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AI art "mood rn" featuring #Fuoco maschile, #Oscurità, #solo, #capelli disordinati, #Notte, #1 ragazzo, #mano sul proprio mento and #mano sulla guancia
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mood rn

#Fuoco maschile#Oscurità#solo#capelli disordinati#Notte#1 ragazzo#mano sul proprio mento#mano sulla guancia
Avatar image of zhvachka19

zhvachka19

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1boy, solo, black hair, messy hair, tired, heavy gaze, half-closed eyes, dark circles, dirty baggy clothes, oversized stained shirt, baggy pants, bare feet, sitting, on bed, legs on bed, knees up, elbows on knees, hand on own chin, chin resting on hand, other arm forward, arm hanging forward, watching tv, looking to the side, from below, floor-level camera, extreme low angle, dutch angle, dirty apartment, worn out room, wooden plank floor, bare floorboards, scattered clutter on floor, darkness, blue light, tv light, cold lighting, high contrast, deep shadows, monochromatic blue, eerie, gloomy The camera lies on its back among the debris on the floorboards, tilted a few degrees off level, so the room rears up from below: the near foreground is a sprawl of thrown-down junk — a cracked plastic cup at the left edge, a coiled cable, a balled sock, a toppled bottle lying on its side — all of them silhouetted and slightly out of focus, their edges wide and close, framing the bottom of the shot. Beyond them the naked wooden planks run away in long worn boards, dark seams between them, scuffed varnish, a drift of dust and a scatter of crumbs caught in the grooves, receding to the low flat bed. The bed is a bare mattress on a simple frame, sagging in the middle, its ticking grey with grime, dark ring stains and a long tear at one corner spilling a little wadding; it sits only a hand's height off the floor, so the low lens sees it edge-on and looks up across its surface. He sits on the mattress with both legs folded up on the bed in front of him, knees drawn together and cocked toward the right of frame, both bare feet planted flat on the ticking with the toes curled under. His weight rolls forward onto the seat bones, spine curved, shoulders hunched up around his ears. Both elbows rest on his knees, the points of them denting the fabric of his pants. His right hand is cupped under his jaw and holds his chin upright, fingers splayed along the cheek and the heel of the palm under the bone, the forearm a vertical prop; his left arm is thrown out and forward off the knee, careless and unbraced, the hand hanging loose over the mattress edge with the fingers slack and the wrist bent back, the whole limb heavy like something dropped. His black hair is unwashed and messy, hanging in his eyes and sticking up at the crown. Clothes hang off him: an oversized t-shirt gone soft and grey with stains across the chest and a stretched collar, baggy pants smudged with dirt at the knees and rolled at the ankle, waistband sagging so the shirt bunches over it. His face is slack and worn, eyelids low and heavy, mouth slightly open and unsmiling, jaw pushed against his own palm; his eyes are angled left, off frame, fixed on the television, unfocused with fatigue, catching two thin blue reflections in the cornea. The television is out of frame to the left and it is the only light in the room: a hard cold blue-white beam rakes in from screen left, striking the left side of his face, the ridge of his nose, the top of his right hand under the jaw, the left shoulder, the near edge of the mattress and the crests of the floorboards, while everything to the right of him falls away into black and the far wall is only a rumour of texture in the dark. The light is blue and monochromatic, and it flickers — the beams shift a few degrees across the mattress, so his shadow on the wall behind him is enormous, thrown up on the plaster at an angle, and a narrow band of the room's darkness stays absolute where the beam does not reach. The rest of the apartment is worn out and barely furnished: peeling wallpaper, a crooked doorframe, a radiator, a chair with a coat over its back, all sinking into shadow. In the near left corner the toppled bottle's curve carries a bright caustic streak of blue where the screen light bends through its glass and pools on the plank beneath, the only place the light lands twice. Cold, high contrast, deep shadow, eerie.
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boy with black hair in dirty baggy lothes sits on dirty flat bed with his legs on the bed in worn out apartment. the floor is naked wooden planks. camera angle is positioned like the camera is one of many thrown on the floor items. whole room only light source is blue light from tv that is out of the view to the left. the boy sits on the bed with his elbows on the knees and one hand holding his chin upright and other is just recklessly thrown forward. Tired heavy gaze. The whole atmosphere of the shot is eerie and dark, the boy wathces tv
Modalità
flash
Dimensione
1104 x 1824
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.03k

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Avatar image of Nezuko
1girl, solo, dark theme, gothic, pale skin, long black hair, messy hair, hair over one eye, heavy-lidded eyes, half-closed eyes, tired eyes, dark under-eye bags, dull grey eyes, looking down, head lowered, sitting, sitting on floor, hugging own knees, knees up, arms wrapped around legs, hunched forward, small frame, oversized tattered white dress, thin straps, bare feet, bare arms, bandaged forearm, bandage, no shoes, empty ears, hair unadorned, bare throat, no necklace, no jewelry, from above, high angle, close-up, dutch angle, tilted framing, dim room, single dim overhead bulb, harsh chiaroscuro, deep shadows, cold blue-grey palette, desaturated, dust motes, cracked concrete floor, scuffed wall, long vertical cast shadow, low-key lighting, oppressive atmosphere, melancholic, quiet dread, seen from above and slightly to one side, camera tilted a few degrees off level so the vertical world leans — a thin girl folded small on a bare concrete floor, knees drawn up against her chest, both arms wrapped around her shins and her hands clasped at the far side of her ankles, heels flat, her whole weight sunk onto her tailbone and the backs of her thighs. her head is bowed forward so the crown faces the lens and the long black hair falls in a loose curtain across her brow, most of it sliding over the left side of her face and hiding that eye entirely; only the right eye shows beneath the strands, half-lidded and looking down past her knees at the floor a foot in front of her toes, not at the viewer. her mouth is a flat, closed line; a slow breath has just left it. the oversized white dress is thin and worn at the hem, one strap slipping off the bony point of her right shoulder, the fabric creasing into deep folds across her lap and pooling on the concrete where it meets the floor. the whole room is sunk in darkness except for a single bare bulb high above and slightly behind her: it strikes the top of her head, the ridge of her shoulders and the tops of her knees, glazing the crown of her hair, while her face, her chest and the space under her chin stay in shadow; the light throws her shadow out long and thin along the floor away from her feet, and the floor around its edge is absolute black. palette: cold blue-grey, the flat white of the dress, the near-black of her hair, skin gone chalky under the lamp, nothing warm anywhere. the light is the only source; beyond its pool the room vanishes. quiet dread.
Nezuko

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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