Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "Before/After"
Genera gratis

Before/After

Contest Entry
That Character Gets a Whole New Look! A Dramatic Before and After!!
#Monocromatico#Fumetto#minigonna#Seno#Collant#Reggiseno#seduto#Gonna#Scollatura#Testo in inglese#capelli lunghi#seno prosperoso#Muscoloso#bottiglia#mani sui fianchi#gambe incrociate#colore spot#Sgabello#fumetto#sguardo verso lo spettatore#intimo#Scala di grigi#tenere#all'interno#costume da supereroe#DC Comics#Bar#Wonder Woman
ac
avatar-frame

AMCamp

More to See

Commenti

character: wonder_woman character: wonder_woman 2koma, manga page, split screen, left-to-right reading order, two panels, solo focus, 1girl, wonder woman, Lynda Carter's face, caucasian, blue eyes, black hair, long hair, large breasts, curvy, voluptuous, cowboy shot (both panels), left panel: from below, worm's eye view, foreshortening, muscular female, hourglass figure, superhero costume, covered abs, golden tiara with central red star, silver bracers, standing, legs apart, bare legs, hands on own hips, serious, looking up, dark alley, night, chiaroscuro, right panel: sitting on bar stool, MILF build, love handles, makeup, eyeliner, eyeshadow, lipstick, red lips, bare head, no headwear, bare forearms, black lace bra, black microskirt, black pantyhose, looking at viewer, seductive smile, parted lips, talking, speech bubble, english text, holding beer bottle, seedy bar, night, crowd, cinematic lighting. A two-panel black-and-white manga page split by a single vertical gutter down the middle, reading left to right; both panels are cowboy shots cropped at mid-thigh, and the same woman fills each — Lynda Carter's face, Caucasian, blue eyes, long black hair, large breasts, curvy, voluptuous. Panel 1, on the left: a worm's-eye camera tilted steeply up so her hips sit low and broad in the frame and her shoulders and chin foreshorten toward the top; she stands with her legs planted apart, boots apart on wet asphalt, both hands set flat on her hips with fingers spread and thumbs hooked forward, weight even and shoulders squared. She wears the superhero costume — a strapless leotard bodice in flat mid-gray screentone with the abdominal contours read through the taut fabric as hatching over covered abs, her bare shoulders and upper arms muscled with cross-hatched deltoids — over bare legs, with a golden tiara at her brow carrying a central red star (rendered as a dark saturated mark amid the grays) and silver bracers riding her forearms, catching a hard white rim. Her head is tipped back, chin lifted, eyes directed up and out of frame past the roofline, mouth flat and serious. Behind her the dark alley walls close in, brick hatched into near-black masses, a single hard light from off-frame upper left carving the left plane of her face, her collarbones, the star and the crest of her hip while the right side of her body falls into absolute black — chiaroscuro, darkness total beyond the lit wedge, her cast shadow thrown long and sharp across the wet stone below her. Panel 2, on the right: the camera at her eye level, seated three-quarter on a bar stool pulled up beside the counter, thighs crossed at the knee, spine in a relaxed slouch that softens her waist into a MILF build with the love handles showing as a gentle pinch above the waistband; one forearm rests along the counter edge, her other hand wraps a beer bottle by the neck with the bottle standing on her thigh, condensation beading its glass. She wears only a black lace bra whose floral lace pattern is spotted in fine halftone, a black microskirt in flat black with fold lines at the seam, and black pantyhose reading as smooth gray tone over her legs; her head is bare, her forearms and wrists completely bare. Makeup: eyeliner drawn as sharp black strokes, gray eyeshadow, red lips inked as the one saturated note of the page, parted. Her eyes are on the viewer, chin dipped, one brow slightly raised, a seductive closed-lip-then-open smile as she speaks. A clean round speech bubble sits above and to the right of her head with its tail pointing to her lips, and inside it in bold upright comic lettering reads "YES, I USED TO BE WONDER WOMAN". Around her the seedy bar recedes in dense screentone: bottle-lined shelves, a hanging lamp above the counter throwing a hard pool of light on her shoulder and the bottle, patrons behind her rendered as simplified gray silhouettes with faces hatched out, cigarette smoke drifting through the lamp beam — cinematic lighting with deep black corners, the single light source doubling as the only thing lifting her out of the murk. Screentone, hatching and spotted blacks throughout, hard panel border; noir, weary glamour.
Mostra parametri
Immissione richiesta originale
character: wonder_woman 2koma, manga page, split screen, left-to-right reading order, two panels, solo focus, 1girl, wonder woman, Lynda Carter's face, caucasian, blue eyes, black hair, long hair, large breasts, curvy, voluptuous, cowboy shot (both panels), left panel: from below, worm's eye view, foreshortening, muscular female, hourglass figure, superhero costume, covered abs, golden tiara with central red star, silver bracers, standing, legs apart, bare legs, hands on own hips, serious, looking up, dark alley, night, chiaroscuro, right panel: sitting on bar stool, MILF build, love handles, makeup, eyeliner, eyeshadow, lipstick, red lips, bare head, no headwear, bare forearms, black lace bra, black microskirt, black pantyhose, looking at viewer, seductive smile, parted lips, talking, speech bubble, english text, holding beer bottle, seedy bar, night, crowd, cinematic lighting. A two-panel black-and-white manga page split by a single vertical gutter down the middle, reading left to right; both panels are cowboy shots cropped at mid-thigh, and the same woman fills each — Lynda Carter's face, Caucasian, blue eyes, long black hair, large breasts, curvy, voluptuous. Panel 1, on the left: a worm's-eye camera tilted steeply up so her hips sit low and broad in the frame and her shoulders and chin foreshorten toward the top; she stands with her legs planted apart, boots apart on wet asphalt, both hands set flat on her hips with fingers spread and thumbs hooked forward, weight even and shoulders squared. She wears the superhero costume — a strapless leotard bodice in flat mid-gray screentone with the abdominal contours read through the taut fabric as hatching over covered abs, her bare shoulders and upper arms muscled with cross-hatched deltoids — over bare legs, with a golden tiara at her brow carrying a central red star (rendered as a dark saturated mark amid the grays) and silver bracers riding her forearms, catching a hard white rim. Her head is tipped back, chin lifted, eyes directed up and out of frame past the roofline, mouth flat and serious. Behind her the dark alley walls close in, brick hatched into near-black masses, a single hard light from off-frame upper left carving the left plane of her face, her collarbones, the star and the crest of her hip while the right side of her body falls into absolute black — chiaroscuro, darkness total beyond the lit wedge, her cast shadow thrown long and sharp across the wet stone below her. Panel 2, on the right: the camera at her eye level, seated three-quarter on a bar stool pulled up beside the counter, thighs crossed at the knee, spine in a relaxed slouch that softens her waist into a MILF build with the love handles showing as a gentle pinch above the waistband; one forearm rests along the counter edge, her other hand wraps a beer bottle by the neck with the bottle standing on her thigh, condensation beading its glass. She wears only a black lace bra whose floral lace pattern is spotted in fine halftone, a black microskirt in flat black with fold lines at the seam, and black pantyhose reading as smooth gray tone over her legs; her head is bare, her forearms and wrists completely bare. Makeup: eyeliner drawn as sharp black strokes, gray eyeshadow, red lips inked as the one saturated note of the page, parted. Her eyes are on the viewer, chin dipped, one brow slightly raised, a seductive closed-lip-then-open smile as she speaks. A clean round speech bubble sits above and to the right of her head with its tail pointing to her lips, and inside it in bold upright comic lettering reads "YES, I USED TO BE WONDER WOMAN". Around her the seedy bar recedes in dense screentone: bottle-lined shelves, a hanging lamp above the counter throwing a hard pool of light on her shoulder and the bottle, patrons behind her rendered as simplified gray silhouettes with faces hatched out, cigarette smoke drifting through the lamp beam — cinematic lighting with deep black corners, the single light source doubling as the only thing lifting her out of the murk. Screentone, hatching and spotted blacks throughout, hard panel border; noir, weary glamour.
Modalità
pro
Dimensione
1824 x 1104
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.36k

Immagini simili

Mostra di più

Scopri altro

Utenti consigliati

Potrebbe piacerti

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
16#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#L'attacco dei giganti#Mikasa Ackerman
HomeModellicreareRecipeProfilo