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AI art "Sunlit Ascent"
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Sunlit Ascent

I'm absolutely captivated by the dreamy, ethereal atmosphere of this scenery—the way the light particles dance down the grand staircase makes me feel like I've stepped into a beautiful fantasy. It brings such a sense of peace and wonder to my day. If you enjoy this vibe, please like and follow for more atmospheric pieces!

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Commenti1

cinematic lighting,cinematic angle,soft light,color detail,backlighting,Depth of field,long exposure,light steps,intricate colors,vibrant colors,
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Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
7.5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Modello e LoRA utilizzati

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AI artwork
の
no humans, empty school, staircase, indoors, school hallway, stair landing, from below, dutch angle, low angle, vanishing point, afternoon light, warm sunlight, long shadows, dust motes, window light, worn steps, handrail, lockers, notice board, clock, shoeboxes, sliding window, curtains, wallpaper, peeling paint, scuff marks, quiet, melancholy, nostalgic The camera sits low on a mid-flight landing of an empty school staircase, tilted a few degrees off level so the steps run diagonally up out of the top-right corner and the banister cuts a hard line across the lower left. Nothing human is anywhere in the frame and nothing implies a person just left — no bag, no shoes, no open door. The stairwell rises in a single switchback: the near flight climbs from bottom-left to the landing, turns, and a second flight recedes upward, each tread growing narrower and darker toward the top so the perspective converges on a small dark rectangle of upper corridor. Concrete-edged steps are worn pale in two shallow troughs where decades of feet have polished them, the paint on the risers chipped back to grey. A steel handrail runs along the right, its enamel rubbed bright in patches, bolted through small rusted flanges. Along the far wall a row of pale blue lockers sits under a cork notice board with its papers faded to blank rectangles, and above them a tall sliding window is pushed open a hand's width. To the left of the landing, a short corridor with a classroom door ajar shows only darkness beyond its edge. Late-afternoon sun comes in low and warm through that window as the only light source, raking across the landing in long amber bars that stripe the steps and throw the banister's shadow as a ladder of hard diagonal lines up the opposite wall. Everything the sun does not strike cools into dusty blue-violet; the upper flight is nearly swallowed by it. Dust hangs suspended in the brightest bar, each mote lit only where it crosses the beam, and the sunlit treads glow warm while the shadowed risers under each nosing stay deep and cool — the same step reading two temperatures at once. The palette is held to warm ochre and amber on the lit surfaces, dusty blue-grey in the shade, and the pale blue of the lockers and the faded green of the notice board as the only other colours. Slightly high, visible grain and soft focus toward the darkened top of the stairs. Quiet melancholy, nostalgic.
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