-up, simple background, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5),
A single woman fills a medium close-up framed from straight-on and turned three-quarters toward the lens, her chest and near shoulder squared to the camera while her far shoulder rotates back, hips shifted onto her left leg so the near hip rises and the far hip sinks. Her updo gathers the black hair high and tight at the crown, threaded and bound with slim cylindrical hair tubes that sit parallel to the skull, while the silver streaks run in sharp separate ribbons through the black mass and the long sidelocks fall past her jaw, one on each side, the near one sweeping back against her shoulder as the far one hangs loose. Grey eyes look directly at the viewer under a level brow, the near eyebrow lifted a fraction above the other, a closed-lip smile pulling one corner higher into a lopsided grin; catchlights sit in both irises as small hard glints from a light source front-left and high, and a matching specular line rides the upper curve of each pupil. Both arms are up and forward: the right hand grips a pistol at chest height with the barrel angled up and across toward her far shoulder, the left hand holds a second pistol lower and out to the side with the barrel pointed forward and slightly down, index fingers laid straight along each trigger guard outside it, thumbs riding the slides, both wrists locked, neither weapon touching her face or the frame edge. The bodysuit is matte black fabric with hard molded panels at the chest, ribbed shoulder seams and a high collar zipped to the throat, the fabric stretched taut across the bust and cinched at the waist so the hourglass silhouette of the curvy, full-hipped figure reads clearly; the bright saturated accents sit in the silver streaks, the grey eyes and the small lit bevels of the gun metal, against a flat unbroken background of a single saturated deep teal field with no scenery, no horizon and no props. Light comes from a high front-left key through the frame, hard and clean, throwing a crisp edge down the right side of her jaw and the right side of the raised pistol and leaving the left contour, the underside of the bust and the inside of the far sidelock in solid shadow for high contrast. She breathes shallow so the collar edges lift slightly off her throat. Sharp, effortless, confident.
dragon negro
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