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AI art "Showing off underarms in "Tropical-Rouge!" ④"

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Showing off underarms in "Tropical-Rouge!" ④

Pubblicato il Oct 31, 2026

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character: takizawa_asuka, cure_flamingo, copyright: precure, tropical-rouge!_precure solo, 1girl, takizawa_asuka, long red hair, hair between eyes, asymmetrical bangs, purple eyes, blush, slightly shy expression, looking at viewer, bikini, sweat, sweat on skin, both arms up, arms raised, underarms, armpits, profile, from side, side view, upper body, close-up, simple background, white background, blue and white monochrome, blue-tinted palette, blue lineart, highres, masterpiece, best quality, ultra-detailed, detailed skin texture, clear eyes, A tight side-angle close-up in pure profile, the girl's head turned so her face is seen edge-on, and yet her eyes roll back toward the lens and hold the viewer from under lowered lashes — the shyness lives in that contradiction. Her chin dips a fraction, one corner of her mouth pulled in, a faint closed-lip uncertainty; a hot blush spreads across the cheek the camera can see, deepest over the cheekbone and fading toward the jaw. Both arms are lifted high and slightly back, elbows soft rather than locked, so the underarm on the near side opens fully toward the camera: a smooth taut curve from the lifted shoulder down the inner arm, the skin there pale and clean, a single bead of sweat sliding down it and stopping at the crease of the elbow. Her weight rests on the far leg, hip pushed out, which gives the raised torso a lazy diagonal instead of a straight column. Sweat is the picture's physics tell: fine droplets strung along the collarbone and the side of the neck, one streak running from the temple into the hairline, and where the raised near arm catches the light the sheen is brightest on surfaces turned upward — the top of the shoulder, the upper curve of the lifted arm — while the undersides stay darker and matte. Her long red hair hangs loose and heavy, swinging back and behind the shoulders from the motion of raising her arms, a few strands stuck flat to the damp skin of her neck; the asymmetrical bangs fall across the brow and the long lock between her eyes lifts slightly away from the face. The bikini is drawn in the same two-value system as everything else: a simple top with a thin strap crossing the shoulder blade, the fabric blocked in one flat blue tone against the white of her skin, its edges crisp and thin. The white background is a completely empty field, seamless, with nothing in it — no horizon, no gradient, no props. The only two colors admitted are blue and white: white carries the skin's highlights, the background, and the whites of the eyes; blue carries the lineart, the hair, the irises, the bikini fabric, the blush and the shadows, and every shadow is a blue tint of its own value, never grey and never black. Lighting comes from above and slightly behind the raised arms, so the underarms sit in a soft blue half-tone while the tops of the arms and the crown of her head go nearly white. Composition frames her from mid-chest up, shoulder and lifted arm filling the left of the frame, the profile and the turned eye at center, hair and negative white space closing the right. Quiet, bashful, sun-warmed.

Showing off underarms in "Tropical-Rouge!" ④

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