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Changli Test.
Arte IA «Changli Test.» di namae wa su PixAI. Creato con Tsubaki.3.
Bunny
Mostra parametri
- Immissione richiesta originale
- changli (wuthering waves), pink hair, white hair, long hair, multicolored hair, hair extensions, ring hair extensions,Bunny suit, Bunny day, Bunny head accesory.
- Modalità
- pro
- Dimensione
- 1632 x 1232
- Metodo di campionamento
- Euler
- Negativo
- (girlish face:1.5), (young girl:1.5), (teenager:1.45), (baby face:1.5), (round face:1.45), (chubby cheeks:1.45), (big round eyes:1.45), (chibi:1.5), (kid:1.5), (short stature:1.45), (short legs:1.4), (small breasts:1.4), (flat chest:1.45), (boxy waist:1.35), (narrow hips:1.35), (solid pink hair without white gradient:1.35), (short hair:1.4), (missing hair ornament:1.35), (normal human skin on left hand and forearm:1.4), (bare legs without stockings:1.35), (white stockings:1.4), (pants:1.4), (flat composition:1.4), (stiff standing:1.35), (feminine face:1.45), (girlish:1.5), (androgynous:1.4), (shota:1.5), (kid:1.5), (baby face:1.45), (round face:1.35), (chibi:1.5), (full white hair:1.45), (long hair:1.4), (ponytail:1.35), (beard:1.5), (mustache:1.5), (modern business suit:1.45), (hoodie:1.45), (t-shirt:1.4), (glasses:1.5), (sticking together:1.4), (hugging:1.4), (flat composition:1.4), (stiff standing:1.35), bad quality, blurrybad proportions, bad anatomy, extra fingers, missing fingers, mutated hands, lowres, worst quality, bad quality, blurry
Modello e LoRA utilizzati
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An ultra-detailed 2.5D semi-realistic masterpiece illustration of Changli from Wuthering Waves, an adult woman, standing tall directly over the camera with one stocking-clad sole slowly descending toward the viewer in a dominant worm's-eye foot-focused POV. character: changli_(wuthering_waves)
Changli has very long straight white hair fading into soft pink toward the ends, tied into a high ponytail with distinctive ring-shaped hair extensions and a black bow, a single small ahoge at her crown, bright orange eyes with luminous pupils, and pure white eyelashes framing her downward gaze. Seen from far below, her long ponytail hangs down toward the camera in smooth disciplined sheets.
She stands with her full weight anchored on her straight anatomical left leg, its knee locked, that standing foot resting just outside the lower edge of the frame. Her anatomical right leg is lifted from the hip with the knee softly bent, and her right foot in its sheer black stocking descends slowly toward the camera: the entire nylon-clad sole of her right foot faces the lens, hovering in the air directly above the viewer without touching anything, her raised right thigh, knee and calf forming one continuous chain rising behind the foot. The hovering stocking sole is the closest element to the camera and the dominant foreground of the image, gently and anatomically coherently enlarged by the low angle. Crucially, it stays a naturally proportioned, beautiful female foot: a compact sole with exactly five toes in one clean row, each toe ending in a soft rounded pad with small clean separations. The ultra-sheer black nylon over the sole is thin enough that her pale skin tone and every toe read clearly through the weave, the fabric at its very sheerest over the toe pads with no reinforced heel or toe panel, her natural unpainted toenails showing faintly through, the stocking dry, clean and completely intact across the sole and toes.
Beyond the hovering foot her towering figure rises into the upper part of the frame: the long line of her stockinged legs and torn dress, her waist, the battle-worn front of the qipao framing her bust, and finally her face looking straight down at the viewer past her raised leg, clearly readable from below.
She wears a battle-worn white qipao with slim black piping and small frog-button closures at its upright collar: the fitted dress torn open by combat — the right side seam ripped apart along its high slit all the way up past her hip so her entire lifted right leg swings free through the torn opening, a diagonal gash torn across the front beneath one breast revealing pale skin and her small glowing Tacet mark, and scorched tattered edges along the hem and every tear where a few faint dying embers still glow orange, embers that cast no light on her skin. Both of her long legs are wrapped in sheer black thighhigh stockings with delicate lace tops, the fine mesh thin enough that her pale skin tone reads through the weave, battle-scuffed with small runs and holes letting skin peek through at her knees and thighs while the stockings over her feet and soles remain fully intact.
Both of her hands rest calmly on her hips, fingers relaxed against the curves of her waist, elbows angled outward in a composed commanding stance, exactly five slender fingers on each hand. She looks straight down at the viewer with a composed, faintly amused expression of quiet authority, bright orange eyes narrowed slightly, white lashes lowered, the corner of her lips lifted in a knowing half-smile.
The entire background is a single perfectly uniform flat light-grey tone from edge to edge, a featureless seamless studio backdrop with no floor line, no objects and no texture, reserving the whole frame for her towering figure. Soft neutral studio light falls from above her with no strong colored cast, a gentle sheen on the sheer black mesh and the scorched white fabric.
Soft cinematic lighting, glossy reflections on the black piping and sheer mesh, a soft natural sheen on clean dry skin, highly detailed fabric and skin textures, ray tracing, subsurface scattering, sharp focus, depth of field.
Galaxy
バカ
Kanon_style, high quality, cel shading, 1girls, (EyesHD:1.2), masterpiece, best quality, ultra-detailed, very aesthetic, sharp focus, depth of field, vibrant colors, ray tracing, best lighting, detailed illustration, detailed background, cinematic, beautiful face, beautiful eye, Yae Miko (genshin_impact), 1girl, solo, bunnysuit, sweat, standing at full height
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