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Camisole, Seno

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Camisole#Seno#denim#Capelli biondi#Crop top#pantaloncini di jeans#spalle nude#1 ragazza#tenere#vista laterale
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Aleksey G

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photorealistic album cover, 1girl, solo, gorgeous young woman, long wavy blonde hair with darker roots, fair skin, light freckles across nose and cheeks, sharp jawline, arched brows, half-closed eyes, heavy-lidded gaze, looking at viewer, seductive and dangerous smirk, one corner of the mouth curled higher, glossy lower lip, vintage yellow crop top, ribbed cotton, faded warm mustard yellow, slightly cropped above the navel, frayed hem, light-blue denim shorts, high-waisted cutoff shorts with white frayed threads, casually holding a bloody ritual dagger near her face, dark carved obsidian blade, chipped stone edge, wet dark-red blood smeared along the blade and crusted at the guard, blood flaking on her knuckles, blade held vertically beside her cheek, close-up, cowboy shot, slight from below, dutch angle, head tilt, dark suburban living room background, glowing TV screen, cathode-ray television, static and pale glow from the screen, thrift-store sofa with crocheted throw, wood-paneled wall, family photos in frames, stack of VHS tapes, dusty carpet, horror-comedy aesthetic, high contrast, cinematic lighting, hard key light, deep shadows, high 8k detail The camera looks slightly up at her from a low, faintly tilted angle, so her chin lifts and her long neck and bare shoulder line lead up toward the lens; she fills the right two-thirds of the frame in a tight cowboy shot cropped at mid-thigh, and the head of the vintage CRT television sits low at the left edge, half out of frame. She stands with her weight on her back right hip, torso twisted a quarter-turn away from the viewer, left shoulder forward, chin dipped and then raised so she looks down the tilted line of her own cheekbones straight into the lens with a slow, half-lidded, lopsided smirk -- the grin of someone who has already decided how the evening ends. Her right hand is raised beside her face, dagger held loosely, hilt low in a light three-finger grip, the flat of the obsidian blade turned to the viewer and running vertically past her cheekbone at cheek height, not quite touching; her index finger rests along the guard, and the tip climbs just past her eyebrow. Her left arm hangs easy at her side, knuckles brushing the frayed hem of the denim shorts, no tension in it at all. The lifted arm drags the yellow crop top up a fraction so a strip of midriff shows above the waistband, and the ribbed cotton creases at her ribs. The key light is the television: a cold, pale-blue glow washing in low from the left, striking the left side of her face, the flat of the blade and the front of the TV's plastic casing, and laying a hard-edged cold rim down the left of her blonde hair while the right side of her face and the back of the sofa dissolve into warm brown-black darkness. The only other light is a dim amber lamp somewhere off-frame right, which catches the warm yellow of the crop top, gilds the top of her hair and lifts one copper strand of it, and leaves everything behind her sofa at the edge of black. Shadows are clean and deep, contrast crushes to near-black at the corners. The wet blood on the obsidian is dark and glossy, and it returns a tiny, hard, blue-white specular glint from the screen -- a point of light on the blade that is brighter than anything else in the frame. On the glowing screen behind her shoulder, the bright lettering sits slightly bowed by the curve of the glass and streaked by a faint horizontal scanline: at the top of the screen, larger, a bold title in worn white caps reading "Knuckles and Bats", and beneath it, smaller in a jauntier italic, "My Babysitter is so hot", both glowing pale cyan-white through the static and casting a soft reflected sheen onto her cheek. Books and a knocked-over mug on the shelf, dust hanging in the beam. Alluring but deadly.
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Immissione richiesta originale
Photorealistic album cover, a gorgeous blonde girl resembling Samara Weaving, seductive and dangerous smirk, wearing a vintage yellow crop top and denim shorts, casually holding a bloody ritual dagger near her face. Cinematic lighting, dark suburban living room background with a glowing TV screen, horror-comedy aesthetic, alluring but deadly, high contrast, 8k resolution, highly detailed --ar 1:1 Name of the band: "Knuckles and Bats" Name of the track: "My Babysitter is so hot"
Modalità
pro
Dimensione
1408 x 1408
Metodo di campionamento
Euler
Negativo
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
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Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.65k

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AI artwork
ag
photorealistic album cover, 1girl, solo, gorgeous young woman, long wavy blonde hair with darker roots, fair skin, light freckles across nose and cheeks, sharp jawline, arched brows, half-closed eyes, heavy-lidded gaze, looking at viewer, seductive and dangerous smirk, one corner of the mouth curled higher, glossy lower lip, vintage yellow crop top, ribbed cotton, faded warm mustard yellow, slightly cropped above the navel, frayed hem, light-blue denim shorts, high-waisted cutoff shorts with white frayed threads, casually holding a bloody ritual dagger near her face, dark carved obsidian blade, chipped stone edge, wet dark-red blood smeared along the blade and crusted at the guard, blood flaking on her knuckles, blade held vertically beside her cheek, close-up, cowboy shot, slight from below, dutch angle, head tilt, dark suburban living room background, glowing TV screen, cathode-ray television, static and pale glow from the screen, thrift-store sofa with crocheted throw, wood-paneled wall, family photos in frames, stack of VHS tapes, dusty carpet, horror-comedy aesthetic, high contrast, cinematic lighting, hard key light, deep shadows, high 8k detail The camera looks slightly up at her from a low, faintly tilted angle, so her chin lifts and her long neck and bare shoulder line lead up toward the lens; she fills the right two-thirds of the frame in a tight cowboy shot cropped at mid-thigh, and the head of the vintage CRT television sits low at the left edge, half out of frame. She stands with her weight on her back right hip, torso twisted a quarter-turn away from the viewer, left shoulder forward, chin dipped and then raised so she looks down the tilted line of her own cheekbones straight into the lens with a slow, half-lidded, lopsided smirk -- the grin of someone who has already decided how the evening ends. Her right hand is raised beside her face, dagger held loosely, hilt low in a light three-finger grip, the flat of the obsidian blade turned to the viewer and running vertically past her cheekbone at cheek height, not quite touching; her index finger rests along the guard, and the tip climbs just past her eyebrow. Her left arm hangs easy at her side, knuckles brushing the frayed hem of the denim shorts, no tension in it at all. The lifted arm drags the yellow crop top up a fraction so a strip of midriff shows above the waistband, and the ribbed cotton creases at her ribs. The key light is the television: a cold, pale-blue glow washing in low from the left, striking the left side of her face, the flat of the blade and the front of the TV's plastic casing, and laying a hard-edged cold rim down the left of her blonde hair while the right side of her face and the back of the sofa dissolve into warm brown-black darkness. The only other light is a dim amber lamp somewhere off-frame right, which catches the warm yellow of the crop top, gilds the top of her hair and lifts one copper strand of it, and leaves everything behind her sofa at the edge of black. Shadows are clean and deep, contrast crushes to near-black at the corners. The wet blood on the obsidian is dark and glossy, and it returns a tiny, hard, blue-white specular glint from the screen -- a point of light on the blade that is brighter than anything else in the frame. On the glowing screen behind her shoulder, the bright lettering sits slightly bowed by the curve of the glass and streaked by a faint horizontal scanline: at the top of the screen, larger, a bold title in worn white caps reading "Knuckles and Bats", and beneath it, smaller in a jauntier italic, "My Babysitter is so hot", both glowing pale cyan-white through the static and casting a soft reflected sheen onto her cheek. Books and a knocked-over mug on the shelf, dust hanging in the beam. Alluring but deadly.
Aleksey G
#denim#capelli lunghi#Capelli biondi
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photorealistic, album cover, square format, 1girl, solo, blonde hair, long wavy hair, pale skin, yellow vintage crop top, denim shorts, bloody ritual dagger, holding knife near face, seductive smirk, cinematic lighting, dark suburban living room, glowing television screen, rim light, blue TV glow, yellow and denim palette, blood red accent. A square photorealistic album cover. The gorgeous blonde girl carries a striking resemblance to Samara Weaving, with long wavy blonde hair and pale skin. Her lips curl into a seductive and dangerous smirk. She wears a vintage yellow crop top and faded denim shorts; one hand holds a bloody ritual dagger loosely near her cheek, the blade close enough to catch the television's glow. Cinematic lighting: the dark suburban living room is nearly black beyond the television, which is the only strong light source: its cold blue-white screen glows in the background, rimming her shoulder, the curve of her cheek and the wet edge of the blade, while the room's shadows swallow the walls. The blade reflects a narrow rectangle of the TV screen, but the blood along its edge stays a dark, matte red. Palette: vintage yellow, faded denim blue, near-black room, cold TV cyan, and blood red. Dangerous, seductive.
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#a piedi nudi#denim#Coltello
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