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2026年：ラブライブニセコイ19周年

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nozomi Tojo #Eli Ayase #Honoka Kosaka #Nico Yazawa #Maki Nishikino #Umi Sonoda #Kotori Minami #Hanayo Koizumi #Rin Hoshizora #Love Live!#Amana Osaki #Tenka Osaki

Pubblicato il Nov 1, 2026

Grace Caroline Bancin

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character: tojo_nozomi, ayase_eli, sonoda_umi, osaki_amana, nishikino_maki, koizumi_hanayo, yazawa_nico, kosaka_honoka, hoshizora_rin, osaki_tenka, minami_kotori 11 girls, group shot, wide shot, from above, slightly high angle, looking up at viewer, japanese house living room, tatami room, shoji sliding doors, low wooden table, zabuton cushions, kimono, traditional japanese interior, warm lamplight, evening, indoor, kosaka honoka, orange hair, short hair, hair between eyes, blue eyes, ayase eli, blonde hair, long hair, ponytail, blue eyes, minami kotori, brown hair, long hair, yellow eyes, tojo nozomi, purple hair, long hair, twintails, green eyes, sonoda umi, blue hair, long hair, yellow eyes, koizumi hanayo, brown hair, short hair, purple eyes, hoshizora rin, orange hair, short hair, yellow eyes, nishikino maki, red hair, short hair, purple eyes, yazawa nico, black hair, long hair, twintails, red eyes, osaki amana, red hair, long hair, swept bangs, yellow eyes, osaki tenka, brown hair, long hair, yellow eyes, kneeling, sitting on zabuton, leaning forward, head tilt, light smile, open mouth, looking at viewer, tea cups, steam, warm palette, soft lighting The camera looks down from just above head height at a wide tatami room in a Japanese house at evening, the eleven figures arranged in a loose arc around a low dark-wood table so that each face reads clearly from the high angle, front row kneeling on zabuton cushions and the back row seated a little further out, bodies slightly overlapping at the shoulders but no face hidden. In the front, near the left of the table, a girl with short orange hair under a warm coral kimono leans forward on both knees with her palms flat on the tatami edge, chin tilted up toward the lens, a broad open-mouthed grin and bright blue eyes; beside her a girl with long blonde hair gathered in a high ponytail in a deep navy kimono with a pale sash sits with one knee raised, sleeve pushed back, hand lifting a small tea cup toward her lips while she glances sideways over its rim. Across from them a girl with long brown hair in a soft cream kimono with a yellow obi kneels upright, both hands folded in her lap, eyes half-lowered and a faint closed-lip smile. To her right a girl with long purple hair in a high twintail falls over one shoulder in a lilac kimono, torso turned toward her neighbour, one elbow resting on the table and cheek propped on her knuckles, green eyes sliding sideways with a knowing half-smile. Next to her a girl with long blue hair in a deep indigo kimono sits with a formal, straight-backed posture, hands tucked into her sleeves, gaze lowered to the table and a small pressed line at her mouth. The back row fills the space between the shoji panels: a girl with short brown hair in a plum kimono with a large bow at her back kneels with both hands cupped around a steaming cup, peering over it; beside her a girl with short orange hair in a green kimono sits cross-legged with one fist raised in a small cheer, mouth open; a girl with short red hair in a wine-red kimono sits with her arms folded and chin lifted, one brow slightly arched, eyes looking off toward the garden doors; a girl with long black hair in twin tails in a pink kimono leans in with one finger lifted, smug grin and a wink; a girl with long red hair swept bangs in a black-and-crimson kimono stretches one long sleeve across her knees, a lazy tilted smile; and at the far right a girl with long brown hair in a soft grey kimono kneels upright with her hands on her thighs, watching the others with a quiet, level gaze. The light comes only from a paper-shaded floor lamp at the room's back corner and the warm low glow through the shoji, so the tops of heads, shoulders and the rims of the tea cups catch a honeyed edge while the undersides of the table and the folds of the kimonos fall into soft brown shadow; the steam from the cups rises and curls, catching that light and drifting toward the nearest face, and each figure's shadow pools and overlaps on the tatami. The palette is confined to warm earth and dyed cloth — coral, navy, cream, lilac, indigo, plum, green, wine, pink, crimson, grey — against the straw gold of the mats, the pale paper of the doors and the dark wood of the table, with the glossy white of the tea and the small bright accents of the sashes. Camera holds the whole room without cropping anyone out, the table's leading edge running toward the bottom of the frame and the shoji lattice squaring off the top. Warm, convivial.

2026年：ラブライブニセコイ19周年

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