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1girl, solo, medium breasts, breasts, cleavage, bare shoulders, bare arms, looking at viewer, seductive smile, closed mouth, smile, sitting, on a bench, from side, knees up, crossed legs, putting on her socks, feet out of frame, indoors, dirty old locker room, old wooden bench, bookshelf, light brown skin, black hair with brown streaks, brown eyes, bangs, messy long hair, wolf cut, shaggy layers, white and black sports bra, white and black pleated miniskirt, kneehigh socks, white socks, bow, jewelry, earrings, ear piercing, cartilage piercing, helix piercing, realistic, sexy ass, arched back, leaning forward, head tilt, sideways glance, looking back, half-closed eyes, raised eyebrow, messy hair, windows in background, wooden floor, dust in the air Seen in full side profile, the girl sits on a scuffed old wooden bench in a dirty old locker room, her body angled away in a hard side view while her head tilts back over her near shoulder so her brown eyes find the viewer. Her weight rests on her right hip; her left leg is folded high with the knee drawn up and crossed over her right thigh, and both arms reach down toward her right shin. Her fingers grip the grey-and-white knee-high sock bunched at her ankle, thumbs kneading the knit as she rolls it up her calf; the other sock is already pulled to the knee, its cuff squeezing a shallow crease into her light brown skin. A white and black sports bra straps over both shoulders with a bow tied at the center, hugging her medium breasts and leaving a clean line of cleavage at the deep neckline; the matching white and black pleated miniskirt flares over the bench edge, its pleats fanning from the way she sits so the curve of her hip and the round of her ass read against the slats. Her long messy black hair with brown streaks and a blunt fringe falls in shaggy wolf-cut layers, the bangs brushing her brow and the longest strands spilling over the bare span of her shoulders and upper arms. Both ears are visible in the profile: hooped earrings and a stud travel up the cartilage in a wire of small metal. Her closed mouth is curved into a slow seductive smile, one eyebrow lifted. The bench runs back toward the far wall, where open metal lockers stand with flaking paint and warped doors, and a leaning bookshelf stuffed with old hardbound books sits half-shaded behind her. A tall dusty window at the top left casts one grey shaft of late daylight that rakes across the plank floor, catching the dust in the air and laying a soft highlight down her cheek, bare shoulder and the taut span of the sock she is pulling on; the rest of the room settles into cool shadow. The palette is dusty grey-brown with the stark white and black costume pulling the eye. Quiet, sly, loaded.
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Immissione richiesta originale
, 1girl, solo,, breasts, looking at viewer, smile, medium breasts, , closed mouth, , bow, jewelry, cleavage, bare shoulders, sitting, , , earrings, , indoors, , , , , , , feet out of frame, , , , bare arms, , , , crossed legs, ear piercing, , , , , , bookshelf, , , )l,light brown skin,black hair with brown streaks,bangs,brown eyes,messy long wolf cut,,,, , , ,, realistic, seductive smile, realistic, from side, on a bench,dirty old lockerroom, knees up, sexy ass,white and black sports bra and white and black pleated miniskirt,kneehigh socks,putting on her socks
Modalità
flash
Dimensione
1824 x 1104
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.70k

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み
1girl, solo, black hair, medium hair, neck-length hair, straight hair, see-through bangs, swept bangs, bangs swept to the left, black eyes, gentle eyes, soft expression, necklace, pendant necklace, nurse clothes, white nurse dress, garter belt, white thighhighs, long thighhighs, zettai ryouiki, crossed legs, sitting, from above, from side, looking at viewer, head tilt, light smile, hand on own knee, dutch angle, hospital room, window light The camera looks down and in from above her left shoulder at a slight dutch tilt, so her crossed legs read as the longest line in the frame and the crown of her head tips toward the lens. She sits on the edge of a plain clinic examination table, torso turned three-quarters to the window on her right while her face comes back over her shoulder toward the viewer; her weight rests on her right hip, her right foot flat on the table's edge, her left knee folded over the right so the left calf hangs free and the left toe points at the floor. Her left hand lies loose on her upper knee, fingers curled over the white fabric; her right hand is planted behind her on the mattress, arm straight, shoulder drawn up under the short sleeve. Her black eyes are half lowered and steady on the viewer, lips closed in a faint, unhurried smile, one eyebrow a fraction higher than the other. Her hair is straight and falls to the base of her neck, glossy black, heavier on the right side; the see-through fringe is parted and swept diagonally to her left, so the fine strands lie translucent across her brow and you can just see the skin and the eyebrow beneath them. The white nurse dress is buttoned to the collarbone in a soft, worn cotton, its short sleeves ending mid-upper-arm, and a small thin-chain pendant with a single dark stone hangs in the open V of the neckline, lying flat on her sternum. Below the hem the garter belt's straps run down taut over her bare upper thigh to the white thighhighs, which reach high up the leg and band it with a faint compression ring; where the left thigh crosses the right, the stocking fabric presses flat and its ladder of tiny vertical ribs catches the light. The room is a small quiet clinic: pale green wall, a frosted-glass window at her right casting low afternoon light that comes in cool and diffused, brightening the left side of her face and the top of her thigh and dropping her right side and the underside of the table into a soft green-grey shadow. Beyond the window's reach the room dims to muted sage and bone white; nothing else in it is bright. The only saturated colour is the near-black of her hair and eyes against the white cotton and the pale room. A thin crease has formed in the paper sheet where her right hand presses it. Still, quietly warm.
みほみん
AI artwork
吉
1girl, solo, female high school student, tall female, 200cm tall, slender, long legs, very long legs, beautiful legs, legs emphasized, black socks, black knee-high socks, long brown hair, brown eyes, sitting, knees slightly bent, legs stretched out, legs extended toward viewer, feet toward viewer, foreshortening, perspective, from above, from front, looking down at viewer, black hair ribbon, white short-sleeved button-up shirt, sailor collar, pleated navy blue skirt, loose sock, feet close to camera, her room, indoor, afternoon light, warm palette, light smile, looking at viewer, Shot from above and slightly in front, tilted down the length of the girl's outstretched legs, the perspective running from the soles of her black socks huge in the near foreground back to her hips and face small at the top of the frame. She sits on the floor of her room, hips settled on a low cushion, torso leaned back on one straight arm braced behind her, spine relaxed, one shoulder lower than the other. Her legs stretch straight toward the viewer, knees just barely bent so the lines of them break softly rather than fully locking, one foot tipped onto its heel and the other on the toe, black socks pulled high to mid-calf, the ribbed fabric clinging and creasing at the ankle, one sock slipping a little lower than the other with a fold at the top band. Her outstretched hand grips the cushion edge, fingers pressing into the seam; the other hand rests on one thigh, palm settling just below the skirt hem. Her long brown hair falls past her back and pools in loose strands on the floor at the side away from her braced arm, one lock sliding forward over her shoulder and hanging down toward her lap. She wears a white short-sleeved button-up shirt with the top button left open, the collar gone slightly askew with her lean, and a pleated navy blue skirt spread on the cushion around her hips. A black ribbon holds a half of her hair back from her face. Her head is tipped forward toward the viewer, chin lowered, lids half lowered under a faint, lopsided closed-mouth smile, eyes fixed on whoever stands above her. The camera is low in the foreground and high relative to her, so her socked feet fill the bottom third and the floorboards run away in converging lines toward her waist; perspective distortion stretches the near legs and shrinks the far shoulders, the classic long line of them exaggerated by the point of view. Behind her, her room: a low bed with a rumpled blanket at the back wall, a bookshelf with a few books slumped against each other, a single window on the left casting a slanted bar of afternoon sun across the floorboards, dust in it. The right side of the room drops into soft shadow. Warm honeyed daylight from the window, cool gray fill in the shadows, palette kept to white, navy, warm brown and the black of the socks and ribbon. A subtle detail: the sun bar ends exactly at her nearer sock, the sock's rib making a comb of tiny shadows along the light's edge. Calm, cozy, casually confident.
吉田晴樹

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