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- Immissione richiesta originale
- 無愛想で冷たい義姉 艶のあるボブカット 整った顔 実は義弟であるあなたが大好き(自覚無し) ボンキュッボンで豊満な胸と腰 モデルのような体型 普段着の、灰色のパーカーに黒のレディース…ではなく、温泉宿なので浴衣 透明感 温泉に入った後 温泉牛乳を嗜む 目を瞑り、ごくごく ちょっとむちむち ソファ(1人用)に座り、くつろぐ 温泉のせいか、頬を赤らめる
- Modalità
- pro
- Stile
- Muted & Transparent
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stile: Muted & Transparent
Helper di Prompt
Modello e LoRA utilizzati
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1girl, solo, adult woman, glossy black bob cut, chin-length bob, straight bangs, sleek lustrous hair with mirror sheen, well-featured face, refined symmetrical features, narrow straight nose, defined jaw, clear translucent skin, pale luminous complexion, flush, flushed cheeks, red cheeks from hot spring, eyes closed, closed eyes, relaxed eyelid, unsmiling, cold default expression, faint softened brow, yukata, cotton yukata, indigo-dyed yukata with white thin pinstripes, loosely tied obi at the waist, open collar at the throat, collarbone visible, damp skin after bath, after bathing, towel over one shoulder, voluminous bust, large breasts, wide hips, hourglass figure, curvy, plump slight chubby build, model-like proportions, long legs, bare feet, sitting, sitting on single-person sofa, armchair, leaning back, relaxed, lounging, one leg folded under, drinking, onsen milk bottle, glass bottle raised to lips, tilted bottle, head tilted back, swallowing, gulp, two hands, holding bottle, condensation on the bottle, from side, close-up, cowboy shot, indoors, hot spring inn lounge, wooden interior, warm evening light, steam wisps
The view is a three-quarter side view slightly from below, camera at chest height of the seated figure, so the armchair's curved back frames her left shoulder and the bottle she raises occludes the lower half of her face.
A young adult woman with a glossy black chin-length bob sits deep in a single-person armchair with rounded wooden arms and dark green upholstery, the cushion compressed under her hips and her weight settled back on her right hip and the chair's right arm. She has turned her torso about thirty degrees toward the frame's right while her head tips back and to her left as she drinks, chin lifted, throat long and bared. Both hands wrap the small glass bottle of onsen milk: the right hand cradles the flared base, the left hand clamps the neck, thumb resting along the rim of the foil cap that she has peeled half back. The bottle's mouth meets her lips and tilts steeply, and the milk line inside the glass is visible through the glass, frothing against the neck. Her lips are parted around the rim, eyes fully closed with the lashes resting on her flushed cheeks, brows slightly drawn in a way that reads less like pleasure than like quiet concentration. Her cheeks are deeply flushed red from the hot spring, the redness spilling from her cheekbones down the sides of her neck and across the tops of her shoulders. The yukata is an indigo cotton with faint white pinstripes, folded left over right, its collar pulled open at the throat in a wide V that shows the bare base of her neck and the tops of her collarbones, the fabric pressed and slightly damp where it clings over the fullness of her chest and the swell of her hips before the loose knot of the obi gathers it at the waist; the sleeve on her raised right arm has slid back to the elbow. A small white hand towel rests over her left shoulder, one corner hanging behind her back. She is barefoot, one foot flat on the floor and the other tucked back under the chair. Her hair is still faintly damp and glossy, a few strands catching the light as they stick to the flushed side of her neck. Wisps of steam curl up from a wooden bucket on the floor at the chair's side and from the open doorway to the bath behind her left shoulder, and the bottle is beaded with condensation, the droplets running down and off the base to darken the upholstery in a small damp ring. The room is a hot-spring-inn lounge: dark polished wood floorboards, a shoji screen behind her, a low table edge just out of frame; light comes from the warm lantern lamp to her right and from the steamy bath doorway behind her left, so the right side of her face and the front of the bottle take the warmer key light and the left side of her face sits in soft shadow, with a cool reflected glow along her forearm from the bottle's glass; her cast shadow lies short and soft across the cushion and the floor to her left. The palette is restricted to indigo and warm lantern amber, the dark green upholstery, and the plain white of the milk and towel, against her pale translucent skin and the red flush at the cheeks and neck. Detail is spent on the face, the hands around the glass, and the damp cling of the cotton; the shoji screens and the distant steam stay simple. Quiet, private, faintly tender.
千災
1girl, solo, jitome, cold expression, unsmiling, scornful stare, glossy black bob cut, short hair, shiny hair, beautiful face, symmetric refined features, pale translucent skin, clear skin, flushed cheeks, blush, curvy, hourglass figure, large breasts, wide hips, slightly plump, soft body, mature female, tall, yukata, cotton yukata, bathhouse yukata, after bath, damp skin, sitting, reclining, lying on back, relaxed, lounging, sofa, single-person sofa, holding bottle, milk bottle, drinking, bottle at lips, from above, foreshortening, looking up at viewer, head tilted back, indoor, hot spring inn, wooden room, steam, warm lamp light,
Seen from above and slightly in front, the camera looks down the length of her body: she lies on her back across a single-person sofa of dark wood and dark green upholstery, her head at the near armrest and tilted back so her face aims up toward the lens, her chin lifted by the armrest's edge. Her glossy black bob fans and flattens against the cushion, the crown catching a long wet sheen from the overhead lamp, one lock sticking to her damp temple. Her face is perfectly symmetrical and refined, the skin pale enough to look translucent, with a warm flush spread high on both cheeks and at the tips of her ears from the bath; her eyelids are lowered into a flat cold jitome stare aimed up over the shoulder of the bottle, mouth a straight unsmiling line. Her right hand lifts a small glass bottle of hot spring milk so that its rim rests against her lower lip, a bead of condensation running down the glass and off the neck; her left arm hangs loose over the sofa's edge, wrist slack, knuckles grazing the frame. The unbleached cotton yukata is loosely tied at the waist, its collar slipped open at the throat and one shoulder seam falling loose with the shift of her weight, the fabric wrapping and compressing under her hips and across her chest where she lies on it, sleeve draped over the armrest; the soft plump curve of her hip and the full bust read clearly through the creased cotton, her whole figure long-limbed and model-proportioned, stretched diagonally from the lower left of the frame to the upper right. Behind and above her, the room is a dim wooden inn interior: dark ceiling beams, a shoji panel, a tray of bath buckets, and steam drifting in slow horizontal sheets. A single warm paper-shaded lamp above the sofa is the only light source; it falls on her forehead, the bridge of her nose, the bottle and the hollow of her throat, and beyond its pool the corners of the room go to near-black. The palette is dark wood brown, pale unbleached cotton, cold glossy black hair, and the one warm skin flush; steam softens everything more than three feet from her face. Quiet, cool, secretly tender.
千災
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女の子 頬染め 温泉
lain-seimei
女の子
たくみん
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