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AI artwork featuring #zetaCollab
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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
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character: koyanskaya_(fate) 1girl, solo, adult female, mature female, huge breasts, huge hips, curvy, wide hips, thick thighs, sexy, nurse outfit, nurse cap, white dress, short-sleeved nurse uniform, red trim, white thighhighs, garter straps, pink hair, long hair, hair between eyes, sidelocks, high ponytail, yellow eyes, fox ears, animal ear fluff, pink hair bow, fox tail, sitting on bed, on bed, hospital bed, hospital room, from side, profile, looking at viewer, turning head, head turned, knee on mattress, hand on mattress, leaning back, arm support, crossed legs, arched back, closed-mouth smile, one eyebrow raised, half-closed eyes, mischievous, intravenous drip stand, cardiac monitor, IV line, sterile white bedding, pale blue curtain, fluorescent ceiling light, shallow depth of field, close-up, cowboy shot The camera sits low and to her left in a three-quarter-to-profile from the side, so she is seen almost in silhouette against the room's pale wall, her body angled across the bed and her head turned back over her shoulder toward the lens. One knee is planted on the mattress with the other leg crossed over it at the shin, and her weight rests back on a straight left arm whose palm is pressed flat into the sheet and whose wrist bends slightly under the load; the mattress dips in a soft crater around that hand and the sheet creases radiate from it. Her nurse's dress is white with a thin red trim at the collar and cuffs, sheer enough over the hips that the seam of the white thighhighs and the garter straps show as faint shadow, and the fabric bunches and pulls across her huge breasts where she leans back, the hem riding high over one huge hip. A small white nurse cap is pinned into the high pink ponytail, which spills forward over the far shoulder rather than down her back; one thick sidelock falls across her cheek, and the fox ears above it tilt back, their pale fluff catching the light, while the pale fox tail lies curled across the sheet behind her hip, half-hidden by the bedding. Her eyes are half-lidded and yellow, aimed straight at the viewer, and one eyebrow is lifted over a closed, lopsided smile that is more knowing than friendly; the sheet behind her hand shows the little ridge where her palm pushes the cotton down. The room around her is an ordinary hospital room: a grey steel IV stand with a coiled line at the left edge of the frame, a monitor's dark screen behind her shoulder, a pale blue privacy curtain with soft vertical folds filling the right of the background. A single cool fluorescent panel in the ceiling is the only light source, and it does all the work -- it rims the crown of her head and the fox ears, catches the glossy sheath of the thighhighs, lays a hard bright strip down the forearm braced on the bed, and drops the shadowed side of her throat and the space beneath the bed into a cooler blue-grey. The palette is clinical white against pale blue and the one saturated warm note of her pink hair, with the red trim the only other accent. Shallow focus holds her face and shoulder sharp while the IV stand and curtain go soft; still, quiet provocation.
Mostra parametri
Immissione richiesta originale
光のコヤンスカヤ_(fate)、huge breast,huge hip,sexy female,adult female、女にフォーカス、ナース服、病室、ベッドに座っている
Modalità
pro
Tag qualità
﹝Prompt﹞
Dimensione
768 x 1280
Metodo di campionamento
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Helper di Prompt

Modello e LoRA utilizzati

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.66k

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AI artwork
ご
character: koyanskaya_(fate) 1girl, solo, koyanskaya_(fate), long hair, pink hair, hair between eyes, sidelocks, high ponytail, yellow eyes, fox ears, animal ear fluff, fox tail, huge breasts, huge hips, curvy, wide hips, adult female, mature female, nurse uniform, white nurse dress, short-sleeved nurse dress, pink trim, nurse cap, white stockings, garter straps, no hair bow, hair unadorned, hospital room, hospital bed, IV stand, heart monitor, window with blinds, from above, looking up at viewer, leaning forward, hands on own knees, head tilt, sidelong glance, smirk, one eye narrowed, open mouth, :d, blush, volumetric light, dusty air, focus on the woman, cowboy shot, The camera looks down from above at a woman leaning far forward toward the lens, both hands braced on her own knees, her weight carried on her left leg with the right knee bent forward and the right heel lifted off the floor. She is the only figure in the frame, centered low in a tall vertical composition, her ponytail falling over her right shoulder toward the viewer while her head tips to her left so she looks up at the lens through the gap between her bangs, one yellow eye narrowed, the other wide, a lopsided smirk pulling one corner of her mouth open with a glimpse of teeth and a hot blush high on both cheeks. Fox ears rise from the crown of her head, the layered inner fluff catching a rim of light along the left edge; her pink hair is gathered into a high ponytail with the sidelocks sweeping down along her jaw and a few strands clinging to her cheek from the leaning motion. Nothing at all is pinned in her hair — the crown of her head between the fox ears and the base of the ponytail is bare of any ribbon, clip or ornament, and the ponytail is tied with a plain elastic so the hair reads as completely unadorned. Her ears are bare too, both lobes visible and unobstructed where the sidelocks are pushed back. A single fox tail sweeps out low and to the right behind her hips, its tip curling out of frame. She wears a short-sleeved white nurse dress with a notched collar and a small pink-trimmed breast pocket, a stethoscope hung around her neck with its chestpiece housing set just off-center over her sternum; the dress closes with a row of small buttons down the front that strain and gape slightly across the huge swell of her chest, the fabric pulled taut and creasing in the V of the neckline and drawn tight over her hips where the skirt flares. A small white nurse cap with a pink cross sits clipped to the side of the ponytail. White stockings run up her thighs and meet garter straps that bite a faint dent into the skin above her knees. Her shadow falls on the floor beneath her, displaced forward-left because the light comes from above. The set is a hospital room: behind her to the left stands a white IV pole with a half-full bag hanging at eye height, sheets rumpled on a bed whose rail crosses just behind her hip on the right, a heart monitor blinking on a cart, and tall windows with half-closed blinds at the back, the slats throwing a striped slab of light across the pale blue vinyl floor and over the foot of the bed. The only light is daylight through those blinds from above and behind-left; it catches the top of her head, the ridge of the fox ears, her shoulders and the upper curve of her chest, and leaves her jawline, the underside of her bust and the space under the bed in deep cool shadow. Palette is restrained: clinical white and mint-green walls, pale blue floor, cool grey shadows, with her pink hair, the pink trim of the dress and the warm yellow of her eyes the only saturated color in the frame. Dust motes hang and drift within the shaft of light as a slow-moving register of how still the air in the room is, the only motion the soft sway of her ponytail and the tail tip. Tender and a little wicked.
ごばんめ
#zetaCollab
AI artwork
ご
character: koyanskaya_(fate) 1girl, solo, koyanskaya_(fate), long hair, pink hair, hair between eyes, sidelocks, high ponytail, yellow eyes, fox ears, animal ear fluff, fox tail, huge breasts, huge hips, curvy, wide hips, adult female, mature female, nurse uniform, white nurse dress, short-sleeved nurse dress, pink trim, nurse cap, white stockings, garter straps, no hair bow, hair unadorned, hospital room, hospital bed, IV stand, heart monitor, window with blinds, from above, looking up at viewer, leaning forward, hands on own knees, head tilt, sidelong glance, smirk, one eye narrowed, open mouth, :d, blush, volumetric light, dusty air, focus on the woman, cowboy shot, The camera looks down from above at a woman leaning far forward toward the lens, both hands braced on her own knees, her weight carried on her left leg with the right knee bent forward and the right heel lifted off the floor. She is the only figure in the frame, centered low in a tall vertical composition, her ponytail falling over her right shoulder toward the viewer while her head tips to her left so she looks up at the lens through the gap between her bangs, one yellow eye narrowed, the other wide, a lopsided smirk pulling one corner of her mouth open with a glimpse of teeth and a hot blush high on both cheeks. Fox ears rise from the crown of her head, the layered inner fluff catching a rim of light along the left edge; her pink hair is gathered into a high ponytail with the sidelocks sweeping down along her jaw and a few strands clinging to her cheek from the leaning motion. Nothing at all is pinned in her hair — the crown of her head between the fox ears and the base of the ponytail is bare of any ribbon, clip or ornament, and the ponytail is tied with a plain elastic so the hair reads as completely unadorned. Her ears are bare too, both lobes visible and unobstructed where the sidelocks are pushed back. A single fox tail sweeps out low and to the right behind her hips, its tip curling out of frame. She wears a short-sleeved white nurse dress with a notched collar and a small pink-trimmed breast pocket, a stethoscope hung around her neck with its chestpiece housing set just off-center over her sternum; the dress closes with a row of small buttons down the front that strain and gape slightly across the huge swell of her chest, the fabric pulled taut and creasing in the V of the neckline and drawn tight over her hips where the skirt flares. A small white nurse cap with a pink cross sits clipped to the side of the ponytail. White stockings run up her thighs and meet garter straps that bite a faint dent into the skin above her knees. Her shadow falls on the floor beneath her, displaced forward-left because the light comes from above. The set is a hospital room: behind her to the left stands a white IV pole with a half-full bag hanging at eye height, sheets rumpled on a bed whose rail crosses just behind her hip on the right, a heart monitor blinking on a cart, and tall windows with half-closed blinds at the back, the slats throwing a striped slab of light across the pale blue vinyl floor and over the foot of the bed. The only light is daylight through those blinds from above and behind-left; it catches the top of her head, the ridge of the fox ears, her shoulders and the upper curve of her chest, and leaves her jawline, the underside of her bust and the space under the bed in deep cool shadow. Palette is restrained: clinical white and mint-green walls, pale blue floor, cool grey shadows, with her pink hair, the pink trim of the dress and the warm yellow of her eyes the only saturated color in the frame. Dust motes hang and drift within the shaft of light as a slow-moving register of how still the air in the room is, the only motion the soft sway of her ponytail and the tail tip. Tender and a little wicked.
ごばんめ
#zetaCollab
AI artwork
ご
character: koyanskaya_(fate) 1girl, solo, koyanskaya_(fate), long hair, pink hair, hair between eyes, sidelocks, high ponytail, yellow eyes, fox ears, animal ear fluff, fox tail, huge breasts, huge hips, curvy, wide hips, adult female, mature female, nurse uniform, white nurse dress, short-sleeved nurse dress, pink trim, nurse cap, white stockings, garter straps, no hair bow, hair unadorned, hospital room, hospital bed, IV stand, heart monitor, window with blinds, from above, looking up at viewer, leaning forward, hands on own knees, head tilt, sidelong glance, smirk, one eye narrowed, open mouth, :d, blush, volumetric light, dusty air, focus on the woman, cowboy shot, The camera looks down from above at a woman leaning far forward toward the lens, both hands braced on her own knees, her weight carried on her left leg with the right knee bent forward and the right heel lifted off the floor. She is the only figure in the frame, centered low in a tall vertical composition, her ponytail falling over her right shoulder toward the viewer while her head tips to her left so she looks up at the lens through the gap between her bangs, one yellow eye narrowed, the other wide, a lopsided smirk pulling one corner of her mouth open with a glimpse of teeth and a hot blush high on both cheeks. Fox ears rise from the crown of her head, the layered inner fluff catching a rim of light along the left edge; her pink hair is gathered into a high ponytail with the sidelocks sweeping down along her jaw and a few strands clinging to her cheek from the leaning motion. Nothing at all is pinned in her hair — the crown of her head between the fox ears and the base of the ponytail is bare of any ribbon, clip or ornament, and the ponytail is tied with a plain elastic so the hair reads as completely unadorned. Her ears are bare too, both lobes visible and unobstructed where the sidelocks are pushed back. A single fox tail sweeps out low and to the right behind her hips, its tip curling out of frame. She wears a short-sleeved white nurse dress with a notched collar and a small pink-trimmed breast pocket, a stethoscope hung around her neck with its chestpiece housing set just off-center over her sternum; the dress closes with a row of small buttons down the front that strain and gape slightly across the huge swell of her chest, the fabric pulled taut and creasing in the V of the neckline and drawn tight over her hips where the skirt flares. A small white nurse cap with a pink cross sits clipped to the side of the ponytail. White stockings run up her thighs and meet garter straps that bite a faint dent into the skin above her knees. Her shadow falls on the floor beneath her, displaced forward-left because the light comes from above. The set is a hospital room: behind her to the left stands a white IV pole with a half-full bag hanging at eye height, sheets rumpled on a bed whose rail crosses just behind her hip on the right, a heart monitor blinking on a cart, and tall windows with half-closed blinds at the back, the slats throwing a striped slab of light across the pale blue vinyl floor and over the foot of the bed. The only light is daylight through those blinds from above and behind-left; it catches the top of her head, the ridge of the fox ears, her shoulders and the upper curve of her chest, and leaves her jawline, the underside of her bust and the space under the bed in deep cool shadow. Palette is restrained: clinical white and mint-green walls, pale blue floor, cool grey shadows, with her pink hair, the pink trim of the dress and the warm yellow of her eyes the only saturated color in the frame. Dust motes hang and drift within the shaft of light as a slow-moving register of how still the air in the room is, the only motion the soft sway of her ponytail and the tail tip. Tender and a little wicked.
ごばんめ
#zetaCollab
AI artwork
ご
character: koyanskaya_(fate) 1girl, solo, koyanskaya_(fate), long hair, pink hair, hair between eyes, sidelocks, high ponytail, yellow eyes, fox ears, animal ear fluff, fox tail, huge breasts, huge hips, curvy, wide hips, adult female, mature female, nurse uniform, white nurse dress, short-sleeved nurse dress, pink trim, nurse cap, white stockings, garter straps, no hair bow, hair unadorned, hospital room, hospital bed, IV stand, heart monitor, window with blinds, from above, looking up at viewer, leaning forward, hands on own knees, head tilt, sidelong glance, smirk, one eye narrowed, open mouth, :d, blush, volumetric light, dusty air, focus on the woman, cowboy shot, The camera looks down from above at a woman leaning far forward toward the lens, both hands braced on her own knees, her weight carried on her left leg with the right knee bent forward and the right heel lifted off the floor. She is the only figure in the frame, centered low in a tall vertical composition, her ponytail falling over her right shoulder toward the viewer while her head tips to her left so she looks up at the lens through the gap between her bangs, one yellow eye narrowed, the other wide, a lopsided smirk pulling one corner of her mouth open with a glimpse of teeth and a hot blush high on both cheeks. Fox ears rise from the crown of her head, the layered inner fluff catching a rim of light along the left edge; her pink hair is gathered into a high ponytail with the sidelocks sweeping down along her jaw and a few strands clinging to her cheek from the leaning motion. Nothing at all is pinned in her hair — the crown of her head between the fox ears and the base of the ponytail is bare of any ribbon, clip or ornament, and the ponytail is tied with a plain elastic so the hair reads as completely unadorned. Her ears are bare too, both lobes visible and unobstructed where the sidelocks are pushed back. A single fox tail sweeps out low and to the right behind her hips, its tip curling out of frame. She wears a short-sleeved white nurse dress with a notched collar and a small pink-trimmed breast pocket, a stethoscope hung around her neck with its chestpiece housing set just off-center over her sternum; the dress closes with a row of small buttons down the front that strain and gape slightly across the huge swell of her chest, the fabric pulled taut and creasing in the V of the neckline and drawn tight over her hips where the skirt flares. A small white nurse cap with a pink cross sits clipped to the side of the ponytail. White stockings run up her thighs and meet garter straps that bite a faint dent into the skin above her knees. Her shadow falls on the floor beneath her, displaced forward-left because the light comes from above. The set is a hospital room: behind her to the left stands a white IV pole with a half-full bag hanging at eye height, sheets rumpled on a bed whose rail crosses just behind her hip on the right, a heart monitor blinking on a cart, and tall windows with half-closed blinds at the back, the slats throwing a striped slab of light across the pale blue vinyl floor and over the foot of the bed. The only light is daylight through those blinds from above and behind-left; it catches the top of her head, the ridge of the fox ears, her shoulders and the upper curve of her chest, and leaves her jawline, the underside of her bust and the space under the bed in deep cool shadow. Palette is restrained: clinical white and mint-green walls, pale blue floor, cool grey shadows, with her pink hair, the pink trim of the dress and the warm yellow of her eyes the only saturated color in the frame. Dust motes hang and drift within the shaft of light as a slow-moving register of how still the air in the room is, the only motion the soft sway of her ponytail and the tail tip. Tender and a little wicked.
ごばんめ
#zetaCollab

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