Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Genera gratis

cipp

Avatar image of cipp

cipp

More to See

Commenti

3girls, korean high school girls, school uniform, three girls, tall, idol-like proportions, long legs, platform shoes, thick-soled loafers, white crew socks, pleated plaid skirt, grey blazer, white button-down shirt, long straight black hair, high ponytail, navy cardigan, beige vest, tartan skirt, from below, extreme low angle, worm's-eye view, looking down at viewer, looking down, condescending, mocking, scornful, smug, raised eyebrow, lidded eyes, half-closed eyes, sneer, open mouth, leaning forward, hands on hips, standing in front of viewer, close-up, upper bodies, inside train, train interior, crowded train, standing, hands in pockets, arms crossed, looking at viewer, dark train interior, cold fluorescent light, The camera has dropped to chest height and is aimed straight up: three tall Korean high school girls stand pressed close in a row on the rubber mat of a train doorway, their chins already pitching down toward the lens, so the viewer is eye-level with the second button of their shirts and the undersides of their jaws, and the whole trio towers over it in foreshortened bulk. Nearest and slightly to the left, a girl in a grey blazer over a white button-down and a pleated plaid skirt, chunky black platform loafers planted a half-step apart on the ridged floor, white crew socks, long straight black hair hanging past her shoulders and swinging forward over the chest-height lens as she leans in; her weight sits on her back foot with the front toe turned out, one hand gripping a silver hanging strap near the ceiling, the other arm folded under her blazer, and she cocks one brow while the corner of her mouth curls up and away from the other two, eyes half-lidded straight down the barrel of the viewer's eye, upper teeth just showing. To her right and a half-step back, a girl in a navy cardigan buttoned over a white collared blouse with a matching pleated skirt and thick-soled black platform shoes, a sleek high ponytail tied tight so its tail hangs to one side and falls forward off her shoulder as she dips her head; both hands shoved in her cardigan pockets, one hip pushed out so the skirt hangs at an angle, mouth open in a short, flat, mocking laugh, her nose wrinkled and her gaze pinned down on the viewer with a wicked sideways squint. Behind them, tallest of the three, a girl in a beige vest over a crisp white shirt and a pleated tartan skirt, glossy black platform shoes, dark hair parted in the middle flowing loosely; she has crossed her arms high over her chest and tilted her head, jutting her chin, a slow sneer spreading while she looks down her nose past the other two, unbothered and superior. Their long legs read as huge pillars: the platform soles of the front girl and the pony-tailed girl near the bottom of the frame, foreshortened shins and knees climbing straight up through the tartan and plaid pleats toward their waists, the hem of the nearest skirt flaring out as it is seen from underneath. Overhead runs the train's cold white fluorescent strip, the only light source, throwing hard downward illumination onto the tops of their hair, the fronts of their blazers and the folds of the pleated skirts, and dropping deep shadows beneath their chins, into their collarbones and under the platform soles; the train windows behind them are black glass with a smeared reflection of the fluorescent tube, and the metal poles and folded seat edges frame them in dull chrome strips. The palette is grey, navy, beige and black with a hard white fluorescent glare and small pink highlights on the plaid and the girls' lips, no warm light admitted anywhere. A dark green strap of the hanging hand-grip swings slightly with the train's motion. Mocking, claustrophobic superiority.
Mostra parametri
Immissione richiesta originale
韓国人高身長アイドル体型女子高生様グループ3人　見下し　長い足　電車の中　目の前　バカにしたような表情　胸くらいが身長の視点　厚底　　
Modalità
flash
Dimensione
1104 x 1824
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.68k

Immagini simili

Mostra di più
AI artwork
Avatar image of cipp
3girls, korean high school girls, school uniform, three girls, tall, idol-like proportions, long legs, platform shoes, thick-soled loafers, white crew socks, pleated plaid skirt, grey blazer, white button-down shirt, long straight black hair, high ponytail, navy cardigan, beige vest, tartan skirt, from below, extreme low angle, worm's-eye view, looking down at viewer, looking down, condescending, mocking, scornful, smug, raised eyebrow, lidded eyes, half-closed eyes, sneer, open mouth, leaning forward, hands on hips, standing in front of viewer, close-up, upper bodies, inside train, train interior, crowded train, standing, hands in pockets, arms crossed, looking at viewer, dark train interior, cold fluorescent light, The camera has dropped to chest height and is aimed straight up: three tall Korean high school girls stand pressed close in a row on the rubber mat of a train doorway, their chins already pitching down toward the lens, so the viewer is eye-level with the second button of their shirts and the undersides of their jaws, and the whole trio towers over it in foreshortened bulk. Nearest and slightly to the left, a girl in a grey blazer over a white button-down and a pleated plaid skirt, chunky black platform loafers planted a half-step apart on the ridged floor, white crew socks, long straight black hair hanging past her shoulders and swinging forward over the chest-height lens as she leans in; her weight sits on her back foot with the front toe turned out, one hand gripping a silver hanging strap near the ceiling, the other arm folded under her blazer, and she cocks one brow while the corner of her mouth curls up and away from the other two, eyes half-lidded straight down the barrel of the viewer's eye, upper teeth just showing. To her right and a half-step back, a girl in a navy cardigan buttoned over a white collared blouse with a matching pleated skirt and thick-soled black platform shoes, a sleek high ponytail tied tight so its tail hangs to one side and falls forward off her shoulder as she dips her head; both hands shoved in her cardigan pockets, one hip pushed out so the skirt hangs at an angle, mouth open in a short, flat, mocking laugh, her nose wrinkled and her gaze pinned down on the viewer with a wicked sideways squint. Behind them, tallest of the three, a girl in a beige vest over a crisp white shirt and a pleated tartan skirt, glossy black platform shoes, dark hair parted in the middle flowing loosely; she has crossed her arms high over her chest and tilted her head, jutting her chin, a slow sneer spreading while she looks down her nose past the other two, unbothered and superior. Their long legs read as huge pillars: the platform soles of the front girl and the pony-tailed girl near the bottom of the frame, foreshortened shins and knees climbing straight up through the tartan and plaid pleats toward their waists, the hem of the nearest skirt flaring out as it is seen from underneath. Overhead runs the train's cold white fluorescent strip, the only light source, throwing hard downward illumination onto the tops of their hair, the fronts of their blazers and the folds of the pleated skirts, and dropping deep shadows beneath their chins, into their collarbones and under the platform soles; the train windows behind them are black glass with a smeared reflection of the fluorescent tube, and the metal poles and folded seat edges frame them in dull chrome strips. The palette is grey, navy, beige and black with a hard white fluorescent glare and small pink highlights on the plaid and the girls' lips, no warm light admitted anywhere. A dark green strap of the hanging hand-grip swings slightly with the train's motion. Mocking, claustrophobic superiority.
cipp
AI artwork
Avatar image of cipp
3girls, korean high school girls, school uniform, three girls, tall, idol-like proportions, long legs, platform shoes, thick-soled loafers, white crew socks, pleated plaid skirt, grey blazer, white button-down shirt, long straight black hair, high ponytail, navy cardigan, beige vest, tartan skirt, from below, extreme low angle, worm's-eye view, looking down at viewer, looking down, condescending, mocking, scornful, smug, raised eyebrow, lidded eyes, half-closed eyes, sneer, open mouth, leaning forward, hands on hips, standing in front of viewer, close-up, upper bodies, inside train, train interior, crowded train, standing, hands in pockets, arms crossed, looking at viewer, dark train interior, cold fluorescent light, The camera has dropped to chest height and is aimed straight up: three tall Korean high school girls stand pressed close in a row on the rubber mat of a train doorway, their chins already pitching down toward the lens, so the viewer is eye-level with the second button of their shirts and the undersides of their jaws, and the whole trio towers over it in foreshortened bulk. Nearest and slightly to the left, a girl in a grey blazer over a white button-down and a pleated plaid skirt, chunky black platform loafers planted a half-step apart on the ridged floor, white crew socks, long straight black hair hanging past her shoulders and swinging forward over the chest-height lens as she leans in; her weight sits on her back foot with the front toe turned out, one hand gripping a silver hanging strap near the ceiling, the other arm folded under her blazer, and she cocks one brow while the corner of her mouth curls up and away from the other two, eyes half-lidded straight down the barrel of the viewer's eye, upper teeth just showing. To her right and a half-step back, a girl in a navy cardigan buttoned over a white collared blouse with a matching pleated skirt and thick-soled black platform shoes, a sleek high ponytail tied tight so its tail hangs to one side and falls forward off her shoulder as she dips her head; both hands shoved in her cardigan pockets, one hip pushed out so the skirt hangs at an angle, mouth open in a short, flat, mocking laugh, her nose wrinkled and her gaze pinned down on the viewer with a wicked sideways squint. Behind them, tallest of the three, a girl in a beige vest over a crisp white shirt and a pleated tartan skirt, glossy black platform shoes, dark hair parted in the middle flowing loosely; she has crossed her arms high over her chest and tilted her head, jutting her chin, a slow sneer spreading while she looks down her nose past the other two, unbothered and superior. Their long legs read as huge pillars: the platform soles of the front girl and the pony-tailed girl near the bottom of the frame, foreshortened shins and knees climbing straight up through the tartan and plaid pleats toward their waists, the hem of the nearest skirt flaring out as it is seen from underneath. Overhead runs the train's cold white fluorescent strip, the only light source, throwing hard downward illumination onto the tops of their hair, the fronts of their blazers and the folds of the pleated skirts, and dropping deep shadows beneath their chins, into their collarbones and under the platform soles; the train windows behind them are black glass with a smeared reflection of the fluorescent tube, and the metal poles and folded seat edges frame them in dull chrome strips. The palette is grey, navy, beige and black with a hard white fluorescent glare and small pink highlights on the plaid and the girls' lips, no warm light admitted anywhere. A dark green strap of the hanging hand-grip swings slightly with the train's motion. Mocking, claustrophobic superiority.
cipp
AI artwork
Avatar image of cipp
3girls, korean high school girls, school uniform, three girls, tall, idol-like proportions, long legs, platform shoes, thick-soled loafers, white crew socks, pleated plaid skirt, grey blazer, white button-down shirt, long straight black hair, high ponytail, navy cardigan, beige vest, tartan skirt, from below, extreme low angle, worm's-eye view, looking down at viewer, looking down, condescending, mocking, scornful, smug, raised eyebrow, lidded eyes, half-closed eyes, sneer, open mouth, leaning forward, hands on hips, standing in front of viewer, close-up, upper bodies, inside train, train interior, crowded train, standing, hands in pockets, arms crossed, looking at viewer, dark train interior, cold fluorescent light, The camera has dropped to chest height and is aimed straight up: three tall Korean high school girls stand pressed close in a row on the rubber mat of a train doorway, their chins already pitching down toward the lens, so the viewer is eye-level with the second button of their shirts and the undersides of their jaws, and the whole trio towers over it in foreshortened bulk. Nearest and slightly to the left, a girl in a grey blazer over a white button-down and a pleated plaid skirt, chunky black platform loafers planted a half-step apart on the ridged floor, white crew socks, long straight black hair hanging past her shoulders and swinging forward over the chest-height lens as she leans in; her weight sits on her back foot with the front toe turned out, one hand gripping a silver hanging strap near the ceiling, the other arm folded under her blazer, and she cocks one brow while the corner of her mouth curls up and away from the other two, eyes half-lidded straight down the barrel of the viewer's eye, upper teeth just showing. To her right and a half-step back, a girl in a navy cardigan buttoned over a white collared blouse with a matching pleated skirt and thick-soled black platform shoes, a sleek high ponytail tied tight so its tail hangs to one side and falls forward off her shoulder as she dips her head; both hands shoved in her cardigan pockets, one hip pushed out so the skirt hangs at an angle, mouth open in a short, flat, mocking laugh, her nose wrinkled and her gaze pinned down on the viewer with a wicked sideways squint. Behind them, tallest of the three, a girl in a beige vest over a crisp white shirt and a pleated tartan skirt, glossy black platform shoes, dark hair parted in the middle flowing loosely; she has crossed her arms high over her chest and tilted her head, jutting her chin, a slow sneer spreading while she looks down her nose past the other two, unbothered and superior. Their long legs read as huge pillars: the platform soles of the front girl and the pony-tailed girl near the bottom of the frame, foreshortened shins and knees climbing straight up through the tartan and plaid pleats toward their waists, the hem of the nearest skirt flaring out as it is seen from underneath. Overhead runs the train's cold white fluorescent strip, the only light source, throwing hard downward illumination onto the tops of their hair, the fronts of their blazers and the folds of the pleated skirts, and dropping deep shadows beneath their chins, into their collarbones and under the platform soles; the train windows behind them are black glass with a smeared reflection of the fluorescent tube, and the metal poles and folded seat edges frame them in dull chrome strips. The palette is grey, navy, beige and black with a hard white fluorescent glare and small pink highlights on the plaid and the girls' lips, no warm light admitted anywhere. A dark green strap of the hanging hand-grip swings slightly with the train's motion. Mocking, claustrophobic superiority.
cipp
AI artwork
Avatar image of cipp
3girls, three high school girls, korean, tall female, tall idol-like figure, long legs, extremely long legs, slender, standing, towering over viewer, looking down, looking down at viewer, from below, extreme low angle, chibi viewer perspective, tiny viewer, giantess perspective, foreshortening, close-up on legs, girls looming, in front of viewer, inside train, train interior, subway car, mockery, mocking smile, scornful, contemptuous, smug, looking at viewer, platform shoes, thick soles, white platform sneakers, black leather platform loafers, white platform slip-on shoes, pleated skirt, grey skirt, white button-down shirt, navy blazer, beige knit cardigan, three different outfits, depth of field, dramatic perspective, harsh overhead light. The camera sits at knee height in the aisle of a moving subway car, tilted steeply up, so the three girls at the near end of the car fill the frame from their thick-soled shoes at the bottom edge to their chins near the top, their heads cropped by the upper border and the ceiling strip lights behind them. The girl nearest the lens stands almost on top of it: white button-down tucked into a short pleated grey skirt, white platform sneakers planted wide, right hip cocked and left leg straight, her skirt hem hanging in a shallow diagonal above the knee line; one hand hooks a finger into the knot of her loosened collar and the other hangs at her side with the knuckles just brushing the fabric of her skirt. She tips her chin down toward the lens, one brow lifted higher than the other, a lopsided smirk pulling one lip corner up, eyes half-lidded and aimed straight down the barrel of the camera. A pace behind her right shoulder, the second girl in a navy blazer over a white shirt and black leather platform loafers leans her weight onto her left foot and crosses her ankles slightly, one hand sliding into her blazer pocket, her head tilted to the side, the same flat scorn in a colder key, her glance travelling down past the viewer and one lip curled; her blazer edge swings a little forward over her hip from the sway of the train. Further back and to the left, the third girl in a beige knit cardigan over a white shirt lifts the toe of one white platform slip-on to balance on the other, arms folded loosely across her chest, chin raised an inch so she can look down her nose along the aisle, a slow snort narrowing her eyes. All three are tall and long-legged, their legs drawn out by the low foreshortening into the dominant vertical of the picture, and none of them smiles with any kindness. Behind them a row of grey seats and a curved metal grab pole recede toward the far door, and a hanging strap is flung out toward the car's end by the train's acceleration, its webbing stretched taut against the direction of travel. The light comes from the cold white ceiling strips overhead and just behind their heads, throwing rim highlights along the tops of their hair and shoulders while their faces drop into soft shadow, their bodies casting long veiled shadows down the aisle toward the lens; the floor's rubber matting carries a faint scuff where a platform sole has gripped. Beyond them the car dims and the distant passengers narrow to vague grey silhouettes. The palette is the train's own cool grey-white with the skirt grey, navy, and beige, and one blunt red warning stripe running along the top wall. No text anywhere in frame, the ad placards above the windows blank and illegible. Effortlessly cruel, small and in the way.
cipp

Scopri altro

Utenti consigliati

Potrebbe piacerti

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
9#L'attacco dei giganti#Mikasa Ackerman
HomeModellicreareRecipeProfilo