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AI art "British soldier of WWII. Style - Anime. v1.1"
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British soldier of WWII. Style - Anime. v1.1

Avatar image of Zane Vlansav

Zane Vlansav

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1boy, solo, young adult male, clean-shaven, serious expression, calm expression, closed mouth, looking at viewer, standing, full body, facing viewer, feet apart, holding weapon, Brodie helmet, steel helmet, chinstrap, khaki military tunic, buttoned chest pockets, breast pockets, khaki trousers, black leather boots, green puttees, leg wraps, khaki webbing harness, Y-straps suspenders, wide belt, metal belt buckle, small canvas pouch on right hip, Lewis gun, automatic rifle, long barrel, thick metal cooling shroud, straight wooden buttstock, rectangular box magazine, barrel pointing right, dark blue gradient background, dusk, dark muddy ground, dry grass, sparse dry grass, no text, no watermark, cel-shaded, detailed line art, cinematic lighting, dramatic atmosphere, A single young man stands square to the camera in a full-body frontal view, upright and planted at shoulder width, the whole figure framed from just above the helmet crown to the soles of his boots, centred slightly low so the dusk sky fills the upper third behind him. His face is clean-shaven and completely still, lips closed and even, brow level, jaw set; both eyes look straight down the lens with a steady, unhurried calm, no smile and no tension in the mouth. The Brodie helmet sits low over his forehead in its broad shallow dish, its steel rim catching the last cold light along the top edge, and the leather chinstrap runs down both cheeks to meet snug beneath his chin, pressing a soft crease into the jawline. His hair is hidden under the helmet but for a short dark edge at the nape. The khaki wool tunic is thick and slightly coarse, its weave visible, with two buttoned chest pockets sitting flat and squared over the chest, flap buttons closed, and the tunic buttoned up the centre line to the throat; the shoulders slope under the wool with no epaulette flourish. Light khaki canvas Y-straps run over both shoulders as flat woven bands, meeting the wide belt at the waist, where a broad belt of the same canvas closes on a dull metal buckle set dead-centre; a small canvas utility pouch hangs on his right hip, its flap buttoned, bulging slightly. The khaki trousers fall straight and slightly baggy to below the knee, where green canvas puttees are wrapped in tight overlapping spirals down each shin to the ankle; black leather boots take over from there, scuffed at the toe, planted flat and shoulder-width apart on the wet ground. Both hands grip the Lewis rifle carried level across his thighs: the right hand closes around the small of the straight wooden buttstock, the left hand cups under the thick metal cooling shroud ahead of the trigger, elbows tucked in and the weapon's weight taken at the hip rather than the shoulder. The long barrel, sleeved in its fat cylindrical cooling shroud with its finned mass reading as heavy machined steel, extends horizontally to the right and exits the frame's right edge; the rectangular box magazine juts straight down beneath the receiver between his forearms. The wooden buttstock is worn smooth and paler at the wrist where hands have polished it. Behind him the background is a clean dark-blue gradient, near-black at the top and only faintly lighter toward the low horizon, with the very last warmth of dusk bled out to a thin cold haze at the skyline behind his shoulders; the sun is fully below the horizon and out of sight. Underfoot the ground is dark, wet, churned mud, ridged with boot-scarred hollows that hold thin films of standing water, and sparse dry grass in tan and grey-brown tufts stands windswept to the left, only where the mud allows. Light comes from the low dusk sky in front of and slightly left of him: it rims the helmet's crown, the tops of his shoulders, the edges of the Y-straps and the upper curve of the cooling shroud, while the underside of his chin, the inside of his thighs and the ground directly beneath his boots fall into deep shadow, and his shadow stretches short and soft toward the viewer. The palette is khaki, olive-green canvas and near-black leather against that cold dark blue, with wet mud reflecting the sky in dull patches. Intricate weapon detail, sharp focus, quiet resolve.
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Anime style, high-quality military anime illustration, detailed line art, cel-shaded, cinematic lighting, dramatic atmosphere. A WWII British soldier: a young male with a clean-shaven face and a serious, calm expression; wearing a standard British Brodie steel helmet with a leather chinstrap. He is wearing a khaki woolen military tunic with buttoned chest pockets and khaki trousers; black leather boots with green canvas puttees wrapped around his lower legs; light khaki canvas webbing suspenders (Y-straps), a wide belt with a metal buckle, and a small canvas utility pouch on his right hip. He is holding an experimental Lewis Automatic Rifle with a long barrel enclosed in a thick metal cooling shroud, a straight wooden buttstock, and a distinctive rectangular box magazine on the bottom; the barrel is pointing to the right. The soldier is depicted against a dark, moody dark-blue gradient background; the scene takes place at dusk; dark, muddy ground with sparse dry grass under his feet. He stands upright, facing the viewer; feet shoulder-width apart; holding the weapon across his thighs; looking directly at the camera. Sharp focus, intricate weapon details, masterpiece. No text, no watermark.
Modalità
pro
Dimensione
1632 x 1232
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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