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AI art "遭遇"
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遭遇

まだ3姉妹は接触していない。 もし、逢ったらどうなるだろうか?

#Originale#angolo olandese#Vestito#Stivali#tacchi alti#Guanti da sposa#capelli lunghi#Capelli neri#capelli blu#capelli castani#capelli multicolore#capelli sfumati#Profilo#fluttuante#Capelli grigi#Pianta#occhi azzurri#Bocca aperta#più ragazze#armatura#Maniche lunghe#Vestito nero#Libro#Figura intera#all'interno#maniche a juliet#Carta#capelli fluttuanti#bocca chiusa#libreria#Pila di libri
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of Ren Tsukiyomi
character: baobhan_sith_(first_ascension)_(fate), sakura_kyoko_(magical_girl), firefly_(honkai:_star_rail), yoisaki_kanade, copyright: honkai:_star_rail 4girls, throne room, sitting on throne, bright pupils, smirk, string, string pull, ahoge, red eyes, cleavage, empty eyes, string on body, floating, witch's labyrinth, from below, dutch angle, wide shot, baobhan_sith_(first_ascension)_(fate), long_hair, pink_hair, sidelocks, hair_ornament, grey_eyes, pointy_ears, red_dress, detached_sleeves, frills, bare_shoulders, sakura_kyoko_(magical_girl), red_hair, very_long_hair, ponytail, hair_bow, black_bow, red_dress, bare_shoulders, black_thighhighs, red_boots, yoisaki_kanade, white_hair, very_long_hair, hair_between_eyes, blue_eyes, ouji_fashion, long_sleeves, firefly_(honkai:_star_rail), grey_hair, black_hairband, hair_ornament, bow, hair_intakes, multicolored_eyes, purple_eyes, white_shirt, black_jacket, no humans besides the four, marionette strings from above, taut strings, slack strings, strings crossing space, The camera sits low and tilted: a wide shot from below and off-axis, looking up through the hazy vault of a throne room that is also a witch's labyrinth. The vault is not architecture so much as a growth -- arched ribs of blackened bone and rose-coloured masonry that spiral inward and never quite meet, dripping stalactites of wax, and a floor of polished checkerboard marble that recedes too far for the room's size, its far edge curving upward like a bowl. At the centre back, a throne of iron vines and dark red upholstery rises on a dais of stacked steps; elsewhere in the same room, hanging from the vault, are the other three. Baobhan Sith sits the throne with her weight thrown onto one hip and one leg slung over the armrest, back leaned against the opposite side. Long pink hair spills over the upholstery and her sidelocks frame her face; her pointed ears jut clear of the hair, each earring hanging free. She wears a red dress with frilled hems, detached sleeves and bare shoulders, and her head is tilted down toward the viewer so that her grey eyes catch the light as flat, glossy bright pupils fixed on nothing. One corner of her mouth lifts -- a smirk that shows a hint of teeth, one brow raised, chin lifted. Her right hand is raised at shoulder height, index and thumb pinching a single taut thread; a whole loose harness of strings runs from that pinched point up into the dark vault and down again to the three floating figures, crossing each other mid-air. Her left hand grips the armrest, knuckles pale. Her chest is turned slightly to the left, a soft curve of cleavage visible at the low neckline of the dress. Above and to her right, Sakura Kyoko floats free of the floor, maybe three metres up, knees drawn and one arm pulled across her body, her very long red hair and ponytail trailing upward as though underwater, the black bow and the pale ahoge lifted off her head. She wears the red dress with bare shoulders and detached sleeves, black thighhighs and red boots; one taut string loops around her upper arm and another around her waist, creasing the cloth where it bites in. Her red eyes are wide and locked on Baobhan Sith below, mouth slightly parted, one shoulder hunched as if testing whether the string will hold. Further left and lower, near a broken colonnade, Yoisaki Kanade hangs suspended a metre off the marble, body angled forward and one hand reaching down as if toward an invisible floor, her very long white hair fanned out and hanging upward in strands, the hair between her eyes drifting. She is in ouji-style clothing -- a long-sleeved frilled shirt and skirt -- and the string runs across her collarbone and under one arm, pulling the fabric taut so that a line of cleavage shows at the collar. Her blue eyes stay on her own hand, not on the throne, and the small ahoge at her crown trembles. Closest to the camera, at the lower right and nearer to the lens than the throne, Firefly floats almost horizontally, arms trailing, the long grey hair and its black hairband and bow streaming sideways; her white shirt and black jacket are wrinkled where a loop of string digs into her waist and another passes across her thigh. Her multicoloured purple eyes are open but vacant and unfocused, empty pupils reflecting nothing, and her mouth is slack; she faces away from the throne, floating toward the viewer's right edge. The only light is a cold pale glow leaking from the labyrinth's vault above, and it falls from above and slightly behind the figures, so the tops of heads, shoulders and the taut strings are lit bright and the undersides of faces, the throne's lower steps and the checkerboard floor beneath all sit in deep shadow; each figure casts a thin shadow down onto the marble where the light passes them. The strings are the brightest lines in the image -- thin, glistening, some taut and some sagging under slack -- and small dust motes hang along them, catching the light and making the invisible pull visible. The palette is restricted to rose and dusty crimson, cold ivory and black, with a single lamp-warm amber glint riding along the threads. Silent, suspended menace.
Ren Tsukiyomi
#Puella Magi Madoka Magica#Kyoko Sakura#Baobhan Sith

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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3#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#Kagamine Rin#Vocaloid#Lofi Dream
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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8#L'attacco dei giganti#Mikasa Ackerman
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