Oct 23, 2026

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AI art "メジロラモーヌ・ウマ娘" featuring #seduto, #Vestito nero, #1 ragazza, #candela, #Umamusume: Pretty Derby, #ragazza cavallo and #Mejiro Ramonu

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メジロラモーヌ・ウマ娘

『ウマ娘』のメジロラモーヌを描きました。蝋燭の灯りに照らされた彼女の凛とした美しさと、どこか物憂げな瞳に心を奪われます。気に入っていただけたら、いいねとフォローをお願いします！次回作もお楽しみに、コメントで感想も聞かせてくださいね。

#seduto #Vestito nero #1 ragazza #candela #Umamusume: Pretty Derby #ragazza cavallo #Mejiro Ramonu

Pubblicato il Nov 1, 2026

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character: mejiro_ramonu_(umamusume), copyright: to_love-ru, umamusume 1girl, mejiro ramonu, multicolored hair, black hair, white hair, streaked hair, hair bun, purple eyes, horse ears, horse tail, cerberus costume, black dog head headpiece, dog head hood, three dog heads, dog head ornaments on both shoulders, shoulder armor, black fur dress, fur-trimmed dress, long dress, luxurious chair, high-backed armchair, sitting, crossed legs, legs crossed at the knee, witch's mansion room, gothic interior, candlelight, from below, full body, cowboy shot, smug, half-closed eyes, looking down at viewer, one hand on armrest, head tilt The camera sits low, close to the floor, looking up: the high back of a carved dark-wood armchair towers over the frame, and she occupies it like a throne she has owned for a century. She is seated deep in the chair, spine angled back against the cushion, left hip taking her weight, right leg crossed over the left at the knee so the lower leg hangs free and the pointed toe of her shoe dangles in the air a hand's width above the floorboards -- the dangling foot sways slightly, and that sway is the only motion in the room. Her right forearm lies along the chair's armrest, fingers curled loosely over its carved end; her left hand rests on the crossed knee, pressing the fur of the skirt down into a soft dent. Her chin is tipped down and her eyes are half-lidded, purple irises aimed straight down the camera's axis at the viewer, one brow lifted: the look of someone amused that you came this far. The costume is a Cerberus and reads as three heads. A black dog-head headpiece closes over the crown of her head like a hood, its muzzle jutting forward above her brow, ears pricked, two small pale eyes catching the candlelight; her own horse ears rise through openings in the hood's fabric behind it, and her black-and-white streaked hair spills out from under the dog's jaw in a bun with loose strands down one cheek. On each shoulder sits a black dog head in profile, the left one facing left, the right facing right, jaws closed, worked in the same coarse fur as the dress. The dress itself is black dog fur: a heavy floor-length gown whose nap runs downward in visible direction, lighter silver-grey at every edge where fur turns up, thick fur mantle over the collarbones, fur cuffs at both wrists, the hem pooling in a dark puddle around her ankles and over the chair's base. The room is a witch's mansion: stone walls, a tall mullioned window behind her with bare branches pressed to the glass, shelves of stoppered bottles and a hanging bundle of dried herbs in the background's soft dark, a wrought-iron candelabrum on a side table at frame left. Light comes from those candles only -- three flames at her left, low and warm amber -- so her left side is lit gold, the right side of her face and the right dog shoulder fall into deep shadow, and her shadow is thrown long and distorted up the stone wall behind the chair. The window's glass holds a cold blue cast on the far side of the fur that the candlelight never reaches. Palette: black fur, silver-grey nap highlights, warm amber candle glow, cold slate blue, dark wood brown, nothing else. A few strands of shed fur cling to the armrest where the dress brushed it. Quietly regal, faintly sinister.

メジロラモーヌ・ウマ娘

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