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AI art "逃げ惑う女性兵" featuring #più ragazze and #Gonna a matita

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逃げ惑う女性兵

#più ragazze #Gonna a matita

Pubblicato il Oct 30, 2026

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野獣後輩SEED

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5girls, multiple girls, female soldier, military uniform, white military uniform, white tunic, tight skirt, white pencil skirt, pencil skirt, battlefield, war, 2 dead, dead body, lying on ground, motionless, 3 fleeing, running, panic, scared, wide-eyed, open mouth, fleeing, chaotic, smoke, rubble, from above, high angle, dutch angle, wide shot, blood, dirt, torn fabric, hair bun, blonde bob, black ponytail, brown hair, long hair, short hair, <lora:anime_style:0.8> A high-angle wide shot looks down at a blasted battlefield from above, tilted a few degrees off level by a dutch angle, so the ground runs diagonally across the frame and the five women scatter along that diagonal. The camera sees them from above and slightly behind their flight path, so the three runners are shown from the back and the two fallen are seen lengthwise across open ground. In the foreground-left the first fallen soldier lies on her back, her white tunic smeared with grey ash and a dark stain blooming at the chest, her tight white pencil skirt wrinkled and ridden up at one knee, one thigh bent and one leg extended, a torn sleeve pushed up to the elbow. A few paces from her, the second fallen soldier lies face-down and half turned, cheek against the dirt, her white skirt wrinkled at the hip, one arm flung forward past her head with fingers curled loosely in the dust, her legs bent and overlapped at the calves. Both are utterly still, eyes closed, hair loose from its fastening. In the midground-right the three survivors run away from the two bodies in terror, each fleeing at a different angle and depth so they never overlap into one clump. The brown-haired soldier in the neat bun runs crouched low and glancing back over her near shoulder, her bun coming loose into strands, her white skirt slit climbing the thigh as she strides, one hand clamped over her mouth, eyes wide over her knuckles. The short blonde bob flees to the frame's far edge, half off-balance, her skirt pinched up in one fist to free her knees, her other arm thrown up toward her face, mouth torn open in a scream. The black-ponytailed soldier runs nearest the camera's line, ponytail whipping out sideways, both arms pumping, her skirt stretched tight across each stride, heel kicked up and dust breaking from her toes. All three look away from the lens — back over shoulders, to the side, toward the smoke — and none turns to the camera. The ground is churned mud, craters, splintered planks and a bent rifle half-buried, with black smoke rolling low and a broken artillery wheel lying on its side. Overcast light falls from behind and above, cold and diffuse, laying flat grey shadows short beneath the bodies and sharpening the runners' silhouettes against the pale ground, their shadows dragging along the diagonal of the battlefield. The palette holds white, ash-grey, damp black and a single dark red at the chest stains, nothing else admitted, with the white uniforms passing through clean bright highlights to smeared shadow. Dust kicked up by the runners hangs in the air a beat behind them, and the fallen soldier's uniform fabric lifts slightly at one hem to show the wind crossing the field. Desolate, panicked.

逃げ惑う女性兵

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