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Ikutsu

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Ikutsu

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1girl, solo, cherry blossoms, night sky, full bloom sakura, starry sky, milky way, long straight hair, midnight blue hair, hair flower, white flower clip, sleeveless cheongsam, pale pink dress, chinese clothes, gold embroidery, paper parasol, holding parasol, from below, looking up, standing on tiptoes, outstretched arm, reaching up, wind, hair blown back, wide shot, cowboy shot, depth of field, night, moonlight, backlighting, pink and indigo palette, glowing petals, falling petals, serene, magical From a low angle near the grass, the camera tilts up so the girl's whole silhouette is drawn against the night sky; she stands on tiptoe at the right third of the frame, both heels lifted clear of the dark grass, weight carried on the ball of her left foot while her right knee bends slightly inward. Her right arm is flung straight up above her head, fingers spread and just brushing a low cherry branch; her left hand grips the bamboo shaft of the paper parasol, which rests tipped back over her shoulder so its ribs fan out across the stars behind her. Her chin lifts and her eyes, half-lidded and calm, look up past the branch into the open sky, not at the lens. Long straight midnight-blue hair falls behind her shoulders and lifts away from her back in the night wind, strands streaming to the left; a small white flower clip sits in the hair above her right ear. The sleeveless pale pink cheongsam is silk, the gold embroidery along its collar and hem catching a thin bright edge; the fabric presses close against her raised arm and flutters at the hem above her calves. The sky fills the upper two-thirds of the frame: deep indigo graduating to near-black at the top edge, a soft band of the Milky Way slanting behind the parasol, sharp pinprick stars. Cherry blossoms occupy the left side and the top-left corner, an old tree's branches crossing diagonally down toward her raised hand, clusters of pale pink five-petal flowers fully open. A cold, pale moonlight comes from the upper left, the only strong source: it rims the top of the parasol, the gold embroidery, and the outer edge of her hair in silver, leaves her front in soft shadow, and casts the branch's shadow faintly across her raised forearm. Behind the flowers the sky is darkest, so every petal edge reads as a lit crescent. One petal that has landed on the taut paper of the parasol sits rimmed with a faint moonlit halo while the petals on the underside of the canopy stay dull and shadowed. Palette discipline: indigo, near-black and silver for the sky and light; pale pink for the blossoms and the silk; gold only on the embroidery; midnight blue for the hair, with nothing brighter admitted. Petals fall in slow diagonal drifts, a few caught mid-air, most of them turned edge-on to the moon so they catch a bright line each. Wide shot keeps her figure modestly small against the enormous night; the mood is serene and quietly magical.
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Immissione richiesta originale
1girl, cherry blossoms, night sky
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.26k

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1girl, solo, cherry blossoms, night sky, full moon, from below, looking up, standing on tiptoes, outstretched arm, reaching up, long black hair, hair spread out, barefoot, pink kimono, floral print, wide obi, gold obi, paper parasol, holding parasol, tilted parasol, petals falling, petals on hair, night, starry sky, depth of field, cowboy shot, dutch angle From a low angle close to the grass, the camera tilts up past the hem of a pale pink silk kimono toward the night sky: one girl, alone, at the foot of an old cherry tree whose dark boughs sweep across the upper third of the frame. She is barefoot in the dewy grass, her weight rocked onto the balls of her feet and her heels lifted clear of the ground, one arm stretched straight up so the cream washi paper parasol tips back over her shoulder, its ribs catching the moonlight as a pale lattice; her other hand gathers the kimono's front panel at her hip, knuckles pressed into the silk above the wide gold obi so the sleeve falls back from her forearm. Her long raven-black hair hangs to her waist and lifts slightly at the ends, stirred by the same air that is shaking petals loose. Her chin is tipped up and her eyes are fixed on the highest spray of blossoms above her, mouth slightly open in a small breath of effort, lashes low; a scatter of petals has already settled in her hair and on the crown of the parasol. Cherry blossoms fill the space between her and the sky -- near sprays sharp and heavy with bloom in the foreground, the topmost branches dissolving into softness -- and beyond them a deep indigo night sky holds a full moon low at frame right. The moon is the only light source: it rims her hair and the parasol's edge in cold silver, lays a pale wash down the left side of her face and the silk of her shoulder, and leaves the underside of the obi and the folds behind her knees in dark violet shadow, with her own long shadow stretching forward into the grass where fallen petals glow faintly, only their upward-facing surfaces lit. Palette held to indigo sky, silver-white moonlight, the pink of the blossom and kimono, and the single warm gold band of the obi. Quiet, luminous.
Ikutsu
#The Idolmaster
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1girl, solo, night sky, cherry blossoms, falling petals, full bloom sakura tree, long straight black hair, hair to waist, black hair, dark eyes, pearl hairpin, deep indigo kimono, silver crane pattern on hem, wide pale pink obi, cream wagasa, oil-paper umbrella, holding umbrella over shoulder, from below, low angle, looking up, head tilted back, standing on one leg, tiptoes, reaching up, outstretched arm, parted lips, half-closed eyes, wind, hair lifting, obi ribbon trailing, full moon, star field, dark blue palette, pink petals, rim light The camera sits low at ground level, tilted up, so the whole frame is read from below: the girl stands on the balls of her feet atop a stone step, her left foot flat and her right heel lifted, her weight riding forward over the toes, her right arm stretched high overhead so the cream paper umbrella tilts back off her shoulder toward the moon, its bamboo ribs catching the light along their upper edges, and her left hand closed loosely around the indigo front panel of the kimono at her hip, pinching fabric between thumb and forefinger. Her chin is tipped back and her face is turned three-quarters up toward the sky, eyes half-lowered and following a single petal that drifts down past the umbrella's rim, lips parted on a small breath, one brow lifted faintly. Her long straight black hair falls behind her in a heavy sheet that lifts and streams sideways at the ends in the night wind, the pearl hairpin a small point of caught light near her left temple where the strands sweep back. The pale pink obi crosses her waist with a wide flat band, its knot at her back with the tails lifting and fluttering out to the right. She stands on a worn stone step at the foot of an old cherry tree, its trunk rising at the right edge of the frame and its branches filling the upper two-thirds with clustered pale pink blossoms, thick enough that the moon is seen only in slivers through them; behind the canopy the sky is a deep midnight blue, star-dusted, the full moon low and large behind the highest branch. Petals are falling in a slow diagonal drift from upper right to lower left, and where they skim the umbrella's cream canopy they land and rest on its upward-facing curve while the underside stays bare. The only light is the moon, a cool silver-blue from high behind and to the right that rims the top of the umbrella, the crane pattern's silver threads along the hem, the top of her head and the blossom edges, while her face and the front of the indigo silk fall into soft, luminous shadow, lit only by the faint pink bounce coming off the massed blossoms; her cast shadow lies short and soft on the stone step at her feet, and past the step the darkness of the ground is complete. The palette is held to deep midnight blue, the blossoms' pale pink, the indigo silk with its silver hem, and the cream paper of the umbrella, nothing else admitted. Quiet, luminous.
Ikutsu
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solo, 1girl, cherry blossoms, night sky, full moon, from below, low angle, looking up, standing on one leg, arm up, outstretched arm, reaching, hand on branch, profile, dutch angle, long hair, black hair, straight hair, hair down, pale pink kimono, floral print, white flower pattern, gold obi, wide obi, camellia, flower behind ear, bare feet, geta, open-toe footwear, night, dark blue sky, stars, falling petals, wind, depth of field, cinematic lighting, cool color palette, warm accent, light smile, half-closed eyes, looking at object. The camera sits low and tilted, so the girl is seen from below and slightly across, her body turned in profile toward a cherry branch that enters the frame from the upper right. She is balanced on the ball of her left foot, right foot lifted behind her with the toes pointed, her geta dangling from the fingers of her lowered left hand; her right arm stretches up and out, fingertips just closing around a low cherry bough, the branch dipping under her pull and scattering petals loose. Her long black hair, straight and waist-length, swings forward off her back with the reach, a few strands crossing her cheek and one strand laid over the gold of her wide obi; the small white camellia tucked behind her right ear sits at the edge of the profile, its petals catching the moonlight. She is wrapped in a pale pink silk kimono printed with white blossoms, the silk pulled taut across her back and shoulder by the raised arm, the wide gold obi knotted high at her waist and holding the fabric in clean horizontal folds; her bare toes curl against the cool air where the lifted foot hangs, and the loose geta swings a small arc from her hand. Her face is three-quarters turned, chin lifted, lashes half lowered, a faint closed-lip smile as her eyes follow the branch and the petals she has shaken free rather than the lens. The sky fills the upper two-thirds of the frame: deep indigo darkening to near-black at the top edge, pricked with small sharp stars and one low full moon whose cool white light rims the branch, the petals and her raised forearm, leaving her face and the front of the kimono in soft shadow. The cherry tree masses across the right and behind her, dense clusters of pale pink blossoms, a few thick branches silhouetted against the moon; loose petals drift down and to the left, the nearest blurred large in the foreground, and a scatter of them has settled on the shoulders of her kimono and in the hollow of the obi knot. Palette is restricted to moonlit indigo and silver-white, the pinks of the blossoms and the kimono, and the single warm gold of the obi and the geta straps. Everything still but for the falling petals and the branch springing under her hand -- quiet, luminous, faintly wistful.
Ikutsu

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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