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AI art "奴隷オークションにかけられるサーヴァント"
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奴隷オークションにかけられるサーヴァント

#Serie Fate#Schiavo#Fate/Grand Order#Scáthach#Artoria Pendragon (Lancer)#Mercato degli schiavi#Giovanna d'Arco (Alter)
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character: artoria_pendragon_(lancer)_(fate), scathach_(fate), jeanne_d'arc_alter_(lancer)_(fate), artoria_pendragon_(lancer), jeanne_d'arc_(alter) 3girls, from below, wide shot, low angle, kneeling, seiza, ornate auction pedestal, three heroines displayed on stage, long_hair, purple_hair, very_long_hair, red_eyes, blonde_hair, braid, hair_between_eyes, ahoge, sidelocks, green_eyes, grey_hair, white_hair, short_hair, yellow_eyes, elegant dancer costume, flowing fabrics, silks, veils, gold jewelry, enchanted restraints, glowing light threads around wrists, bound wrists, glowing thread, auction price tag around neck, price tag, pale skin, humiliation, shame, wounded pride, distressed, mortified, grimacing, pressed lips, tight lips, furrowed brows, clenched jaw, wet eyes, from below, wide horizontal composition, auction house interior, heavy velvet curtains, golden barriers, balcony seating, shadowy bidders, audience silhouettes in foreground, numbered bidding paddles raised, auctioneer podium, gavel, price boards, dramatic spotlight from above, deep shadows, dimly lit hall, ominous lighting, chiaroscuro, rich muted colors, dark background, cinematic Seen from floor level, the camera tilts steeply upward across a wide horizontal frame: three women kneel in a row on a single massive ornate auction pedestal of carved dark wood and tarnished gilt, the stage edge rising above the lens. At the left kneels a pale woman with very long purple hair spilling down past her hips to the pedestal stone and sharp red eyes; at the center a pale blonde with a crownless braid looped over one shoulder, sidelocks and a single ahoge catching the spotlight; at the right a pale woman with short white-grey hair and yellow eyes. Each wears an elegant dancer's costume - layered translucent silks and gauze sashes draping from shoulders and hips, gold circlet bands on foreheads and gold bangles, the fabric pooling and spreading across the pedestal under their knees and cascading over the edge in long falling folds. Their knees press flat to the carved surface, hips back on their heels, torsos held upright with shoulders squared against the shame; wrists are drawn together at their waists, a coiled thread of glowing light wound once around each pair of wrists, taut and luminous, its thin glow rimming their forearms and reflecting small bright highlights on the silk where it crosses. Their faces are turned slightly aside from the house but the up-angle exposes every line: brows drawn hard together, eyelids tightened, wet sheen at the lower lash line, lips pressed into flat clamped lines, chins lifted a fraction as though refusing to bow, jaw muscles set. Around each neck hangs a rectangular price tag on a thin cord, printed with a large bold number in the high hundreds of millions, the cards flat and pale against the chest, one corner lifting. A wide, flat overhead spotlight cone strikes all three from directly above and forward of the stage, hot on hair crowns, shoulders and the tops of the silks, throwing their long shadows down and back across the pedestal and leaving black space behind them. At the front left of the room the auctioneer's podium stands in near silhouette, a gavel raised in a hand above it. In the immediate foreground, out of focus at the frame's bottom edges, dark silhouetted shoulders of the audience and several raised numbered bidding paddles - rectangular cards marked 12, 27, 44 - tilted up toward the stage. To the stage's right a lit price board glows faintly, rows of numbers in an unreadable small type. Behind and above, heavy velvet curtains hang in deep shadowed folds, gilt balustrades of the balcony catch only sparse glints, and rows of shadowy wealthy bidders lean in the balcony darkness. Palette held to deep crimson, near-black, tarnished gold and the cold pale blue of the enchanted thread, with the women's pale skin as the brightest passage; the chiaroscuro keeps the corners black. A single dust mote drifts through the spotlight column. Somber, oppressive.
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Immissione richiesta originale
character: scathach (fate), character: artoria pendragon (lancer), character: jeanne d'arc (alter) Three heroines kneeling on an ornate auction pedestal, being presented to an eager audience. Elegant dancer costumes with flowing fabrics. Magical glowing light threads enchanted restraints around wrists. Their faces contorted with deep humiliation and wounded pride, pale complexions, expressions twisted in shame and indignity, eyes showing distress and mortification, lips pressed tight or grimacing. Auction price tags hanging from their necks displaying high values. Dramatic spotlights from above illuminating them on the pedestal against a dark background. Auctioneer podium with gavel visible, numbered bidding paddles raised by silhouetted audience in foreground. Price boards visible. Dark heavy atmosphere: dimly lit auction hall with deep shadows, ominous moody lighting, rich but muted colors, heavy velvet curtains, golden barriers catching only sparse light, balcony seating filled with shadowy wealthy bidders. Chiaroscuro lighting emphasizing the solemn gravity of the scene. Wide horizontal composition, low angle from floor level looking upward emphasizing their position on display in the darkness.
Modalità
ultra
Stile
Retro Glam Anime
Tag qualità
﹝Prompt﹞
Dimensione
1104 x 1824
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Stile: Retro Glam Anime
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.72k

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AI artwork
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character: artoria_pendragon_(lancer)_(fate), scathach_(fate), jeanne_d'arc_alter_(lancer)_(fate), artoria_pendragon_(lancer), jeanne_d'arc_(alter) 3girls, scathach \(fate\), artoria pendragon \(lancer\) \(fate\), jeanne d'arc alter \(lancer\) \(fate\), kneeling, three dancers on ornate auction pedestal, elegant dancer costume, flowing fabrics, sheer drapery, gold jewelry, circlet, veils, magical glowing light threads, enchanted restraints around wrists, glowing bindings, bound wrists, pale skin, humiliation, wounded pride, shame, distressed eyes, mortification, grimace, pressed lips, tightened jaw, auction price tag around neck, high price tag, dramatic spotlight from above, dark background, deep shadows, auctioneer podium, gavel, numbered bidding paddles, raised paddles, silhouetted audience, foreground silhouettes, price board, dim auction hall, ominous moody lighting, rich muted colors, heavy velvet curtains, golden barrier, balcony seating, shadowy wealthy bidders, chiaroscuro, wide horizontal composition, low angle, from below, looking up, Scathach purple hair very long hair red eyes, Artoria blonde hair braid ahoge hair between eyes green eyes, Jeanne grey-white short hair yellow eyes, bare shoulders, ankles together, gold bangles, spotlight pools, dark surround, Extreme wide horizontal shot from floor level looking steeply up: three women kneel in a row on a broad ornate auction pedestal of carved gilt wood with moulding and scrolling volutes, each at the front edge of her own raised plinth so that the low camera looks up along the underside of the platform and their knees read as looming above the audience. Left, a woman with very long straight purple hair falling past her hips to the plinth, red eyes; centre, a woman with blonde hair in a braid, a stray ahoge lifting, a lock between her eyes, green eyes; right, a woman with short grey-white hair and yellow eyes. All three share a pale, bloodless complexion and a hard pallor under the lamps. Each wears an elegant dancer's costume of flowing fabric: a fitted bodice of dull gold and deep wine silk with coin-fringe at the hem, sheer veils of muted violet and rose gauze spilling from the waist and over the arms, bare shoulders, gold bangles at the upper arms and ankles, and a thin circlet holding a short veil at the crown. The gauze lifts and drifts in the hall's slow air, one long violet veil trailing off the pedestal into the shadow below. Around each pair of wrists loops a wound thread of magical light, thin bright filaments in cold blue-white that coil twice around the forearm and trail a hand's length into the air, casting small hard highlights on the cuffs of their sleeves and reflecting in their eyes; a short glowing leash of the same thread runs from each binding down to a ring on the plinth. Each price tag hangs on a cord from her neck and rests on her chest, card stock with a written sum in high figures and the hall's seal stamped at the corner; the tags tilt outward and one corner of the left tag lifts, glowing faintly where the light thread passes behind it. Their poses are held, not relaxed: shoulders drawn forward and inward, chins turned down and away from the crowd, hands folded low in their laps so the glowing cords pull taut between their forearms. Faces are tight with wounded pride and deep humiliation: brows pulled up at the inner end, eyes wet and lowered but flicking sideways toward the raised paddles, lips pressed thin or bitten into a grimace, a blush of shame high on each cheek. The woman in the middle swallows and her jaw shifts; the one at left turns her face half into her own shoulder; the one at right stares straight ahead with a fixed, mortified glare. Below and to the right, the auctioneer's podium of dark wood with a brass rail, a gavel resting on its block, a ring of keys and a folded ledger on top. In the immediate foreground, seen from behind and cropped at the shoulders, silhouetted bidders raise numbered paddles in dark against the lit stage; the nearest paddle is raised, its number catching the rim light. Behind them, a long price board in a gilded frame stands on an easel, ruled lines of figures and sold lots marked in chalk; to its left a second board, smaller letters, more rows. Beyond, the hall recedes: heavy velvet curtains in deep crimson hanging in long folds at the sides, golden barriers with sparse highlights glinting along the aisle, balcony seating above filled with shadowy wealthy bidders leaning on the rail, faces unreadable in the dark. Lighting is one hard chiaroscuro source: three tight spotlights from high above, out of frame, dropping cones of pale warm light onto the pedestal and the kneeling figures, leaving their shoulders and the hall behind in deep shadow; beyond the pool of each spotlight the darkness is nearly absolute, and long hard shadows from the plinths stretch toward the camera. Palette stays rich but muted: wine, old gold, dust-violet, and the cold white of the light threads, the only saturated note. The dust in the spotlight cones drifts and turns, and the threads' glow throws a shared specular down the polished front face of the pedestal. Ominous, ceremonial.
oburaien
#Serie Fate#Schiavo#Fate/Grand Order
AI artwork
o
character: artoria_pendragon_(lancer)_(fate), scathach_(fate), jeanne_d'arc_alter_(lancer)_(fate), artoria_pendragon_(lancer), jeanne_d'arc_(alter) 3girls, scathach \(fate\), artoria pendragon \(lancer\) \(fate\), jeanne d'arc alter \(lancer\) \(fate\), kneeling, three dancers on ornate auction pedestal, elegant dancer costume, flowing fabrics, sheer drapery, gold jewelry, circlet, veils, magical glowing light threads, enchanted restraints around wrists, glowing bindings, bound wrists, pale skin, humiliation, wounded pride, shame, distressed eyes, mortification, grimace, pressed lips, tightened jaw, auction price tag around neck, high price tag, dramatic spotlight from above, dark background, deep shadows, auctioneer podium, gavel, numbered bidding paddles, raised paddles, silhouetted audience, foreground silhouettes, price board, dim auction hall, ominous moody lighting, rich muted colors, heavy velvet curtains, golden barrier, balcony seating, shadowy wealthy bidders, chiaroscuro, wide horizontal composition, low angle, from below, looking up, Scathach purple hair very long hair red eyes, Artoria blonde hair braid ahoge hair between eyes green eyes, Jeanne grey-white short hair yellow eyes, bare shoulders, ankles together, gold bangles, spotlight pools, dark surround, Extreme wide horizontal shot from floor level looking steeply up: three women kneel in a row on a broad ornate auction pedestal of carved gilt wood with moulding and scrolling volutes, each at the front edge of her own raised plinth so that the low camera looks up along the underside of the platform and their knees read as looming above the audience. Left, a woman with very long straight purple hair falling past her hips to the plinth, red eyes; centre, a woman with blonde hair in a braid, a stray ahoge lifting, a lock between her eyes, green eyes; right, a woman with short grey-white hair and yellow eyes. All three share a pale, bloodless complexion and a hard pallor under the lamps. Each wears an elegant dancer's costume of flowing fabric: a fitted bodice of dull gold and deep wine silk with coin-fringe at the hem, sheer veils of muted violet and rose gauze spilling from the waist and over the arms, bare shoulders, gold bangles at the upper arms and ankles, and a thin circlet holding a short veil at the crown. The gauze lifts and drifts in the hall's slow air, one long violet veil trailing off the pedestal into the shadow below. Around each pair of wrists loops a wound thread of magical light, thin bright filaments in cold blue-white that coil twice around the forearm and trail a hand's length into the air, casting small hard highlights on the cuffs of their sleeves and reflecting in their eyes; a short glowing leash of the same thread runs from each binding down to a ring on the plinth. Each price tag hangs on a cord from her neck and rests on her chest, card stock with a written sum in high figures and the hall's seal stamped at the corner; the tags tilt outward and one corner of the left tag lifts, glowing faintly where the light thread passes behind it. Their poses are held, not relaxed: shoulders drawn forward and inward, chins turned down and away from the crowd, hands folded low in their laps so the glowing cords pull taut between their forearms. Faces are tight with wounded pride and deep humiliation: brows pulled up at the inner end, eyes wet and lowered but flicking sideways toward the raised paddles, lips pressed thin or bitten into a grimace, a blush of shame high on each cheek. The woman in the middle swallows and her jaw shifts; the one at left turns her face half into her own shoulder; the one at right stares straight ahead with a fixed, mortified glare. Below and to the right, the auctioneer's podium of dark wood with a brass rail, a gavel resting on its block, a ring of keys and a folded ledger on top. In the immediate foreground, seen from behind and cropped at the shoulders, silhouetted bidders raise numbered paddles in dark against the lit stage; the nearest paddle is raised, its number catching the rim light. Behind them, a long price board in a gilded frame stands on an easel, ruled lines of figures and sold lots marked in chalk; to its left a second board, smaller letters, more rows. Beyond, the hall recedes: heavy velvet curtains in deep crimson hanging in long folds at the sides, golden barriers with sparse highlights glinting along the aisle, balcony seating above filled with shadowy wealthy bidders leaning on the rail, faces unreadable in the dark. Lighting is one hard chiaroscuro source: three tight spotlights from high above, out of frame, dropping cones of pale warm light onto the pedestal and the kneeling figures, leaving their shoulders and the hall behind in deep shadow; beyond the pool of each spotlight the darkness is nearly absolute, and long hard shadows from the plinths stretch toward the camera. Palette stays rich but muted: wine, old gold, dust-violet, and the cold white of the light threads, the only saturated note. The dust in the spotlight cones drifts and turns, and the threads' glow throws a shared specular down the polished front face of the pedestal. Ominous, ceremonial.
oburaien
#Serie Fate#Schiavo#Fate/Grand Order

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