Oct 23, 2026

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my OC

There's always been something hauntingly beautiful about Itachi's calm demeanor, even when he's holding a blade. I tried to capture that intense, quiet moment where his power speaks louder than words. Hope you all enjoy this piece! If you like it, please leave a like and follow for more anime art!

#Fuoco maschile #Coltello #Busto #Itachi Uchiha #capelli lunghi #solo #Capelli neri #arma #occhi chiusi #1 ragazzo #tenere #bocca chiusa #Naruto

Pubblicato il Oct 30, 2026

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copyright: naruto 1boy, solo, portrait, close-up, from below, slight dutch angle, long dark hair, straight dark hair falling past the shoulders, loose strands across the cheek, closed eyes, eyelids fully closed, both eyes completely hidden, no visible eyes, relaxed brow, pale skin, scarred hands, scars across the knuckles and the back of the right hand, old pale scar lines on the left palm, traditional Hyuga clan robes, grey and white robes, high-collared white under-robe, grey over-robe with wide sleeves, sash at the waist, bare of ornament, holding tanto, gripping a tanto dagger, short blade, dark wrapped hilt, intense expression, jaw set, slight downward tilt of the chin, head turned a few degrees to his right, three-quarter view, dark underground chamber, stone walls, dim gloom, dramatic lighting, anime style, high detail Seen from slightly below and a touch off-axis, the young shinobi's portrait fills the frame from the chest up: his head is turned a few degrees to his right in three-quarter view, chin dipped, and both eyelids lie fully closed and smooth, with no eyes visible at all beneath the pale lids -- the surrounding skin is pale as ash. Long straight dark hair parts around the brow and falls past his shoulders, a few loose strands sliding across his right cheek and one hanging free before his closed left eye. A scarred right hand is raised to chest height in front of him, knuckles toward the camera at an angle, the fingers wrapped tight around the hilt of a short tanto dagger; old pale scar lines cross the back of the hand and the knuckles, and the blade tips upward and away into shadow, catching only a thin edge of light. His left hand is not in frame below the crop. The robes sit close at the throat: a high-collared white under-robe, grey over-robe over it with wide sleeves falling away from the raised forearm, a sash drawn at the waist, and the fabric bare of any ornament -- no jewellery, nothing at the throat but the collar and no decoration at the ears, which are left uncovered by the hair. The chamber behind him is an underground stone room: rough blocks receding into blackness, a low vault lost above the crop, no window and no daylight. A single cold light comes from the upper left, close to the lens; it lays a hard rim along the left side of his forehead, the bridge of his closed eyelids and the knuckles of the gripping hand, while the right side of his face and the whole depth of the chamber fall away into near-black, and a soft cast shadow drops from the dagger hand across the grey robe. The blade's flat face returns a fainter, cooler gleam than the light that strikes its edge. The palette is grey, bone white and deep charcoal, warmed only slightly by the skin. Anatomical detail concentrated in the closed lids, the scarred knuckles and the hilt grip; the stone behind simplified into big dark shapes. Quiet dread.

my OC

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