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AI art "星が渦巻く幻想的な夜空の風景"
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星が渦巻く幻想的な夜空の風景

見上げた瞬間、空全体が大きな渦を描いているような錯覚に陥りました。星々のきらめきと雲の流れが溶け合う、静かで美しい夜空の世界に心を奪われます。気に入っていただけたら、いいねとフォローをお願いします！今後も素敵な風景を投稿していくので、ぜひコメントで感想を聞かせてくださいね。

e1

eitaeita.1007@icloud.com

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no humans, no characters, no figure, no silhouette, no face, empty sky, enormous cloudscape, voice from the sky, radiant abstract information lattice, geometric mandala of light high above, concentric data rings, glyph-like light filaments, soft painterly anime style, visible brush textures, layered color blocks, cool teal-blue atmosphere, warm golden highlights, loose sketch-like linework, wide shot, from below, looking up, sky only, atmospheric perspective, no text The view is straight up from an empty ground into an enormous sky, nothing else in frame: no figure, no silhouette, no body, no shadow shaped like a person, and no edges anywhere that a hand could close on — the whole picture is open air, and the nearest things to the camera are already hundreds of metres away. High overhead, far up in the teal-blue vault, an intelligence that has no body renders itself as pure structure: a vast mandala of pale information — concentric rings of light, thin radial filaments, and a lattice of small angular glyph-shapes that are not letters — turning slowly, its rings at slightly different rates so the whole pattern shears and re-registers as it rotates. It is not a face and does not resolve into one; the rings stay rings, the filaments stay filaments, and the empty centre of the mandala is empty. The lattice is semi-transparent: cloud and sky show through it, and where it crosses the brighter clouds its lines dim rather than block, because it is light and not matter. The speaking is the sky itself — a broad pressure of sound implied by the scene, marked by wide concentric waves rippling outward through the cloud deck beneath the mandala, each ring faintly gilded at its crest, spreading until they flatten into the haze at the frame's edges. Its voice has no mouth behind it and needs none. The light comes from one place: the mandala overhead is the only source, warm gold on the upper faces of the clouds and on the inward surfaces of the ripples, cool dense teal in the troughs and in the deep sky at the corners, with the heaviest darkness pooled low toward the bottom edge where the light has furthest to fall. Palette is disciplined to three: teal, gold, and the white of the cloud tops, nothing else admitted. Loose sketch-like linework describes the cloud edges and the lattice's filaments with visible brush texture, layered blocks of colour building the sky in broad patches, the gold laid over the teal rather than blended into it. The ripple crests catch the gold only on the side facing the mandala, their far sides falling straight back to teal — quiet awe.
Mostra parametri
Immissione richiesta originale
人間より遥かに高度な知性を持った高次情報生命体 物理的、魔術的接触が不可能 肉体を持っておらず喋るとしたら空から声が響くだけ
Modalità
pro
Stile
Seasonal Glow
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stile: Seasonal Glow
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.02k

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sky only, no humans, landscape, cloudy sky, gradient sky, sunset, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, from below, pov, wide shot, looking up, sunbeams, backlighting, dramatic sky, detailed lineart, anime screencap, anime coloring, 8k The whole frame is sky and nothing else -- no ground, no horizon line, no rooftops, no birds, no figures -- a POV shot from below, as if the viewer has tipped their head all the way back and is looking straight up into the tail end of a storm. The composition is built in depth layers of cloud rather than in distance: a low ragged deck of dark slate-grey storm remnants crowds the outer edges of the frame, torn into long streaked tatters that thin and break toward the centre; behind and above it a second, higher, softer layer of cloud opens into a wide irregular clearing. Through that clearing the sunset shows as a vertical gradient read from the top of the frame downward -- deep rose-pink at the highest clouds fading through warm coral and apricot into a saturated orange, then into a broad band of molten yellow-gold where the sun sits just behind the torn edge of the storm deck. The sun itself is hidden; its light spills out between the cloud gaps as several distinct shafts, each one a hard-edged bright wedge stretching up and outward from the gap, the beams widening as they climb and fading into the pink. Every beam lands only where a gap permits: the cloud edges facing the sun are rimmed in hot gold, while their undersides and the thick storm masses at the corners stay in deep blue-grey shadow, so the bright areas are explained entirely by the openings between clouds and the darkness sits in the thickest cloud, never in the sky. Directly under the glowing cloud edges the vapor is thin and luminous and the pink deepens overhead. The after-storm evidence is in the texture of the sky: the cloud faces are still heavy and waterlogged, the gradient band behind them is washed clean and high-contrast, and near the thickest remaining clouds a faint, dim secondary bow of refracted light arcs across the upper right, its colours soft and translucent and its brightness unmistakably weaker than the sunset behind it -- the revealer that makes the just-passed rain visible. The beams catch on the residual haze, so each shaft has a soft luminous body rather than a hard line. The colour discipline is strict: yellow, orange and pink in the lit cloud and the gradient band; slate blue-grey and desaturated violet only in the storm remnants and their shadowed undersides; nothing else admitted. Lineart is crisp and detailed along the cloud rims, with the flat cel-shaded colour blocking of an animation screencap and smooth airbrushed gradations inside each band. High resolution and clean edge quality throughout. Serene, quietly exhilarating.
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