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千災
Mostra parametri
- Immissione richiesta originale
- 無愛想で冷たい義姉 艶のあるボブカット 整った顔 無愛想な目 誰もいない自室 実は義弟であるあなたが大好き(自覚無し) ボンキュッボンで豊満な胸と腰 モデルのような体型 普段着の、灰色のパーカーに黒のレディース 透明感 室内 ソファ 仰向け 何故かお腹の奥が疼く パーカーが少し捲れる 頬を赤らめる
- Modalità
- pro
- Stile
- Muted & Transparent
- Tag qualità
- ﹝Prompt﹞
- Dimensione
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Stile: Muted & Transparent
Helper di Prompt
Modello e LoRA utilizzati
Immagini simili
Mostra di più1girl, solo, indoors, lying on back, on sofa, arms spread wide, inviting, grey hoodie, black pants, hoodie lifted slightly, midriff, bare midriff, glossy bob, blunt bob, shiny hair, handsome face, well-defined features, sullen eyes, cold expression, unsociable, half-closed eyes, looking away, faint blush, parted lips, hourglass figure, full bust, wide hips, model proportions, slender waist, clear translucent skin, fair skin, from above, foreshortening, couch, living room, soft window light
View from above, camera set overhead and slightly toward the foot of the sofa so the frame looks down the length of her body: a young woman lies on her back on a low grey-upholstered sofa, and the vertical frame crops her at mid-thigh along the bottom edge, her head near the top third. Her glossy black bob fans out against the sofa cushion, the blunt-cut ends curving under her jaw and picking up one hard, separate highlight along the crown; the nape of her hair is compressed flat where her head presses into the cushion. Her face is composed and cleanly proportioned -- straight nose, defined cheekbones, a sharp jaw -- and her eyes, half-lidded and turned off to her right, away from the lens, hold a flat unimpressed coldness; her mouth is a straight line with the lower lip just barely parted on an exhale, and a faint warmth sits high on her cheeks that her expression does nothing to acknowledge.
She wears an oversized heather-grey pullover hoodie and black women's trousers. Both arms are flung wide and open, one thrown over the sofa's backrest and hanging past it with the sleeve swallowed to the fingertips, the other extended along the seat cushion, palm turned up and open. The spread arms pull the hoodie's hem up across her stomach, riding up just above her navel; the black trousers sit low at her hips where the hem meets them. Her body reads in one continuous hourglass line under the loose cotton -- full bust pushed up and to one side by the way she lies, the fabric drawing into taut folds across it, a narrow waist, then the flare of her hips straining the flat-front trousers. Where her weight lands the cushion compresses into a long shallow dent beneath her hips and shoulder blades; the drawstring of the hood sits fallen sideways on her collarbone.
The room is a quiet, ordinary living room, midground only: the sofa's backrest and one armrest visible, a dim wall behind it, and the rest of the interior falling away into soft shadow at the edges of the frame. Cool daylight comes in from a window at the left of frame, low and diffuse, skimming across the crown of her hair, the ridge of her cheekbone and the turned-up hem of the hoodie, leaving the right side of her face and the hollow of the sofa in gentle grey shade; the highlight on her bob and the sheen on her bared stomach are the only bright accents. Palette of cool greys, black and pale skin, nothing saturated. Still, sullen, held-breath quiet.
千災
1girl, solo, sleeping, lying on back, on sofa, indoors, glossy bob cut, shiny hair, handsome refined face, unsmiling, cold expression, closed eyes, voluptuous, large breasts, wide hips, hourglass figure, model physique, translucent skin, luminous skin, grey hoodie, black pants, hoodie hem rolled up, bare midriff, arms at sides, head on cushion, from above, from side, foreshortening, three-quarter view, natural light, quiet
From above and slightly to her side, the camera looks down at a shallow diagonal across the sofa: a single young woman lies flat on her back, fully asleep, her head tipped onto the wide armrest cushion at frame left, her face turned three-quarters up toward the lens with her eyes closed and lashes resting against her cheekbones. Her expression is closed and aloof even in sleep — the brow unknit but flat, the lips pressed in a straight unsmiling line, the jaw relaxed, no softness admitted. Her glossy black bob is a smooth blunt-curtained shape that cups her cheekbones and stops just at the jaw, and the cushion fabric bulges a little where the back of her head presses into it, one lock fanned and lifting away from the crown.
She is dressed in a loose grey pullover hoodie and black women's casual trousers. The hoodie is soft and worn, its drawstrings lying slack, and the hem has ridden up in her sleep — a few centimetres of bare midriff exposed between cuff-ribbed hem and the black waistband, the fabric folded back on itself rather than lifted by a hand. The straining grey cotton still reads the full hourglass shape beneath it: generous bust sloping into a narrow waist and wide, full hips, a long model-limbed silhouette running the length of the couch. One arm lies slack along her side with the sleeve pushed over the knuckles, the other bent with the hand half-curled on the seat cushion beside her hip; her legs are straight and slightly apart, one foot turned outward, both knees dropped open naturally.
The setting is a quiet living room, seen mostly as data: the sofa's soft grey-cream upholstery beneath her, a second cushion compressed under her weight, a wall and the blur of a low table falling away at the top of the frame. Daylight enters from a window off frame right, cool and diffuse, laying a soft bright band across her cheek, her collarbone, and the exposed strip of midriff, where the skin reads translucent and luminous — a pale inner glow at the ears, the eyelids, and the fingertips. The shadow side of her body sinks into the sofa in warm neutral grey, with only the cushion seams and the folds of the hoodie giving contour. Palette of soft grey, black, cream and pale warm skin, nothing saturated. Still and unreadable.
千災
1girl, solo, indoors, sitting, on sofa, arms spread, outstretched arms, welcoming, beckoning, glossy bob cut, short hair, black hair, shiny hair, refined face, beautiful face, pale skin, clear skin, sullen eyes, stern eyes, half-closed eyes, cold expression, unsmiling, closed mouth, voluptuous, hourglass figure, large breasts, wide hips, model build, long legs, grey hoodie, drawstrings, black pants, women's trousers, leaning back, head tilt, looking at viewer, from below, cowboy shot, sofa cushions, living room, window light, rim light
The camera sits low, from below and slightly off-axis, in a cowboy shot that catches her from the knees up as she sits deep in the corner of a wide grey fabric sofa, one hip sunk into the seat cushion and one leg drawn up with the knee resting against the backrest, the other foot flat on the cushion edge, so the sofa visibly compresses under her weight and the fabric creases outward from her hip. Both arms are flung wide along the sofa's back and armrest, wrists loose, palms open and turned up, elbows unlocked — an invitation delivered like a shrug. Her torso twists slightly toward the lens while her chin stays level and her shoulders stay low and relaxed; the grey hoodie is oversized and well-worn, hood down and bunched at the back of her neck, sleeves pushed to the wrists, the fabric drawing taut across her chest and falling loose at the waist, its hem riding up a hand's width over the black trousers where the waistband shows. Her black hair is a blunt glossy bob ending just under the jaw, the crown catching a hard specular sheen, one side tucked behind her ear and the other swinging forward across her cheek. Her face is symmetrical and fine-boned, skin clear and pale with a faint cool translucency at the temples and throat; her eyes are narrow and level, lids heavy, brows flat, mouth closed and perfectly straight — no smile, no warmth, the gaze fixed on the viewer with a flat, unreadable challenge. The only tell is in the body: the arms stay open a beat too long, and the toe of her flat foot presses into the cushion. Light comes from a window at frame left, cool daylight raking across her cheekbone and the sheen of her hair and dropping the right side of her face and the sofa's far arm into soft shadow; a faint warm lamp glow sits behind her shoulder without reaching her. Palette is restrained — cool grey sofa and hoodie, deep black hair and trousers, pale skin — with nothing saturated admitted. The cushion under her hip stays dented after she shifts. Quiet, cool, and quietly wanting.
千災
1girl, solo, glossy bob cut, black hair, shiny hair, blunt bangs, jitome, sullen eyes, cold expression, expressionless, beautiful face, refined features, translucent skin, pale clear skin, blush, flushed cheeks, voluptuous, hourglass figure, large breasts, wide hips, model build, long legs, grey hoodie, hoodie slightly rolled up, midriff, black pants, pants pulled down, black panties, lying on back, supine, on sofa, head on cushion, one knee bent, indoor, private room, bedroom, empty room, no other people, sofa, soft afternoon light, from above, close-up, looking at viewer, staring, motionless, text, speech bubble, thought bubble, "じイ", "何故かお腹の奥が疼く"
From a high angle looking down, one young woman lies alone on her back across a grey fabric sofa in an empty private room, and no one else is anywhere in the frame. Her glossy black bob is cut blunt at the jaw and lacquered with a clean sheen that catches the light in one long highlight along the crown; her head rests turned slightly on a cushion, so the bob splays against the fabric and the blunt fringe parts a little over her brow. Her face is genuinely well-featured — straight nose, defined cheekbones, a clean jawline — and the skin over it is fair and translucent, so the light seems to pass a little way into her cheeks; those cheeks are flushed pink and the flush runs to the tops of her ears. Her sullen, hooded jitome eyes hold a flat, cold stare straight up at the lens, lids heavy, brows level, mouth set in an unbudging line: a sour, unsmiling demeanor that gives nothing away. Her stare is aimed at the viewer and held there without warmth.
She lies full length on the sofa, her shoulders and upper back pressed into the seat, one knee drawn up with the foot braced against the cushion and the other leg stretched out along it, hips sunk into the give of the upholstery. The grey hoodie is her usual slouchy casual one, its drawstrings loose at her throat, and it is rucked up a little at the waist so a narrow band of pale midriff shows above the waistband — the fabric bunched in soft folds where her body has pushed it. Her black ladies' pants are pulled down off her hips and gathered in a slack black ring around her upper thighs, drawn down far enough to bare black underwear at the hip; the pulled-down fabric lies in the crease between thigh and cushion where her weight has pressed it. Her figure reads as unmistakably voluptuous even lying down: a full bust tenting the hoodie's front, an exaggerated sweep in at the waist, wide hips flaring across the seat cushion, and long model-proportioned legs. One hand rests loosely on her own stomach, fingers barely curled, the heel of the palm pressing low on her abdomen as though she is trying to locate a feeling there; the other arm is flung above her head, wrist slack against the cushion. Her body is very still, but her breath moves shallowly — a faint tension in the low belly, the drawn-up knee easing a fraction — the visible sign of a strange ache deep in her abdomen that she cannot name, and her expression never softens while she feels it.
The room around the sofa is bare and quiet — pale walls, a plain floor, no other furniture intruding — with the whole frame belonging to the sofa and to her, and the negative space above her head keeping her solitude fixed. Soft daylight comes in from a window off frame to the upper left and falls across her from above, lighting the sheen of her bob, the bridge of her nose and the bare band of her stomach, while the underside of her jaw, the hollow of her throat and the space between her drawn-up knee and the cushion fall into a deeper grey shade; her shadow pools short and soft into the seat beneath her.
The palette is restrained and cool — the grey of the hoodie and walls, the black of the hair, pants and underwear, the pale translucency of her skin, and the single warm blush of her cheeks and ears carrying all the colour in the picture.
A jagged little speech bubble sits just beside her eyes at the top of the frame and reads "じイ", lettered small and sharp, its tail pointing at her stare. A rounded thought bubble floats above her forehead and reads "何故かお腹の奥が疼く", its letters set light and even, drifting upward as a quiet unspoken thought.
quiettension, cold and softly charged
千災
Scopri altro
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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