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AI art "Girl Car"
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Girl Car

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character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny, a stunning young woman with black hair featuring bold purple stripes, cut to shoulder-blade length and styled in a sleek low ponytail at the nape of her neck, the tail falling behind her shoulders with a few fine strands loose at her jaw. She has striking sapphire-blue eyes, half-lidded with a slow, appraising, teasing gaze directed at the camera, one brow faintly arched, her full lips softly parted in a quiet, confident smirk. Her eyebrows are neatly arched and dark. She has a fair porcelain complexion with delicate natural freckles dusted across the bridge of her nose and the tops of her shoulders, and a warm sun-kissed sheen with a realistic highlight on her cheekbone and the tip of her nose. Her lips are full and softly glossy with a natural pink tint. She has a voluptuous, busty 32 GG figure with pronounced curves — the full weight of her bust held high, a sharply cinched narrow waist, and hips that flare below it, an unmistakable hourglass. A delicate silver ring on one finger and a thin leather bracelet on one wrist. A black choker with a small silver crest sits at the base of her throat. She wears a tight pink tank top in soft cotton, fitted close and clinging to every contour of her bust and waist, the thin straps pressing faint lines into her shoulders, the neckline scooped and strained across her chest, the hem sitting at her natural waist. Tight pink shorts in matching cotton, snug across her hips and the tops of her thighs with a short hem. Clean white sneakers on her feet. She is stepping into frame beside the black BMW, seen in three-quarter front view at eye level, caught mid-step — front sneaker planted, back heel just lifting, one hand trailing loosely at her side, the other lifted slightly at the hip. Her chin is turned toward the lens, shoulders back, weight beginning to settle onto one hip. The whole figure is presented to the camera for the first time. The black old BMW beside her is in good condition: deep glossy black paint with a clean even shine, straight panels, bright chrome trim along the window line and grille, clear glass, tidy alloy wheels, and a fine light film of dust settled evenly across the surface. Setting: a wide, mostly empty concrete space — an open garage bay or industrial forecourt — bare pale concrete floor, cinder-block walls receding into shadow, a tall roller door open behind the car letting in a broad wash of cool daylight. Warm tungsten light from a pendant bulb overhead mixes with the cool daylight, giving her skin a soft mixed-temperature glow and picking out the glossy black flank of the car. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with Anny tack sharp and the concrete space falling into soft blur behind. Visual focus is her first appearance in frame — the pink against the black car, the purple stripes in her hair, and her direct, unhurried gaze. Subtle film grain.
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Immissione richiesta originale
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny, a stunning young woman with black hair featuring bold purple stripes, cut to shoulder-blade length and styled in a sleek low ponytail at the nape of her neck, the tail falling behind her shoulders with a few fine strands loose at her jaw. She has striking sapphire-blue eyes, half-lidded with a slow, appraising, teasing gaze directed at the camera, one brow faintly arched, her full lips softly parted in a quiet, confident smirk. Her eyebrows are neatly arched and dark. She has a fair porcelain complexion with delicate natural freckles dusted across the bridge of her nose and the tops of her shoulders, and a warm sun-kissed sheen with a realistic highlight on her cheekbone and the tip of her nose. Her lips are full and softly glossy with a natural pink tint. She has a voluptuous, busty 32 GG figure with pronounced curves — the full weight of her bust held high, a sharply cinched narrow waist, and hips that flare below it, an unmistakable hourglass. A delicate silver ring on one finger and a thin leather bracelet on one wrist. A black choker with a small silver crest sits at the base of her throat. She wears a tight pink tank top in soft cotton, fitted close and clinging to every contour of her bust and waist, the thin straps pressing faint lines into her shoulders, the neckline scooped and strained across her chest, the hem sitting at her natural waist. Tight pink shorts in matching cotton, snug across her hips and the tops of her thighs with a short hem. Clean white sneakers on her feet. She is stepping into frame beside the black BMW, seen in three-quarter front view at eye level, caught mid-step — front sneaker planted, back heel just lifting, one hand trailing loosely at her side, the other lifted slightly at the hip. Her chin is turned toward the lens, shoulders back, weight beginning to settle onto one hip. The whole figure is presented to the camera for the first time. The black old BMW beside her is in good condition: deep glossy black paint with a clean even shine, straight panels, bright chrome trim along the window line and grille, clear glass, tidy alloy wheels, and a fine light film of dust settled evenly across the surface. Setting: a wide, mostly empty concrete space — an open garage bay or industrial forecourt — bare pale concrete floor, cinder-block walls receding into shadow, a tall roller door open behind the car letting in a broad wash of cool daylight. Warm tungsten light from a pendant bulb overhead mixes with the cool daylight, giving her skin a soft mixed-temperature glow and picking out the glossy black flank of the car. Camera: three-quarter front angle at eye level, full-body shot, shallow depth of field with Anny tack sharp and the concrete space falling into soft blur behind. Visual focus is her first appearance in frame — the pink against the black car, the purple stripes in her hair, and her direct, unhurried gaze. Subtle film grain.
Modalità
ultra
Dimensione
1232 x 1632
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.65k

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