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Pieck

Arte IA «Pieck» di Илья Гин su PixAI. Tag: Abiti aperti, sdraiato, Gonna, Capelli neri, Fianco. Creato con Tsubaki.3.

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn

Pubblicato il Oct 30, 2026

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Илья Гин

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character: pieck_finger, artist: shexyo 1girl, solo, long disheveled black hair, messy hair, tired gray eyes, half-closed eyes, light smile, long nose, greek big nose, white button-up shirt, long beige trench coat, open coat, dark brown ankle-length pleated skirt, pleated skirt, marleyan armband, armband on left arm, medium breasts, wide hips, slouching posture, sitting on bed, lying on bed, reclining, propped up on elbow, leaning back, from above, foreshortening, dutch angle, looking up, looking at viewer, bed sheet, pillow, no earrings, unadorned hair, bare earlobes, white shirt collar open shot from above and slightly to one side in a loose dutch tilt, so the bed runs diagonally across the frame and her body reads long on the mattress. She is lying back on the bed, torso propped up on her right elbow with the right forearm pressed into the pillow and her right hand slack and half-curled beside her cheek, while her left hand rests low across her stomach, fingers splayed just above the shirt hem; her hips are turned a little away from the camera so the pleated skirt fans out over the sheets and one knee is drawn up, calf crossing over the other ankle, bare feet resting on the bedding. Her head is tipped back against the pillow with the chin lifted, her long disheveled black hair spilling loose and messy over the pillowcase in dark strands, some sticking to her cheek and throat. Her tired gray eyes are half closed, lids heavy, looking up into the lens with a faint, lopsided curl at one corner of her mouth, one brow slightly raised. The Marleyan armband is bound tight around her left upper arm over the white sleeve, its fabric slightly strained and creased where the coat sleeve bunches, and the long beige trench coat lies open beneath her, its hem crumpled and pooled across the mattress on one side. The white button-up is half unbuttoned at the collar with the top two fastenings open, collar folded loose and nothing at her throat, the fabric pulling taut across her chest with the buttons straining slightly, and the dark brown ankle-length pleated skirt falls in soft knife pleats that flatten and spread where they press into the bedclothes. Her ears are bare, her hair completely unadorned against the pillow. The environment is a single bed with rumpled off-white linen, one pillow crushed under her elbow and a second pushed to the side, deep creases radiating from her hip and shoulder where her weight compresses the mattress; the sheets fold and dip around her knees and one corner is dragged loose. The room beyond the bed is dim and close, a plain wall fading into shadow at the top of the frame. Low, warm lamplight comes from the left of frame and slightly behind her, raking across her cheekbone, the bridge of her large nose, her collarbone and the hollow of her throat, throwing a bright rim along her shoulder, the coat edge and the armband, while the far side of her face and the folds of her hair sink into deep warm shadow; the lamp is the only light, and its falloff leaves the corners of the room in near darkness, with her shadow thrown long and soft across the sheets. Palette: beige, warm off-white, dark brown and black, the whole image toned in honeyed amber lamplight against deep umber shadow. Soft painterly rendering with glossy skin and subsurface warmth at the nose tip, ears and throat, high fidelity detail down to the weave of the linen and the pores and fine wet sheen of her skin, dramatic rim light, rich vibrant color. Voluptuous proportions, medium breasts and wide hips carried by the low, tilted angle. Tired, sultry.

Pieck

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