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Becoming Jessie

Ditto helps Ash to transform

#Pokémon #Ash Ketchum #Jessie #Ditto #ragazza slime #Pokémon #Ditto Trasformato #Serie Pokémon: Sole e Luna #Pokémon (serie originale)#Pokémon: Advanced Generation #Esplorazioni Pokémon: La serie

Pubblicato il Oct 31, 2026

Tobi

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character: jessie_(pokemon), ash_ketchum, ditto colored comic, multiple panels, 6koma, six-panel sequence, transformation sequence, slime girl, ash ketchum, jessie, ditto, black hair, short hair, red baseball cap, brown eyes, fingerless gloves, open jacket, short sleeves, long red hair, hair slicked back, very long hair, blue eyes, eyelashes, purple slime, dripping slime, evil grin, smiling, talking, looking at own body, from side, close-up, cowboy shot, medium shot, purple and pink palette, transformation glow A full-colour six-panel comic page, six rectangular panels in a three-by-two grid read left to right, top row then bottom row, thin black panel gutters, each panel its own staging, colour throughout with a warm daylight register in panels 1-4 cooling to a violet-dark register in panels 5-6. Panel 1: a medium shot inside a sunlit clearing, a short black-haired boy in a red baseball cap with the brim forward, open short-sleeved jacket over a shirt, fingerless gloves on both hands, turned in profile toward a small round purple blob with a plain featureless face and two solid black dot eyes; the boy crouches on one knee, one gloved hand held out palm up flat, the blob sitting squarely in the middle of that palm squashing slightly under its own weight, both of them facing each other, the boy's mouth open mid-word, his eyes on the blob and the blob's two dots fixed on his face, long grass bent flat around the boy's planted foot. Panel 2: same clearing, the boy now engulfed — the purple blob has spread into an amorphous glossy sheet that wraps his shoulders, chest, cap and arms, his face still visible at the centre of the mass with wide startled eyes, one gloved hand still pushing out of the goo and held splayed, the goo skin beaded and reflecting the sun in hard wet highlights while thin threads of it bridge from the mass to the grass below. Panel 3: the mass has slid down to his torso and hips, his head and cap unchanged at the top, his chest and waist inside the goo already reshaped — a narrower ribcage, a curved hip line, a slimmer waist swelling under the glossy coat — while his legs still stand in the boy's stance beneath, seams of violet light running along the boundary between skin and slime. Panel 4: a tight close-up on the head and neck only, the boy's black-haired skull under the red cap half-reliquefied and re-forming, its silhouette stretching into long hair swept back from the forehead, the second half of the face already resolved into a woman's face with a long-lashed blue eye and a sharp jaw, mylar-bright goo running down the parting line where the two heads meet. Panel 5: a closer medium shot on the finished woman, hair a very long sheet of red slicked back off her forehead and falling to her hips, blue eyes half-lidded, one corner of her mouth pulled up into a broad evil grin with the teeth showing, chin tipped down so she looks at the viewer from under her brows; a purple slime strand hangs in a long viscous drip from her jaw, another runs down her bare arm and one strands off the tip of her long hair, all of it catching a violet rim light from below. Panel 6: she stands turned to the side in a three-quarter view looking down at her own body, both hands raised and pressing flat against her own waist and hip, fingers spread, feeling the shape through the glossy violet film of slime that still coats her limbs and torso, her eyes narrowed and her grin gone small and appraising, her weight settled on her back hip, long red hair swinging forward over one shoulder. Same woman in panels 5 and 6, same face, same hair, same build. Warm sunlight comes from the upper left in panels 1-4 and casts short hard shadows to the lower right on the grass; panels 5-6 swap to a low violet under-light with the background falling to near black so the slime's wet speculars are the brightest thing in frame. Palette: the boy's red cap and open jacket, the blob's flat purple, the woman's red hair, and the violet slime, set against warm green grass; nothing else admitted — no extra people, no other creatures, no background signage or lettering. The slime is opaque-glossy like thick syrup, sagging under gravity, pooling and beading rather than spraying. Wickedly fun transformation.

Becoming Jessie

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