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AI art "モモンガ"
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モモンガ

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W T

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character: momonga_(chiikawa), copyright: chiikawa 1girl, solo, chibi animal, SD chibi, super deformed, large head, round body, no neck, white fur, fluffy fur, white fur with light blue accents, large curled squirrel ears, small eyebrows, big round eyes, shiny black eyes, light blue circular mark above nose, w-shaped mouth, :3, smug, pink blush stickers, blush hatching, fur tufts on sides of cheeks, big fluffy bushy tail, light blue tail, stubby arms, stubby legs, eating an apple, holding apple, looking at viewer, relaxed expression, full body, centered composition, standing, indoor, gingerbread house interior, candy-themed wonderland, gingerbread walls, white icing, colorful chocolates, candy cane pillars, lollipops, gummies, marshmallows, chocolate floor, large cookies, sugar crystals, icing, strawberries, warm soft natural light, cozy fairytale atmosphere, cinematic depth of field, (anime style:1.1), A full-body, dead-centered view of one small round chibi animal standing upright inside a fairytale gingerbread house. The body is drawn super-deformed: an enormous head roughly the size of the whole torso, a round pill of a body with no neck at all — the head sits directly on the shoulders, the chin resting against the chest — stubby arms and stubby legs held close, short and paw-like. The fur is dense white fluff over the body and head, with soft light blue accents along the ear interiors, the paw tips and the tail. Two large squirrel ears rise from the crown, each curling over at the tip in a wide relaxed spiral. Small thin eyebrows float high over two big round glossy black eyes with bright pinpoint highlights; a small light blue circular mark sits centered just above the tiny nose. The mouth is a soft w-shaped wedge pulled into a smug :3 cat curve at one corner. Round pink blush stickers pressed onto both cheeks, built up from fine diagonal hatch strokes. Fur tufts fan out from the sides of both cheeks. Behind and to one side, the big bushy light blue tail sweeps up and curls in a fat plume, its fur catching the rim light so the tip glows paler than the base. Both stubby arms are bent up and in, the two paws cupping a whole red apple at chest height so it partially occludes the lower face of the tiny body; the apple's skin shows one crisp crescent of bite-mark near the upper edge, a bead of juice swelling at the bite line and a faint wet sheen on the fruit's lit side. The creature's gaze goes straight out of the frame to the viewer, relaxed and pleased, eyelids soft, the small mouth mid-chew. Weight rests evenly on both stubby feet planted flat on the chocolate floor. The setting is a candy-themed wonderland built at fairytale scale around the small figure: walls and a vaulted roof of warm baked gingerbread, every seam piped with thick delicate white icing in scalloped beads, studded with colorful chocolates in glossy squares and domes. Tall twisted candy cane pillars flank the composition left and right, their red-and-white spirals receding. Lollipops with concentric swirls lean at the walls, translucent gummies glisten in clusters, marshmallows stack in soft cylindrical columns, and oversized cookies and halved strawberries sit scattered on the chocolate floor around the animal's feet, dusted with glittering sugar crystals and stray icing drips that have set into small glossy beads. The floor's chocolate surface is smooth and faintly reflective, holding a dark, soft, slightly blurred upright reflection of the figure and one tall pillar beneath them. Warm and soft natural light enters from a high off-frame opening at the upper left, low in saturation and golden, rimming the tail's fur and the curled ear tips, placing warm highlights on the icing and candy surfaces while the cooler shadowed gingerbread on the right stays a deep toffee brown; the light's direction also throws a small soft shadow of the figure to the right along the chocolate floor and lights the inner edge of one candy cane pillar more brightly than its twin. The background blurs into a cinematic shallow depth of field, large cookies and a distant lollipop dissolving into creamy bokeh while the face, paws and apple stay razor sharp. Palette held to warm gingerbread browns, cream icing, candy cane red and white, with the creature's white-and-light-blue fur and the apple's red as the crisp bright accents. Cozy, tender fairytale charm.
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Immissione richiesta originale
masterpiece, high quality, momonga (chiikawa), chiikawa (style), chibikemo, chibi animal, SD chibi, large head, round body, no neck, white fur, fluffy, large curled squirrel ears, small eyebrows, big round eyes, shiny black eyes, light blue circular mark above nose, w mouth, >:3, pink blush stickers, blush hatching, fur tufts on sides of cheeks, big fluffy bushy tail, light blue tail, stubby arms, stubby legs, white fur with light blue accents, (anime style:1.1), solo, looking at viewer, eating an apple, full body, centered, standing naturally inside a gingerbread house like a fairytale, relaxed expression, looking straight at viewer, indoor, candy-themed wonderland, walls and roof made of gingerbread with delicate white icing and colorful chocolates, candy cane pillars, decorated with lollipops, gummies, marshmallows, chocolate floor, surrounded by large cookies, sugar crystals, icing, strawberries, warm and soft natural light, cozy fairytale atmosphere, cinematic depth of field
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.63k

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
2#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
20#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#L'attacco dei giganti#Mikasa Ackerman
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