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V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

Arte IA di V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי su PixAI. Creato con Tsubaki.3 Flash.

Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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1 man, solo, king, adult male, short-trimmed salt-and-pepper beard, bare shoulders, bare chest, wet skin, bathing, standing waist-deep in water, wading, hand raised to press water from his brow, looking up, doves perched, birds on broken window frame, broken window, shattered glass edges, twigs emerging from window, branches growing through window, stained glass mosaic windows, dim sun rays, volumetric light shafts, dust settled on ground, dust motes in air, calm reflecting pool, moving waters, ripples, wild plants on walls, moss, ivy creeping on stone, wellspring, spring water source, cool colors, teal and slate blue and pale grey-green palette, simple aesthetic, cinematic shot, wide shot, from side, low camera, sharp focus, deep depth of field, no blur, HDR, physically based rendering, artstation quality, dull ambience Seen in a cinematic wide shot from slightly below and off to the side, the camera set low near the water's surface so the flooded stone chamber opens out in depth: in the midground a single adult king stands waist-deep in the spring-fed reflecting pool, his body turned three-quarters away but his head lifted and turned back over his shoulder toward the high window, the salt-and-pepper beard dark with damp, his shoulders and chest slick and beaded with water, one bare arm raised with the palm pressed flat across his brow to squeeze the water back into his hair while the other hand trails at his hip under the surface, his weight on his back foot with the front knee bent and the water broken into loose rings around his waist; below and in front of him the pool's still margin mirrors the window's mosaic and the pillars above it so the reflected glass quivers and narrows where the ripples from his body reach it, and the reflection is duller and darker than the thing it mirrors. The window itself is the far wall's crown: a tall arched stained glass mosaic window of leaded mosaic tesserae in desaturated blue, sea-green and milky white, its lower half burst outward so the leaded lattice hangs in jagged teeth and the empty panes open on pale sky, and through that break a knot of bare twigs and leafy branches has pushed and spread into the room, bark and leaves silhouetted against the brighter opening, twigs encroaching inward over the sill. Two pale doves are perched in that gap — one folded low on the intact stone sill beside the branches, the other gripping the twisted branch that crosses the broken pane — heads tucked, feathers matte, both still. Dim sun rays fall through the broken panes in a few low-contrast shafts at a shallow angle from the upper window, catching only where the air is thickest: the light strikes the rising dust and the water's surface as faint lit lanes, while the walls and the recesses of the chamber stay in cool shadow; a fine layer of settled dust films the dry stone ground and the pool's rim, thin and undisturbed except for a few darker prints where the king crossed it, and the same dust hangs in the air as slow visible motes exactly where the rays pass. Wild plants have taken the walls: ivy and low-leafed green growth creep in seams between the stone blocks, and moss pads the joints and the damp edge of the pool, the only saturated green admitted. Everything is held in a cool palette of teal, slate blue, wet grey stone and pale leaf-green with the stained glass's muted mosaic as its one warmer greyed presence; the spring itself feeds the pool from a low carved outlet at the left wall, its in-flow the reason the surface keeps sliding and breathing. Full sharp focus front to back, crisp tessera edges and crisp water texture with no softness anywhere; calm, hushed.
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Immissione richiesta originale
king bathing, doves perched, twigs and branches emerge from broken glass window, dim sun rays, dust settled on the ground, calming reflecting pool, moving waters, dull ambience, cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur
Modalità
flash
Dimensione
1104 x 1824
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Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1 man, solo, king, adult male, short-trimmed salt-and-pepper beard, bare shoulders, bare chest, wet skin, bathing, standing waist-deep in water, wading, hand raised to press water from his brow, looking up, doves perched, birds on broken window frame, broken window, shattered glass edges, twigs emerging from window, branches growing through window, stained glass mosaic windows, dim sun rays, volumetric light shafts, dust settled on ground, dust motes in air, calm reflecting pool, moving waters, ripples, wild plants on walls, moss, ivy creeping on stone, wellspring, spring water source, cool colors, teal and slate blue and pale grey-green palette, simple aesthetic, cinematic shot, wide shot, from side, low camera, sharp focus, deep depth of field, no blur, HDR, physically based rendering, artstation quality, dull ambience Seen in a cinematic wide shot from slightly below and off to the side, the camera set low near the water's surface so the flooded stone chamber opens out in depth: in the midground a single adult king stands waist-deep in the spring-fed reflecting pool, his body turned three-quarters away but his head lifted and turned back over his shoulder toward the high window, the salt-and-pepper beard dark with damp, his shoulders and chest slick and beaded with water, one bare arm raised with the palm pressed flat across his brow to squeeze the water back into his hair while the other hand trails at his hip under the surface, his weight on his back foot with the front knee bent and the water broken into loose rings around his waist; below and in front of him the pool's still margin mirrors the window's mosaic and the pillars above it so the reflected glass quivers and narrows where the ripples from his body reach it, and the reflection is duller and darker than the thing it mirrors. The window itself is the far wall's crown: a tall arched stained glass mosaic window of leaded mosaic tesserae in desaturated blue, sea-green and milky white, its lower half burst outward so the leaded lattice hangs in jagged teeth and the empty panes open on pale sky, and through that break a knot of bare twigs and leafy branches has pushed and spread into the room, bark and leaves silhouetted against the brighter opening, twigs encroaching inward over the sill. Two pale doves are perched in that gap — one folded low on the intact stone sill beside the branches, the other gripping the twisted branch that crosses the broken pane — heads tucked, feathers matte, both still. Dim sun rays fall through the broken panes in a few low-contrast shafts at a shallow angle from the upper window, catching only where the air is thickest: the light strikes the rising dust and the water's surface as faint lit lanes, while the walls and the recesses of the chamber stay in cool shadow; a fine layer of settled dust films the dry stone ground and the pool's rim, thin and undisturbed except for a few darker prints where the king crossed it, and the same dust hangs in the air as slow visible motes exactly where the rays pass. Wild plants have taken the walls: ivy and low-leafed green growth creep in seams between the stone blocks, and moss pads the joints and the damp edge of the pool, the only saturated green admitted. Everything is held in a cool palette of teal, slate blue, wet grey stone and pale leaf-green with the stained glass's muted mosaic as its one warmer greyed presence; the spring itself feeds the pool from a low carved outlet at the left wall, its in-flow the reason the surface keeps sliding and breathing. Full sharp focus front to back, crisp tessera edges and crisp water texture with no softness anywhere; calm, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1girl, solo, adult woman, bathing, sitting in shallow water, long wet hair, wet skin, from behind, over-shoulder composition, looking back over shoulder, doves, perched, multiple doves, bird on windowsill, bird on ledge, bare shoulders, bare back, calm reflecting pool, moving water, ripples, broken window, shattered glass, twigs, branches, branch growing through window, stained glass window, mosaic glass, wild plants, vines on wall, ivy, moss, dust motes, sunbeam, god rays, dim light, cool color palette, blue and teal and stone grey, ruined interior, wellspring, spring water, cinematic shot, wide shot, sharp focus, crisp, clear, no blur, detailed, HDR, physically based rendering, subsurface scattering on wet skin, atmospheric, serene, quiet The camera sits low behind her near the waterline and slightly to her left, in a wide cinematic composition: the woman is seen from behind and above the hips, her back to the lens, head turned so that her right cheek and one lowered eye show past the curtain of her own wet hair. She sits on a submerged stone step at the shallow lip of a circular spring-fed reflecting pool, hips settled, both knees bent toward the far rim, feet flat on the algae-slick floor below the surface; her weight rests on her right hip with her left hand braced flat on the pool's carved stone edge, water beading the whole length of that forearm. Her long wet hair clings in dark ropes over her spine and right shoulder blade, dripping, the strands at the ends floating out into the pool where the water moves. Circling ripples spread from her waist and thighs and cross the entire basin, and where those ripples flatten the surface the water mirrors the arched window opposite her, breaking its stained-glass colours into wavering bands; the water is darker and softer than the glass it reflects. Four pale doves are perched along the broken sill and the bent frame of the great arched window in the midground wall: one on the intact lower mullion, two tucked close together inside the empty lead tracery of a shattered pane, one on a leaning branch that has grown in through the fracture and bends under its weight, and that branch's leaves hang directly overhead in the foreground, softly out of the near plane. Through the broken window a gnarled branch thrusts inward, bark ridged, twigs and buds pushing past jagged teeth of glass still set in the lead; the stained glass that survives is a mosaic of cool blue, sea-green and pale violet fragments in lead cames, and the low dim sun behind the wall drives its beams through the gaps so coloured shafts slice the dust which hangs thick in the air, settling in a pale even film on the dry stone paving, on the pool's rim, on the sill, on the doves' folded wings and the top-facing surfaces of the ivy, while nothing settles on the vertical faces. Wild plants have colonised the walls: ivy and thin creeper run down the mortar joints, moss fills the cracks, fern fronds spill from a spandrel and dip toward the water. The light is the only source, cool morning sun filtered through foliage and glass, sparse and low-contrast, leaving the corners of the vault in deep shadow; in the pool it strikes the lit faces of the ripples and their crests, and no caustic pattern reaches the shaded back wall. The palette is restrained and cold -- wet slate, green-black, bone-pale stone and pale bird white, with the only saturation in the stained glass and in her dark wet hair. Behind her, beyond the pool, the spring's source seeps from a cracked stone wellspring head in the back wall, its thin fall adding one steady thread of moving water to the surface. Everything from the film of dust on the foreground rim to the furthest ivy leaf is tack-sharp and crisply resolved, with no blur anywhere but the natural motion of the water, quietly devotional, still.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long black hair, wet hair, damp hair, hair down, bare back, sheer saffron cotton wrap around waist, bathing, standing waist-deep in water, wading, from behind, over-shoulder composition, looking back, profile, calm expression, eight doves, 8 doves perched, birds on broken glass window, snapped branches growing through window, twigs through shattered panes, broken glass window, stained glass mosaic window, dim sun rays, volumetric light shafts, dust settled on floor, dust motes in air, reflecting pool, still mirror-like water, moving water ripples, wellspring, wild plants on walls, vines on masonry, moss, ancient indian hindu temple, carved sandstone pillars, stone steps, india, harappan ruin layer, cinematic shot, wide shot, high contrast, cool colors, sharp focus, no blur, photoreal render, hdr, best photometry, dull ambience, simple aesthetic, serene, quiet awe, Seen from behind and slightly above, over the wet curve of her shoulder, the woman stands waist-deep at the shallow edge of a long rectangular reflecting pool inside a ruined ancient Indian Hindu temple hall, her body angled away from the camera in three-quarter back view, her face turned just past her shoulder so one eye and the edge of her cheek catch the light. Her weight rests on her left leg planted on the submerged step, the right knee slightly bent, and her hands hang low at her sides with fingertips just breaking the water's skin, sending thin rings outward that distend her reflection. A sheer saffron cotton wrap is knotted at her left hip and trails its soaked hem into the water, clinging and dark where wet, dry and pale where it gathers at her waist; her long damp black hair lies flat down her back in heavy strands, the ends dripping. The pool surface is near-mirror in the centre and disturbed into widening ripples only where her hands and thighs break it, and the ripples are the only thing in the frame that moves. Above and to her left, a high arched window has shattered — jagged panes gone, lead cames bent — and through the empty ribs of it a snapped fig branch and two thorny twigs have pushed in and hang down into the hall, their leaves silhouetted. On the intact window beside it, the stained glass survives as a mosaic of small blue, teal and amber quarrels, and eight doves are perched along the broken sill and the branch in a loose line: four on the stone sill, three on the branch, one on the bent lead frame, each bird separate and clearly countable, one preening, one facing the pool, the rest settled still. Dim grey-gold sun rays come down through the window opening at a steep diagonal from upper left, catching the dust so the shafts read as visible cones; they strike the top of her shoulder, the crown of her head and the dove on the sill, and everything below the ray's lower edge falls into cool shadow. Fine dust lies settled in a pale even film across the dry flagstones and the raised stone rim of the pool, thicker in the carved joints, and the only clean marks on it are the wet footprints where she walked in from the left. The hall is carved sandstone: fluted pillars, a corbelled ceiling lost in darkness, and on the walls wild plants have taken hold — creepers and small ferns rooted in the cracks between blocks, moss darkening the lower courses. The palette is cool and restrained — slate blue, teal, wet stone grey, moss green, the saffron wrap the single warm note and the dim raking light the second — against deep near-black shadow in the ceiling and the far end of the hall, which gives the frame its high contrast. Everything is tack-sharp from the foreground ripples to the far pillars, no blur anywhere. Serene and heavy with age.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1girl, solo, lady bathing, long flowing hair, hair floating on water surface, partially submerged, sitting in shallow reflecting pool, calm reflective water, moving water ripples, concentric ripple rings, doves perched, multiple doves, doves on broken window frame, doves on stone ledge, broken glass window, shattered glass panes, twigs emerging from window, branches growing through broken window, wild plants grown on walls, moss, ivy and ferns on stone walls, stained glass mosaic windows, colorful stained glass fragments, dim sun rays, volumetric god rays through broken window, dust settled on ground, dust motes in air, cool colors, teal and slate blue palette, dull ambience, simple aesthetic, serene, wellspring, water source spring, stone basin, cinematic shot, wide shot, from side, from below, water level camera, crisp sharp focus, high detail, deep focal depth, dramatic low-key lighting, 3d render, octane render, artstation quality, best photometry, clear, no blur, atmospheric, quiet tranquility, contemplative A cinematic wide shot from a low camera just above the waterline, looking slightly up and across the flooded chamber: a young woman sits waist-deep at the shallow lip of a still reflecting pool, its surface broken into slow perfect concentric rings that spread outward from where her hips displace the water and lap against the cracked stone rim; her long dark hair fans out flat across the surface, half of it lifted and floating on the moving water, the strands nearest her shoulders sunk beneath it. She is turned three-quarters away toward the shattered window, weight settled on one hip against the pool's edge, one hand resting palm-flat on the submerged stone beneath her, the other lifted to wring water from a lock of hair at her collarbone; her chin is tipped up and her eyes follow the light, not the lens. Behind her, the tall window stands blown open — leading lattice bent, jagged glass teeth still gripping the frame, and through the gap a living thicket pushes inward: pale twigs and thin branches arch into the room, their leaves and buds catching the dim shafts. Three doves are perched along the broken mullions and the stone sill, claws curled around the split lead, one preening with its head tucked, one facing the pool, one with its breast turned toward the light; a fourth settles on a jutting branch above. All around, the walls have gone wild — fern and ivy and creeper climbed up the stone courses, drinking from the damp, their leaves crowding the mosaic windows where panels of stained glass survive in place, and where they are missing the coloured shards scatter their reds and blues and ambers across the wet floor in pools faintly brighter than the grey light. The light source is the single broken window: cool, diffuse, low-slung sun falling in soft dusty shafts that slope down, strike the top of her hair and the shoulders of the nearest dove, and die in the shadows beneath the arches; the far end of the chamber beyond the shafts is dark and depthless. Dust lies in a still film on the dry flagstones, undisturbed except for one broken clean line where a fallen twig has dragged. Everything is in crisp, deep focus; the water is glassy with a fine grain of suspended motes. Cool teal and slate palette with stained-glass accents confined to the shards and their reflections. Quiet, contemplative.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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