Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Genera gratis

Окунь

Avatar image of Окунь
avatar-frame

Окунь

More to See

Commenti

1girl, solo, human, slender, large bust, short hair, grey hair, shoulder-length hair, hair over one eye, one eye covered, blue eyes, grey military camouflage, camouflage jacket, camouflage pants, red beret, standing, holding rifle, G36, both hands on weapon, rifle held diagonally across body, on sidewalk, cherry blossoms, blooming sakura trees, pink petals, petals falling, full body, from below, slight low angle, looking off to the side, expressionless, parted lips, dutch angle, outdoors, daytime, soft diffused light, dappled shade, pale warm palette, anime illustration, cel shading The camera sits low, near knee height, tilted a few degrees off level, looking up at the girl from below so that the cherry boughs arch behind and above her shoulders. She stands on the pale concrete sidewalk in the centre of the frame, weight sunk into her right leg, left knee loose and slightly forward, hips canted, the long silhouette stretched by the low viewpoint. Both hands close on the G36: the right palm cupped under the receiver at the magazine well, the left wrapped around the handguard ahead of the trigger guard, the stock tucked back against her ribs below the bust, the barrel angling up and left across her chest to point away past her shoulder. A large bust makes the sling-free hold a deliberate one, the rifle held off the chest, keeping a hand's width of air. Her head is turned a quarter to her right and tipped a little down, chin near the collar, so the grey bob falls in uneven strands to her collarbone and the fringe lies flat across her left eye; the right eye, clear blue, looks off past the frame edge down the sidewalk, lid lowered, mouth barely parted, no smile. Grey camouflage jacket sits loose over the figure with sleeves pushed to mid-forearm and the buttons undone at the throat; matching trousers break over scuffed boots. The red beret tilts back on the crown, its soft band pulled to the right, a corner of fringe crushed under it. Behind, cherry trees line both edges of the walk in an avenue of near-white blossom, trunks receding in rank so the flowering masses overlap into a bright canopy; a scatter of petals is suspended in the air and a few sit on the beret's upper crown and along the flat top of the rifle's receiver, and nowhere on the upright surfaces. Daylight is soft and comes from high and slightly left, throwing a mild shadow of the girl and the rifle forward-right onto the pavement, the blossom casting dappled patches across her shoulder and boot; the concrete carries a faint sheen of light and small cracks. The palette holds to three notes -- the cool grey of hair, uniform and rifle, the single full red of the beret, the pale white-pink of the sakura -- and the blue of the visible eye as the only other colour. Quiet, watchful.
Mostra parametri
Immissione richiesta originale
Девушка, раса человек Внешность: стройная фигура; пышный бюст; короткие серые волосы до плеч, которые закрывают один глаз; глаза синего цвета Одежда: серый военный камуфляж; красный берет действие: стоит на тротуаре и держит в руках G36 фон: по бокам от тротуара сакуры цветущие
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.40k

Immagini simili

Mostra di più
AI artwork
Avatar image of Окунь
1girl, solo, human, slender, large breasts, short hair, grey hair, hair over one eye, one eye covered, blue eyes, desert camouflage uniform, military uniform, red beret, beret, G36, assault rifle, holding rifle, both hands on weapon, holding weapon, standing, leaning against wall, arabian architecture, half-destroyed wall, crumbling masonry, missing wall on the right, street visible through gap, ruined arabian city, rubble, background ruins, day, harsh sunlight, from side, cowboy shot, dutch angle, looking off to the side, serious, half-closed eyes, lips parted, dusty air, Seen from a low three-quarter side angle, the woman stands with her back and left shoulder pressed to a tall half-ruined wall of pale sand-coloured stone blocks, her body turned so that the wall runs behind her and to her left while her right side opens onto empty air. Her weight rests on her left leg, the hip eased against a projecting stone course, and her right leg is planted slightly forward and out, toe angled toward the gap where the wall has collapsed away. Both hands grip the G36: the right hand closes around the pistol grip with the trigger finger laid straight along the receiver above the trigger guard, the left hand supports the handguard from beneath, the stock pulled in tight against the camouflage fabric at her right shoulder, the barrel slanting down and forward across her body toward the opening. Her short grey hair falls in uneven strands, the longer sweep over her right side dropping straight across that eye so only the smooth closed lid and a sliver of lash line show beneath it, while her left blue eye is fully visible, catching the daylight and fixed past the broken edge of the wall down the street, watching the distance rather than the camera. Her red beret sits pulled down and tipped slightly to her left, the loose crown slumping over the band, its shadow cutting a soft diagonal across her brow, and a few grey strands escape beneath the front edge. The desert camouflage hangs loose over her chest and shoulders in broad tan, khaki and pale brown blotches, sleeves rolled to the forearm, fabric creased and grit-dusted at the elbows and where the stock presses in. To her right the wall simply stops: a jagged vertical break of shattered brick and exposed rubble marks the torn edge at shoulder height, and beyond it nothing blocks the view. Through that gap the street recedes in warm daylight — a narrow strip of pale paving stones littered with fallen masonry, then low flat-roofed buildings in the same sandstone tones, arched window openings dark and empty, a broken colonnade, and further back the smashed silhouettes of a city in the same arabian manner, some walls standing, others sheared off mid-storey, everything the same dusty cream and ochre. To her left and behind her, the intact portion of the wall fills the frame edge in deep shadow, its carved bands and shallow blind arches legible in the shade. The sun is high and comes from her right, over the open street: it hits the exposed side of her face, the crown and top of the red beret, the top of the rifle receiver and the outer edge of her right forearm, while the wall behind her throws a hard-edged shadow that swallows her left shoulder and the left half of her torso; the collapsed stones at her feet cast short shadows raking to her left. Fine dust hangs in the light over the street, softening the far ruins. Rust, cream, ochre, the muted green-brown of the camouflage and the single saturated red of the beret — nothing else admitted. A thin film of dust sits on the upward-facing surfaces of the rubble, on the top of the rifle and on the flat crown of the beret, and nowhere on the vertical faces. Tense, watchful stillness.
Окунь
AI artwork
Avatar image of Окунь
1girl, solo, slender figure, large breasts, short gray hair, shoulder-length gray hair, hair covering one eye, one eye covered, blue eyes, gray military camouflage uniform, camouflage jacket, camouflage trousers, red beret, sitting, sitting on rubble, holding rifle, G36 rifle, both hands on weapon, Arabic-style street, ruined buildings, stone rubble, sandy street, daylight, from below, cowboy shot, three-quarter view, looking to the side, calm expression, parted lips, rubble dust on fabric, warm sunlight, ochre and pale gray palette The camera sits low among the rubble, looking up at her in a three-quarter view: she is seated high on the broken masonry of a collapsed house wall, one leg folded under her and the other knee drawn up with the boot planted on a slab, her weight settled back on her right hip. Her short gray hair falls to her shoulders, and the long fringe sweeps across and hides her left eye completely; only her right eye shows, blue, looking off to the side down the empty street, not at the viewer. Above it the red beret is pulled down at a slight tilt, the band creased and one edge lifted where the wool has lost its shape, the crown slumping to her right. Her gray camouflage jacket is open at the collar, sleeves bunched at the elbows, the camouflage blotches pale gray and greenish charcoal against her figure, dust caught in the folds where her thigh presses the stone. Both hands are on the G36: her right hand grips the pistol grip with the trigger finger straight along the receiver, her left hand cups the handguard under the barrel, and the rifle lies diagonally across her lap with the stock against her hip and the muzzle pointing down toward the rubble at the lower left of the frame. The sling hangs slack between the stock and the handguard, dipping in a shallow loop past her knee. Behind and around her the street is Arabic in style: sandstone buildings with flat roofs two and three stories high, some of them broken open with their interiors exposed, iron balconies bent out of shape, laundry lines crossing the gaps, a few dusty shutters still closed, and further down the street a fallen utility pole leaning against a wall. The street surface is cracked tan paving with drifts of gray dust and a scatter of loose stones in the foreground, sharp in silhouette against the blurred lower masonry. The light is a single hard afternoon sun from the upper right, striking the right side of her face and her right shoulder and the inner edge of the rifle, and throwing the shadow of the wall she sits on across the lower left of the rubble so that the foreground stones sit in a cool blue-gray shade; the sky above the rooftops is a pale washed hot ochre-white. Dust hangs in the air and makes a visible slant of light where the sun passes between two buildings. The palette is ochre, sand and pale gray, with the red beret as the one saturated note and her blue eye as the second small one. Quiet vigilance.
Окунь
AI artwork
Avatar image of Keito Kurayami
copyright: goddess_of_victory:_nikke 1girl, solo, tactical sniper, cowboy shot, from below, three-quarter view, looking at viewer, turquoise eyes, crosshair eyes, target markings in iris, reticle eyes, white pupils, large detailed eyes, thin horizontal scar across face, scar on nose, celtic-style cap, flat cap, oversized jacket, loose jacket, grey jacket, open jacket, tactical clothing, combat harness, modular chest rig, fingerless gloves, sniper rifle, holding rifle, rifle on shoulder, slight smile, serious expression, detailed hair, detailed clothing, clean composition, studio lighting, simple background, masterpiece, best quality From below in a three-quarter cowboy shot, the tactical sniper girl stands with her weight balanced in a relaxed contrapposto, gazing directly at the viewer with an analytical, calm expression and a subtle, knowing half-smile. Perched at an angle on her finely parted hair is a tailored Celtic-style flat cap. Beneath its brim, her large, intensely detailed turquoise irises feature intricate white mechanical crosshair markings and concentric scope-reticle rings, centered around distinct circular white pupils. A clean, thin horizontal scar runs across the middle of her face, bridging both upper cheeks directly over the ridge of her nose. She is clad in an oversized, loose matte-gray jacket that hangs heavy and open over her shoulders, its thick, creased textile bunching at the elbows and draping downward under its own gravity to reveal a fitted dark tactical bodysuit, modular chest harness, and utility magazine pouches beneath. Her gloved right hand grips the upper shroud of a heavy precision sniper rifle propped against her shoulder, while her left hand hooks steadily into the strap of her tactical waist rig. Soft, broad studio key lighting gently models her facial contours without harsh shadows, complemented by a subtle cool-toned rim light catching the edges of her jacket and stray hair strands against a clean, uncluttered studio sweep. Effortlessly lethal.
Keito Kurayami

Scopri altro

Utenti consigliati

Potrebbe piacerti

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#L'attacco dei giganti#Mikasa Ackerman
HomeModellicreareRecipeProfilo