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AI artwork featuring #zetaCollab
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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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product shot, single smartphone, ZTE nubia RedMagic 11s Pro, gaming phone, flat rectangular slab, triple rear camera array in a raised horizontal module, rear panel with a glowing RGB-lit cooling fan behind a transparent window, angular machined metal frame, shoulder trigger buttons, "12GB RAM" spec text, "512GB ROM" spec text, "ZTE nubia RedMagic 11s Pro" model name text, dutch angle, close-up, from above, floating, tilt, no hands, no person, seamless studio sweep, dramatic rim light, spec card, tech product photography Seen from above at a slight dutch angle, one phone alone: the ZTE nubia RedMagic 11s Pro hangs tilted in mid-air over a seamless dark studio sweep, its long axis running from lower left to upper right, the screen side turned away and the back panel presented to the lens, so the camera module in the upper third and the transparent cooling window in the lower-middle read at full clarity. The slab is a flat machined-metal rectangle with chamfered edges that catch a hard white rim; the back is a cool graphite panel with a fine brushed grain, a raised horizontal camera bar near the top holding three lenses in a row and a small flash at its end, and beneath it the boxy transparent window through which a circular fan sits, its blades painted with a thin RGB arc that lights only along their leading edges. A shoulder trigger button nicks each short side of the frame. The phone floats clear of any support -- no hand, no stand, no desk -- held only by the composition: its lower right corner dips toward the lens and its upper left corner recedes, so the near corner is largest and the far edge compresses, a foreshortening that bulges the body and makes the metal rail visible along the right flank. The camera bar's lenses catch three small elliptical highlights, each rotated to the tilt. A soft contact shadow floats on the sweep below the phone, offset down and to the left, blurred and much softer than the body, its density thinning toward its edges -- the only trace the hovering object leaves. Light comes from a single large softbox above and behind the upper left, raking across the back panel so the brushed grain streaks bright along the upper left and falls into a darker gradient toward the lower right; a narrow cool-blue rim light traces the right edge and the far corner, and a warmer amber glint answers on the transparent window and the fan's arc. Beyond those two lights the sweep is absolute and featureless, going to near-black at the frame's edges. Palette: graphite, gunmetal and deep near-black, with the only saturated colour in the cyan-to-violet fan arc and the small amber lens glint. Spec lettering is set in a small card floating in the lower-left negative space, right-aligned to the phone's lower edge and tilted with the same dutch angle: a bold condensed sans-serif line reading "12GB RAM", a second line directly beneath it reading "512GB ROM" in the same size and weight, and above the pair, smaller and lighter, the model name "ZTE nubia RedMagic 11s Pro"; each string sits flat on the card's surface, crisp and legible, the card's edge faintly reflecting the panel's blue rim. Premium, cold, engineered.
Mostra parametri
Immissione richiesta originale
ZTE nubia RedMagic 11s Pro, 12gb ram and 512 gb rom
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

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AI artwork
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product shot, single smartphone, ZTE nubia RedMagic 11s Pro, gaming phone, flat rectangular slab, triple rear camera array in a raised horizontal module, rear panel with a glowing RGB-lit cooling fan behind a transparent window, angular machined metal frame, shoulder trigger buttons, "12GB RAM" spec text, "512GB ROM" spec text, "ZTE nubia RedMagic 11s Pro" model name text, dutch angle, close-up, from above, floating, tilt, no hands, no person, seamless studio sweep, dramatic rim light, spec card, tech product photography Seen from above at a slight dutch angle, one phone alone: the ZTE nubia RedMagic 11s Pro hangs tilted in mid-air over a seamless dark studio sweep, its long axis running from lower left to upper right, the screen side turned away and the back panel presented to the lens, so the camera module in the upper third and the transparent cooling window in the lower-middle read at full clarity. The slab is a flat machined-metal rectangle with chamfered edges that catch a hard white rim; the back is a cool graphite panel with a fine brushed grain, a raised horizontal camera bar near the top holding three lenses in a row and a small flash at its end, and beneath it the boxy transparent window through which a circular fan sits, its blades painted with a thin RGB arc that lights only along their leading edges. A shoulder trigger button nicks each short side of the frame. The phone floats clear of any support -- no hand, no stand, no desk -- held only by the composition: its lower right corner dips toward the lens and its upper left corner recedes, so the near corner is largest and the far edge compresses, a foreshortening that bulges the body and makes the metal rail visible along the right flank. The camera bar's lenses catch three small elliptical highlights, each rotated to the tilt. A soft contact shadow floats on the sweep below the phone, offset down and to the left, blurred and much softer than the body, its density thinning toward its edges -- the only trace the hovering object leaves. Light comes from a single large softbox above and behind the upper left, raking across the back panel so the brushed grain streaks bright along the upper left and falls into a darker gradient toward the lower right; a narrow cool-blue rim light traces the right edge and the far corner, and a warmer amber glint answers on the transparent window and the fan's arc. Beyond those two lights the sweep is absolute and featureless, going to near-black at the frame's edges. Palette: graphite, gunmetal and deep near-black, with the only saturated colour in the cyan-to-violet fan arc and the small amber lens glint. Spec lettering is set in a small card floating in the lower-left negative space, right-aligned to the phone's lower edge and tilted with the same dutch angle: a bold condensed sans-serif line reading "12GB RAM", a second line directly beneath it reading "512GB ROM" in the same size and weight, and above the pair, smaller and lighter, the model name "ZTE nubia RedMagic 11s Pro"; each string sits flat on the card's surface, crisp and legible, the card's edge faintly reflecting the panel's blue rim. Premium, cold, engineered.
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AI artwork
uy
product shot, single smartphone, ZTE nubia RedMagic 11s Pro, gaming phone, flat rectangular slab, triple rear camera array in a raised horizontal module, rear panel with a glowing RGB-lit cooling fan behind a transparent window, angular machined metal frame, shoulder trigger buttons, "12GB RAM" spec text, "512GB ROM" spec text, "ZTE nubia RedMagic 11s Pro" model name text, dutch angle, close-up, from above, floating, tilt, no hands, no person, seamless studio sweep, dramatic rim light, spec card, tech product photography Seen from above at a slight dutch angle, one phone alone: the ZTE nubia RedMagic 11s Pro hangs tilted in mid-air over a seamless dark studio sweep, its long axis running from lower left to upper right, the screen side turned away and the back panel presented to the lens, so the camera module in the upper third and the transparent cooling window in the lower-middle read at full clarity. The slab is a flat machined-metal rectangle with chamfered edges that catch a hard white rim; the back is a cool graphite panel with a fine brushed grain, a raised horizontal camera bar near the top holding three lenses in a row and a small flash at its end, and beneath it the boxy transparent window through which a circular fan sits, its blades painted with a thin RGB arc that lights only along their leading edges. A shoulder trigger button nicks each short side of the frame. The phone floats clear of any support -- no hand, no stand, no desk -- held only by the composition: its lower right corner dips toward the lens and its upper left corner recedes, so the near corner is largest and the far edge compresses, a foreshortening that bulges the body and makes the metal rail visible along the right flank. The camera bar's lenses catch three small elliptical highlights, each rotated to the tilt. A soft contact shadow floats on the sweep below the phone, offset down and to the left, blurred and much softer than the body, its density thinning toward its edges -- the only trace the hovering object leaves. Light comes from a single large softbox above and behind the upper left, raking across the back panel so the brushed grain streaks bright along the upper left and falls into a darker gradient toward the lower right; a narrow cool-blue rim light traces the right edge and the far corner, and a warmer amber glint answers on the transparent window and the fan's arc. Beyond those two lights the sweep is absolute and featureless, going to near-black at the frame's edges. Palette: graphite, gunmetal and deep near-black, with the only saturated colour in the cyan-to-violet fan arc and the small amber lens glint. Spec lettering is set in a small card floating in the lower-left negative space, right-aligned to the phone's lower edge and tilted with the same dutch angle: a bold condensed sans-serif line reading "12GB RAM", a second line directly beneath it reading "512GB ROM" in the same size and weight, and above the pair, smaller and lighter, the model name "ZTE nubia RedMagic 11s Pro"; each string sits flat on the card's surface, crisp and legible, the card's edge faintly reflecting the panel's blue rim. Premium, cold, engineered.
ut yatu
AI artwork
uy
product shot, single smartphone, ZTE nubia RedMagic 11s Pro, gaming phone, flat rectangular slab, triple rear camera array in a raised horizontal module, rear panel with a glowing RGB-lit cooling fan behind a transparent window, angular machined metal frame, shoulder trigger buttons, "12GB RAM" spec text, "512GB ROM" spec text, "ZTE nubia RedMagic 11s Pro" model name text, dutch angle, close-up, from above, floating, tilt, no hands, no person, seamless studio sweep, dramatic rim light, spec card, tech product photography Seen from above at a slight dutch angle, one phone alone: the ZTE nubia RedMagic 11s Pro hangs tilted in mid-air over a seamless dark studio sweep, its long axis running from lower left to upper right, the screen side turned away and the back panel presented to the lens, so the camera module in the upper third and the transparent cooling window in the lower-middle read at full clarity. The slab is a flat machined-metal rectangle with chamfered edges that catch a hard white rim; the back is a cool graphite panel with a fine brushed grain, a raised horizontal camera bar near the top holding three lenses in a row and a small flash at its end, and beneath it the boxy transparent window through which a circular fan sits, its blades painted with a thin RGB arc that lights only along their leading edges. A shoulder trigger button nicks each short side of the frame. The phone floats clear of any support -- no hand, no stand, no desk -- held only by the composition: its lower right corner dips toward the lens and its upper left corner recedes, so the near corner is largest and the far edge compresses, a foreshortening that bulges the body and makes the metal rail visible along the right flank. The camera bar's lenses catch three small elliptical highlights, each rotated to the tilt. A soft contact shadow floats on the sweep below the phone, offset down and to the left, blurred and much softer than the body, its density thinning toward its edges -- the only trace the hovering object leaves. Light comes from a single large softbox above and behind the upper left, raking across the back panel so the brushed grain streaks bright along the upper left and falls into a darker gradient toward the lower right; a narrow cool-blue rim light traces the right edge and the far corner, and a warmer amber glint answers on the transparent window and the fan's arc. Beyond those two lights the sweep is absolute and featureless, going to near-black at the frame's edges. Palette: graphite, gunmetal and deep near-black, with the only saturated colour in the cyan-to-violet fan arc and the small amber lens glint. Spec lettering is set in a small card floating in the lower-left negative space, right-aligned to the phone's lower edge and tilted with the same dutch angle: a bold condensed sans-serif line reading "12GB RAM", a second line directly beneath it reading "512GB ROM" in the same size and weight, and above the pair, smaller and lighter, the model name "ZTE nubia RedMagic 11s Pro"; each string sits flat on the card's surface, crisp and legible, the card's edge faintly reflecting the panel's blue rim. Premium, cold, engineered.
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AI artwork
Avatar image of pzyuxhsksfwt
A medium shot, eye-level view of a futuristic drone beacon, presented as an isolated object centered against a neutral, minimalist background. The device is a compact tactical sci-fi gadget featuring a matte black chassis with a non-reflective, rugged texture and precise military-grade bevels. A glowing cyan holographic interface projects from its top surface, displaying intricate digital data, grids, and tactical symbols in a semi-transparent, luminous glow. The gadget is designed as advanced military support equipment for special forces, with small sensors and antenna protrusions integrated into its sleek, geometric frame. The visual style is a high-quality anime illustration, characterized by clean line work, sharp edges, and a stark contrast between the deep black materials and the vivid, electric cyan light of the hologram. The atmosphere is sterile and technological, focusing on the intricate mechanical detail of the object.
pzyuxhsksfwt

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