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AI artwork featuring #zetaCollab
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かざま＠🍎㌠

Arte IA di かざま＠🍎㌠ su PixAI. Creato con Tsubaki.3.

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
Avatar image of かざま＠🍎㌠

かざま＠🍎㌠

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pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki — small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted. The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream — "oyaki", "imagawayaki", "kaitenyaki" — while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards. The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
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Immissione richiesta originale
pixel-art isometric solo chibi young-man green-wavy-ponytail-hair kimono apron pants round-glasses cat-ears (imagawayaki ). sweets shop table sign-board noren "neko no mise" "oyaki" "imagawayaki" "kaitenyaki" "obanyaki" "Chelunbing" "baked-mochocho" sound effect japanese-text speech-bubble
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
1888 x 1056
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.65k

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AI artwork
Avatar image of かざま＠🍎㌠
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki — small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted. The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream — "oyaki", "imagawayaki", "kaitenyaki" — while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards. The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
かざま＠🍎㌠
#zetaCollab#1 ragazzo
AI artwork
Avatar image of かざま＠🍎㌠
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki — small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted. The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream — "oyaki", "imagawayaki", "kaitenyaki" — while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards. The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
かざま＠🍎㌠
#zetaCollab#1 ragazzo
AI artwork
Avatar image of かざま＠🍎㌠
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki — small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted. The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream — "oyaki", "imagawayaki", "kaitenyaki" — while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards. The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
かざま＠🍎㌠
#zetaCollab#1 ragazzo
AI artwork
Avatar image of かざま＠🍎㌠
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, wavy hair, ponytail, long hair, round glasses, cat ears, kimono, apron, pants, open mouth, speaking, speech bubble, question mark in speech bubble, sweets shop, table, sign board, noren, japanese text, sound effect, shop interior, standing, leaning forward, head tilt, looking at viewer, holding tray, steam, warm light A single chibi figure rendered in crisp pixel art, seen from a high isometric three-quarter angle so the shop floor recedes in stepped diagonals toward the top-left of the frame. The young man stands behind a low wooden table at the centre of the composition, his body angled toward the viewer's right, weight carried on his right leg while his left knee bends slightly forward; his left hand rests flat on the table edge, fingertips over the grain, and his right hand lifts a small round griddle-pancake up toward his chin as if he has just pulled it from the stack. His green hair is gathered into a wavy ponytail that falls over his left shoulder, its loose curls tipped with a lighter mint highlight and stirred slightly to the right as though he has just turned his head. Round glasses sit on the bridge of his nose with two white pixel glints at their upper-left rims; a pair of triangular cat ears rises through the hair above his brow, fur green at the base fading to paler tips, the left ear skewed a few degrees lower than the right. He wears an indigo kimono with a narrow crossed collar, a cream apron tied at the waist with its strings looping once, and loose dark trousers below; an open-mouthed speaking expression, brows lifted, one corner of the mouth pulled higher, eyes wide and bright behind the lenses, gaze directed at the viewer as though mid-question. The table is a low counter of pale wood planks, its top surface catching a lit checker of warm ochre and shadowed umber pixels; on it sit a stacked column of round pancakes with dark sweet-bean filling visible at one broken edge, a shallow lacquered dish, and a folded cloth. A small standing sign-board leans against the table's front-right corner, its face tilted up toward the isometric camera, hand-lettered in blocky pixel kanji and latin characters that read "oyaki" across the top line, and below it in two smaller columns "imagawayaki", "kaitenyaki", "obanyaki", then "Chelunbing" and "baked-mochocho", each line curving with the board's slight lean and its lower edge chipped where the paint has worn. Behind the young man hangs a noren curtain of deep indigo split into three panels, its fabric swaying inward at the bottom hems, and across its width the pale dyed characters read "neko no mise"; the curtain's cloth bends the lettering so the middle panel's strokes stretch wider than the outer two. The shop interior beyond is drawn in compact pixel blocks -- shelving with jars, a hanging paper lantern, a rear doorway -- kept in low-contrast shadow so the figure and counter stay dominant. A speech bubble with a tail pointing to the young man's open mouth floats at the upper right, its white pixel outline stepped and clean, and inside it in small pixel type reads "(Small Japanese-style pancakes filled with sweet bean paste.)" with the words wrapped across three lines. Beside his raised hand, a jagged Japanese-text sound effect is lettered in bold pixel strokes tilted with the motion of the lifted pancake, the characters thick-edged with a dark drop shadow on their lower-right. Light comes from a single warm source at the upper left, as though from a paper lantern off-frame: it strikes the left plane of the young man's face, the top of the table, and the upper edge of the sign-board, leaving the right side of his apron and the shelf wall in cool indigo shadow, and each object casts a short stepped pixel shadow down and to the right. The palette is held to indigo, cream, warm ochre, and the green of hair and ears, with the red-brown of the bean paste as the one small saturated note. The steam rising from the pancake stack thins as it climbs and drifts toward the light, warm and quietly busy.
かざま＠🍎㌠
#zetaCollab#Occhiali#1 ragazzo

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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