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Chloe von Einzbern, Risa Matoba

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#rossore#The Idolmaster#sarashi#Pelle scura#ombelico#occhiolino#ornamento per capelli#All'aperto#capelli rossi#capelli lunghi#Capelli neri#capelli arancioni#capelli rosa#Cibo#Ghigno#più ragazze#lecca lecca#Notte#caramella#sguardo verso lo spettatore#The Idolmaster Cinderella Girls#Fate/kaleid liner PRISMA ILLYA#tenere#Seno piccolo#Chloe von Einzbern#one side up#Risa Matoba#Miss Kobayashi's Dragon Maid#Riko Saikawa#costume da mummia#SPY×FAMILY#Becky Blackbell#Donna dalla pelle scura#The Idolmaster Cinderella Girls U149
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character: becky_blackbell, matoba_risa, chloe_von_einzbern, saikawa_riko, riko_(genjitsu_no_yohane) 4girls, chloe_von_einzbern, matoba_risa, becky_blackbell, saikawa_riko, halloween, sexy mummy halloween costume, wrapped in bandages, bandage wrapping, cleavage, flat chest, navel, legs, blush, innocent smile, smiling, having fun, sexually suggestive, holding candy, licking candy, human ears, bare human ears, no animal ears, no tail, bare lower back, neighborhood background, night time, pumpkins, from below, wide shot, standing, leaning forward, looking at viewer, open mouth, :d, one eye closed, wink, head tilt, holding lollipop, lollipop, candy apples, colorful hair, outdoors, street, houses, jack-o'-lantern, string lights, moonlight, 4k, high quality, highly detailed Seen from a low, slightly wide angle on a suburban street at night, four girls stand close together at the foot of a porch, their heads tipped down toward the lens. From left to right: a girl with long pink hair parted down the middle and a small hairclip above her brow, warm orange eyes, bandage strips wound over a soft chest and across a flat chest, her navel left exposed, hips and long bare legs wrapped down to mid-thigh; a girl with long black hair in twintails tied with ribbon bows, yellow eyes, the same bandage wrap skimming her collarbone, a blush high on both cheeks; a girl with pink-brown hair in twintails held by a scrunchie, green eyes, bandages crossing her ribs in a spiral, her free hand tucked at her bare lower back; and a girl with long red hair half-up over a small bun with a flower tucked in it, yellow eyes, the wrap slanting across her stomach. Every pair of ears is a plain round human ear, bare and unobstructed, and every lower back is smooth and uncovered. Each girl's costume is deliberately half unwound — the outer bandage layers loosened at the shoulder and hip so the wrap crosses bare skin rather than covering it, edges fraying into short loose strips that peel away in the night breeze. On the far left the pink-haired girl leans forward toward the lens with her weight on her front foot, a glossy candy apple held up in her right hand, her tongue at the candy, one eye shut in a wink and a grin creasing her cheek. Beside her the black-haired girl holds a flat lollipop against her lower lip, cheek puffed, chin tilted, glancing sideways at the pink-haired girl rather than the camera. The pink-haired girl with the scrunchie tips her head the other way and raises a striped lollipop in front of her mouth, wide-eyed, one foot crossed over the other at the ankle. On the right the red-haired girl holds her candy up at shoulder height, eyes half-lowered with a shy closed-lipped smile, the loose ribbon end of her twintail lifting past her cheek. All four blush deep and warm across the nose and out to the ears, all four are smiling, all four are looking at the lens. The street behind them is a quiet residential block at night: clapboard and stucco house fronts, a porch rail the girls' shoulders overlap, a low hedge, a lamppost. Carved jack-o'-lanterns line the porch step and the walkway in a row of orange faces, a couple of them swapped for pale gourds; a scatter of fallen leaves, a coiled black-and-orange garland on the rail, and a string of small warm lights drooping between the porch posts. A cool blue moonlight rakes from the upper left, rimming hair and shoulders and leaving the far house fronts in deep navy; below and in front, the porch pumpkins glow warm orange and throw a low amber bounce up onto the girls' legs and bandage edges. The candy surfaces are the only wet shine — the apple and two lollipops catch a tight, soft reflection of the porch light, and the loose bandage strips lift away from the legs on the same light breeze. Palette held to warm orange, deep navy and bandage cream, with four distinct hair colours as the only other accents. Effortlessly festive.
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Immissione richiesta originale
character: Chloe Von Einzbern, Risa Matoba, Becky Blackbell, Riko Saikawa, sexy mummy Halloween costume, cleavage, flat chest, navel, legs, blush, innocent smile, sexually suggestive, smiling, having fun, blushing, neighborhood background, night time, halloween, pumpkins, holding candy, licking candy, 4K, high quality, NO ANIMAL EARS, NO ANIMAL TAIL
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1632 x 1232
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of 橫山育人
character: komiya_kaho, morino_rinze, sonoda_chiyoko, saijo_juri, arisugawa_natsuha, copyright: idolmaster 5 girls, five subjects, full body, full-body bandage wrappings, mummy costume, bandages covering arms and legs, bandages wound across torso and hips, mummy, kneeling, all five kneeling on the ground, halloween, halloween street, night, jack-o'-lantern, carved pumpkin lanterns, string lights, cobblestone pavement, fallen leaves, fog, from below, wide shot, low angle, group shot, kneeling, long hair, red hair, blonde hair, black hair, orange hair, ahoge, hair between eyes, twintails, double bun, red eyes, purple eyes, brown eyes, bare feet, bandaged hands, bandaged head, loosened bandage ends trailing, looking at viewer, light smile, open mouth, one eye closed, head tilt, tilted heads, cinematic lighting, warm orange lantern light, cool blue night shadows Low-angle wide shot from just above the cobblestones, the camera tilted up so the five kneeling figures rise against the night sky and the Halloween street recedes behind them in a corridor of fog. In the foreground a row of carved pumpkin lanterns sits along the curb, their jagged mouths glowing from candles inside, the warm light thrown upward onto the girls' faces and the undersides of their chins; behind them the street runs away in wet cobblestone, strung with sagging lines of small orange and purple bulbs, shopfronts dark, a paper bat garland stirring, drifts of fallen leaves gathered against the kerb. Each of the five kneels on both knees, shins flat on the stones, weight settled back on the heels, torsos upright and slightly turned so the group reads as a staggered arc rather than a line. Every one of them is wrapped from head to foot in off-white gauze bandages: layers wound in overlapping diagonal bands around the skull, leaving only the eyes and a strip of mouth and nose exposed, down the throat and the shoulders, in tight crossing turns around the chest and waist and hips, spiralling down each thigh and calf and around the ankles, with the feet and the hands wrapped so the individual fingers are bound together as blunt padded mitts. Loose ends trail from a shoulder here and a wrist there and stir in the night air. No other garment is visible anywhere on any of them. On the far left, a girl with long straight black hair spilling out from under the head wrapping in a dark sheet over her bandaged shoulders, a small bow knotted at the side of the gauze, red eyes above the wrap; she kneels with her hip dropped to one side, one bound hand raised and splayed in a stiff theatrical mummy gesture, chin lifted, mouth a thin amused line, gazing level at the viewer. Beside her a girl with short blonde hair poking in tufts through the bandages, purple eyes bright, one eye squeezed shut in a wink, her head tipped toward the girl on her left, one mittened hand lifted to her own cheek and the other braced flat on the cobblestones for balance. In the centre, a girl with brown hair in two low buns half unwrapped at the crown and a pair of twintails hanging free down her back, brown eyes wide and delighted, both bound hands clasped together at her chest, leaning slightly forward so her shoulders round toward the lens. To her right a girl with long vivid red hair escaping in a thick tail from the back of her head wrap, a single ahoge springing up through a gap in the gauze, red eyes narrowed with a lopsided smirk, one knee lifted a few centimetres off the ground as if she is about to rise, one arm hooked loosely over the other's bound shoulder. On the far right, a girl with long orange hair swept out through the wrapping and falling to her waist, brown eyes half-lidded and calm, kneeling upright with her bound hands folded in her lap, tilted a few degrees toward the centre, watching the others rather than the camera. The pumpkin lanterns are the primary light source: candle glow striking each face from below and in front, warming the bandage texture so the weave and the overlapping edges cast fine shadows, while the street's string lights give a second, weaker amber rim along their shoulders and the backs of their heads, and the fog behind them goes blue-grey and cold. The bandages darken into shadow where they wrap under the chins and inside the crooks of the elbows. Wet cobblestones mirror the lantern light in broken orange streaks that stretch long beneath the knees, and one trailing bandage end lies curled on the stones, soaked dark at its tip. Palette held to off-white gauze, pumpkin orange, deep violet night and cold blue fog. Playfully eerie, warmly theatrical.
橫山育人
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Avatar image of 橫山育人
character: takayama_sayoko, kousaka_umi, satake_minako, yokoyama_nao, fukuda_noriko, copyright: idolmaster 5girls, full body, kneeling, wide shot, low angle, mummy, mummy costume, wrapped in bandages, bandage, cloth strips, frayed fabric, halloween, night, street, cobblestone, jack-o'-lantern, glowing pumpkins, lanterns, autumn leaves, damp ground, black hair, long hair, red eyes, short hair, blonde hair, brown eyes, brown hair, twin braids, blue eyes, ahoge, side ponytail, purple eyes, ponytail, playful, outdoors A low-angle, full-body wide shot captures five girls kneeling together in a staggered semicircle across the center of a cobblestone street decked out for Halloween night. Each girl is dressed as a mummy, her entire body snugly wrapped from shoulders to toes in layers of aged, cream-white linen bandages that overlap around their torsos, arms, and legs, with ragged frayed hems trailing against the ground. On the far left, a girl with short ruffled blonde hair and expressive brown eyes kneels with her weight shifted forward, one knee raised slightly while her wrapped palm braces against the wet stones. Beside her, a girl with long straight black hair draping down her bandaged shoulders sits in an upright, poised seiza posture, her striking red eyes gazing calmly ahead with both wrapped hands resting flat on her thighs. In the center, a girl with long brown hair arranged into twin braids falling across her chest leans playfully toward the camera, her bright blue eyes wide with enthusiasm as she raises both bandage-wrapped forearms in a mock-monster claw gesture. To her right, a girl with wavy brown hair featuring a prominent ahoge and a side ponytail sits tilted to one side, her purple eyes gleaming with a mischievous open-mouthed grin as she stretches one bandaged arm forward toward the viewer. On the far right, a girl with long brown hair tied in a high ponytail kneels back comfortably on her heels, smiling warmly with blue eyes while clasping her wrapped fingers loosely across her lap. Carved jack-o'-lanterns line the storefront curbs, their flickering candle flames casting warm amber rims along the ridges of the woven bandages and creating elongated shadows stretching back into the street. A cool twilight-purple wash from the night sky and distant string lights illuminates the wet pavement, where damp cobblestones reflect the lantern glow and darken the tips of the frayed bandage strips trailing across them. Playfully spooky and festive.
橫山育人

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